Collection of materials from Aaron Rosen, English professor and Provost of Arts and Letters at the University at Buffalo. The collection includes notebooks, photographs, chapbooks, and correspondence.

Alfred Dorn was an American poet, critic, and professor. Born in 1929 in Flushing, New York, Dorn attended New York University for his undergraduate and doctoral degrees, where he studied English Renaissance poetry. He lived and worked in New York City for the remainder of his life, teaching at Queensborough Community College and the City University of New York, participating in many poetry readings and conferences, and serving as a prominent member of many literary organizations including the Poetry Society of America and the World Order of Narrative and Formalist Poets. The Alfred Dorn Collection contains literary manuscripts, professional papers, correspondence, and personal documents and photographs.

The Amelia Etlinger Collection, 1971-2014, is primarily a collection of over 100 art objects, mail art, and concrete poetry sent to Ellen Marie Helinka [Bissert], Mike Belt, Mirella Bentivoglio, and the University at Buffalo Poetry Collection in the 1970s and 1980s. Additional material includes correspondence between mailart recipients and Etlinger, and correspondence between recipients pertaining to Etlinger; exhibition catalogs, announcements, interviews, newspaper clippings, and photographs; and art criticism in the form of articles, exhibition reviews, descriptions, and a DVD of artist and collector Paula Claire opening and describing her personal collection of Etlinger works.

Anne Blonstein (1958-2011) was born in Harpenden, Hertfordshire, England, and studied plant genetics at Cambridge University. In 1983 Blonstein was appointed to a post-doctoral fellowship at the Friedrich Miescher Institute in Basel, where she remained for the rest of her life. She began publishing poetry in 1987, and in 1991 she left her career in science to pursue writing full time, working as a freelance translator and editor. The Anne Blonstein collection, 1975-2011, consists of manuscripts, diaries, notebooks, and correspondence documenting the creation and publication of her work, as well as correspondence with friends.

Records from the UB Student Poetry Prizes, which include the Academy of American Poets Prize, Friends of the University Libraries Undergraduate Poetry Prize, and the Dan Liberthson Poetry Prize.

Bruce Boone is a poet, writer, translator, and activist living and working in San Francisco, CA. The Bruce Boone papers span the years 1940-2014 and contain Boone's manuscripts, correspondence, personal records, writings by contemporaries, and original artwork. The collection contains paper, analog, and born-digital records.

The Buckle Collection contains the records for both of Frank's literary magazines. The materials include editorial correspondence (1977 to 1982) along with a few miscellaneous manuscripts and business records. The documents include books and magazines inscribed to Frank; general correspondence with various editors, columnists, critics, directors, actors, and Israeli and American poets; and editorial correspondence.

The Chain collection contains material pertaining to the editorial business and production of Chain magazine from 1993-2004. Material includes correspondence and submissions, production material, printer invoices, and correspondence between the editors, Juliana Spahr and Jena Osman. Formats include printed email, correspondence, floppy disks, CDs, DVDs, and VHS.

Collection consists of letters from poet and publisher Cid Corman to John Martone and includes two typed manuscripts by Corman, Pith Water and No Telling.

The Contemporary Manuscripts Collection contains a total of thousands of pages of manuscripts and/or correspondence from hundreds of poets and writers such as Lascelles Abercrombie, W. H. Auden, David Gascoyne, Elizabeth Jennings, Hugh MacDiarmid, Thomas Merton, Charlotte Mew, Ezra Pound, Alastair Reid, Peter Russell, Winfield Townley Scott, Genevieve Taggard, Ruthven Todd, Henry Treece, and Louis Zukofsky.

Materials related to the work of Deborah Meadows. Deborah Meadows is a poet, playwright, and essayist whose work includes , and . Meadows has worked with poets in Cuba and Buenos Aires. The collection includes Meadows' correspondence, notes, drafts, and other related materials.

Doug Holder is a poet, teacher, and founder of Ibbetson Street Press. This collection includes correspondence, articles, ephemera, and recorded interviews.

The Drafting Collection contains correspondence and assemblage poetry submissions to Kevin Thurston from 1997-2006. Of particular note is the original artwork, poetry, manuscript material, and periodicals.

Earth's Daughters Collection, 1969-2015, contains materials related to the production of the magazine. The bulk of the material is submissions by poets. Other material includes correspondence, editorial business, financial records, grant applications, distribution records, production material, submission records, subscription records, art and ephemera.

The First Intensity Collection contains the editorial correspondence for Lee Chapman's literary magazine from 1992 to 2007. Correspondence contains poetry submissions, page proofs, reviews, and articles from poets featured in First Intensity.

The Gabrielle Bouliane collection includes materials related to the life and career of Gabrielle Bouliane as well as slam poetry events. Gabrielle Bouliane was a performance poet who performed at several National Poetry Slams and founded the Nickel City Slam. The collection materials includes ephemera and articles related to slam poetry events as well as notes and other written materials by Gabrielle Bouliane.

Gail Sher is a San Francisco area-based writer, teacher, and psychotherapist. She earned her B.A. in English from Northwestern University, received a Ford Foundation Fellowship to study linguistics at the University of Texas at Austin but chose instead to study middle English and (later) harpsichord at the University of California, Berkeley. She won a Teacher of the Year award from the combined education faculties of Berkeley, Stanford, and San Francisco State for her high school teaching of English. She completed her M.A. in Clinical Psychology at John F. Kennedy University and has been a practicing psychotherapist since 1991. In 1970 she was ordained as a lay disciple of Shunryu Suzuki Roshi, and her work as both a writer and a therapist is influenced by her training in Zen Buddhism, Tibetan Buddhism, and Yoga. Since 1982, she has published over thirty books of poetry and three books on writing as a craft and a spiritual practice. The Gail Sher Collection includes both handwritten and typed manuscripts, correspondence between Sher and other poets and poet-editors, art, photographs, and documentation of her published work, including many journals in which her poetry has appeared.

Opened in 2006, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials, and other ephemera and realia documenting the history of the Contemporary Arts Center.

The Harry Jacobus collection includes 400 prints of digital art by Jacobus, some of which are manipulations of his paintings and drawings; photographs from San Francisco and travels in Europe and Mexico; a file on the King Ubu Gallery, including photocopied exhibition fliers; correspondence from Jess and other friends and associates; and a digital recording of Robert Duncan's "Foust Foutu" performed at The Six Gallery.

Helen Adam (1909-1993) was a poet and visual artist of the San Francisco Renaissance. Born in Scotland, she garnered acclaim at a young age for her collection of poems titled The Elfin Peddlar. After attending Edinburgh University for two years Helen and her sister and frequent collaborator Pat Adam worked as journalists in London before moving to the United States with their mother in 1939. The family made their way to San Francisco, at the beginning of what would become the San Francisco Renaissance. Here her artistic career flourished, and she published a number of poetic and visual works. Following the success of her play San Francisco's Burning, the sisters moved to New York City where they remained for the rest of their lives. The material in the Helen Adam Collection contains over 100 collages, 119 scrapbooks, manuscripts for several books of poetry and individual poems as well as production material from Adam's dramatic work such as San Francisco's Burning and Daydream of Darkness. Also included are personal documents, artwork, and ephemera.

The Jargon Society Collection features an extensive collection of materials relating to the long and influential life of the press, including numerous manuscripts and correspondence from such American and English poets as Charles Olson and Robert Duncan, production and promotional materials, financial records, and photographs as well as the manuscripts and personal papers of Jonathan Williams.

The Jayne Lyn Stahl collection contains materials related to the plays, writings and poetry of Jayne Lyn Stahl. Jayne Lyn Stahl was a freelance poet, playwright, freelance essayist, and member of the PEN American Center. The collection includes draft poems, screenplays, letters, and other related materials.

The kari edwards papers comprises approximately 4.6 gigabytes of digital content (approximately 3300 files) and 9.88 linear feet of paper materials and art objects. The bulk of the digital files can be described as born digital; content originating in a computer environment. These files consist of drafts of edwards' published works of poetry, drafts of unpublished works, images of cover art for works, reviews of edwards' poetry, syllabi and letters to publishers. The collection also contains a significant number of digital images, including born digital images and other images that are digital surrogates of print photographs. The bulk of the digital images were taken during travel to various parts of India including Auroville, Chennai, Delhi, Kolkata, Mamallapuram, and Varanasi between 2004 and 2006. The physical records include notebooks, manuscripts, ephemera, clippings, official documents, unique publications, photographs, artworks on paper and canvas.

The Kavyayantra Collection contains materials from the Kavyayantra Press including letterpress proofs, galleys, broadsides, and book covers, created both independently and in letterpress courses at Naropa University, and featuring the work of poets associated with Naropa.

Kenneth Cox (1916–2005) was a British literary critic and essayist. In particular, Cox admired and wrote extensively about Ezra Pound and Lorine Niedecker, with whom he had a warm friendship. His essays and reviews appeared regularly in Agenda and the Australian magazine Scripsi, as well as in Cambridge Quarterly, PN Review, and Montemora, and his only full-length book, Collected Studies in the Use of English (Agenda Editions), was published in 2001. He also translated from multiple languages, including Italian, Scottish Gaelic, and French, as well as wrote essays in French. The Kenneth Cox Collection, 1965-2005, consists of manuscript material and correspondence, primarily Cox's notes, research, and drafts. It was organized by Cox with Jenny Penberthy, from whom the Poetry Collection acquired the files.

The Kenneth Warren collection consists of materials related to the work of Kenneth Warren with the majority related to the journal House Organ. Kenneth Warren was the editor and publisher of the poetry journal House Organ as well as the director of Lakewood Public Library. The collection includes correspondence, manuscripts, drafts, and other related materials.

The Kiosk Collection contains materials from Kiosk: A Journal of Poetry, Poetics, and Experimental Prose, published by Poetics students at University at Buffalo, The State University of New York, including editorial correspondence and submissions.

K.S. Ernst has been writing poetry and making artwork since the 1960s. Her pieces span visual poetry, digital art, and fine art, incorporating sculpture, multimedia, works on paper, artists' books, painting, fiber arts, and digital works. She has also participated in artist residencies, lectures, and performances with the Be Blank Consort, and runs Press Me Close, which publishes books, postcards, and T-shirts of visual poetry. The K.S. Ernst Collection (1965-2016) contains original dimensional work of visual poetry, works on paper, prints of digital work, and prints of images of work, as well as catalogs of her work. Included in the descriptions of pieces are the catalog numbers that reference Ernst's very detailed catalogs of her work.

Lisa Jarnot is an American poet, scholar, and teacher. She was born in Buffalo, New York, in 1967, and studied at the University at Buffalo, later earning her MFA from Brown University. She has published multiple collections of poetry as well as the definitive biography, Robert Duncan: The Ambassador from Venus (University of California Press). She has also edited magazines and taught at the Naropa Institute, University of Colorado Boulder, Long Island University, and Brooklyn College, as well as many independent workshops. The Lisa Jarnot Collection, 1984-2016, represents a broad and comprehensive look at Lisa Jarnot's work as a writer and teacher and includes manuscripts, correspondence, syllabi, and research and drafts for the Robert Duncan biography.

Collection contains editorial and business records for Lost and Found Times magazine, 1975-2005, including manuscript submissions, correspondence, mail art, and production material for all 54 issues. The collection also contains personal poetry business records for John M. Bennett, including correspondence, manuscripts, electronic mail, and journals. The bulk of the collection is mail art.

The Marc Widershien Collection contains manuscripts for over a dozen books and chapbooks, many of them self-published; his dissertation (1979); manuscripts of individual articles and reviews; a collection of many of his first appearances; letters; and various personal items.

Collection of materials relating to the personal life, photography, and writings of Michael Benedikt. Michael Benedikt was a writer and editor who was also active in documenting "Happenings" in the 1960's and 1970's The collection includes poetry drafts, manuscripts, correspondence, photographs, and other related materials.

Norma Cole is a poet, translator, visual artist, and educator. Born in Toronto, Canada, she learned French at an early age and received her B.A. in Modern Languages and Literature and M.A. in French Language and Literature from the University of Toronto. She has translated a number of French writers into English, and has published over 30 books and chapbooks of her own poetry, some of which incorporates her visual work. Cole has lived in San Francisco since the early 1970s and has held adjunct and visiting professorships and residencies at a number of institutions, including the University of San Francisco, San Francisco State University, the Naropa Institute, the University of California, Berkeley, St. Mary's College, Temple University, and Otis College of Art and Design in Los Angeles. The Norma Cole Collection, 1987-2014, contains journals, notebooks, photographic material, and ephemera related to her poetry and visual art, as well as a significant amount of material related to her teaching, primarily at University of San Francisco and San Francisco State University.

The Osiris Collection, 1972-2021, contains material related to the production of the magazine as well as Andrea Moorhead's personal career. The bulk of the material is correspondence. Other material includes business financial material and production material for Osiris; and manuscripts, correspondence, acceptance letters, and publications documenting Andrea Moorhead's poetry and translation career. Osiris is still an actively publishing magazine. The material in this collection documents the life of Osiris until 2013.

The P22 collection includes materials related to the P22 Type Foundry products, marketing, and commissions. This includes include catalogs, postcards, floppy disks, cds, cd cases, vinyl records, books on type fonts, stickers, temporary tattoos, metal type, playing cards, coasters, a hockey puck, a bottle of buffalo wing sauce, a bag of pasta for promotion, and a coffee mug.

Panna Grady O'Connor was a patron of writers, primarily poets. Throughout the early to mid-1960s she befriended various writers in New York. After brief relationships with John Wieners and Charles Olson, Panna met Philip O'Connor, with whom she maintained a relationship for over 30 years, until his death in 1998. Shortly after meeting, they moved to France, where Panna still resides. Throughout the 1960s and 1970s, Panna was known for her parties and her generosity toward poets. The Panna Grady Collection, 1950-2015 (bulk 1960-1970), consists chiefly of correspondence, including letters from William Burroughs, Diane Di Prima, Ed Dorn, Allen Ginsberg, Barbara Guest, Michael Hamburger, Herbert Huncke, Charles Olson, and John Wieners. The collection also contains a number of photographs of Panna with John Wieners and with Charles Olson; a script for a play by Jack Micheline and an annotated manuscript of Revolutionary Letters by Diane Di Prima; an annotated and inscribed broadside, "Hart Crane, Harry Crosby, I See You Going Over the Edge," by John Wieners; and books inscribed to Panna. Panna donated Philip O'Connor's archives to Leed University, but some materials related to his work are included, such as letters from Stephen Spender and a bibliography of O'Connor's work. This collection documents through correspondence Panna's connection to and financial support of writers in New York and London primarily in the 1960s. The letters also reveal the relationships among writers, including collaborations and interactions with each other. Within the series on Correspondence is a file on Parties, which details the elaborate parties given by Panna at her Dakota Building apartment through guest lists, invitations, and responses.

Peter Mantis, the pen name of Nick (Dominic) Canterucci who also goes by William S. Paley, is a writer, artist, musician, and performer based in Memphis, TN, originally from Ann Arbor, MI. He is active in mail art community, and he produced the long-running film and music zine Loafing the Donkey (1987-2004. Kenneth Lawrence Beaudoin (1913-1995) was an American anthropologist and poet. Born in Michigan, he graduated from Memphis State College in 1935, attended Louisiana State from 1936 to 1937, Loyola (La.) in 1940, and the New School for Social Research from 1944 to 1946. This collection contains material related to Peter Mantis and Kenneth L. Beaudoin, including a letter from Judson Crews regarding Beaudoin's papers; a typed manuscript about Crews by Beaudoin; several pages of typescript poems by Beaudoin; a notebook/manuscript, Mississippi River Suite; photographs of Peter Mantis; a scrapbook of Beaudoin's family; a binder of print-outs of Mantis's blogs from his MySpace site; a softball signed by Peter Mantis; an oil painting of Beaudoin by Cliff Middleton, 1940; and 15 literary journals and zines.

Phylum Press is an independent publisher of poetry pamphlets and chapbooks based in New Haven, CT. It was founded in 2000 by Nancy Kuhl and Richard Deming.

Audio, video, and transcript files from events held by the Poetry Collection.

Rachel Guido de Vries is a poet and fiction writer who has known Diane di Prima since meeting her at Syracuse, NY, in the mid-1980s. This collection consists of correspondence from Diane di Prima, Lyn Lifshin, and Marge Piercy to Rachel Guido De Vries, as well as a draft of di Prima's work, Loba.

The bulk of the collection is comprised of typescript signed poems by Charles Bukowski; some are photocopies of typescripts or computer-printed pages but are signed in ink. The collection also includes a painting by Charles Bukowski, a painting and screen print by Jack Micheline, two Black Sparrow Press broadsides of poems by Bukowski, posters advertising readings by Bukowski, a dubbed copy of documentary The Best Hotel on Skid Row, and a small file of correspondence from Bukowski to various recipients. The materials in this collection, part of a larger private collection assembled by Ross Runfola, were donated by Runfola and were originally part of an auction by PBA Galleries in 2011.

The Slipstream Collection contains the editorial papers relating to the history of the magazine and press, including manuscript submissions for both the magazine and chapbook awards, the editors' correspondence with various authors, and some production materials.

Records, pamphlets and catalogs relating to small presses in the United States, the United Kingdom, and elsewhere.

The Stone Soup/Jack Powers Collection primarily contains 28 cartons of videocassettes (VHS) containing raw and edited Stone Soup poetry readings and events. Collection also contains manuscript material of Jack Powers, business records and meeting minutes for Stone Soup, flyers for Stone Soup and Beacon Hill Free School, correspondence, and newspaper clippings. Four John Wieners readings have been digitized.

This collection is not yet completely processed. Please contact the Poetry Collection for more information.

Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Their relationship is documented in Andrew Marks's The Rabbi and the Poet (1994). Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings, and ephemera, as well as many Frost-related items from other critics.