The Abraham Rothberg Papers contain material related to literature Rothberg wrote and edited, such as typescript copies of manuscripts and publisher correspondence. The collection also includes research materials he utilized for his writings, material related to his dissertation on Jack London, documents from the time he spent as professor, editor and journalist at various universities, publishing houses, and periodicals, and correspondence sent to and received from family, friends, and colleagues.

The ADAM International Review Papers contain records from the University of Rochester's affiliation with the literary magazine ADAM. These materials date from 1968 to 1973. The papers also include photocopied manuscripts that the magazine's founder-editor, Miron Grindea, donated to the University. The collection is organized into five series: 1) correspondence, 2) distribution, 3) finances, 4) publicity, and 5) manuscripts.

This collection contains the personal and professional papers of Celia Adler and Lazar Freed, including theatrical materials such as scripts, programs and sheet music, correspondence, newspaper clippings, assorted publications, and photographs of many of the members of the Adler family and their friends from the Yiddish theater. These materials reflect the wide scope of the Adler acting family and their immense influence on Yiddish theater, Broadway and motion pictures.

Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.

Manuscript constitution and minutes (1854-1913) of the Alumni of the University of Rochester (362 pages of which pages 221-362 are blank).

Contains a manuscript alumni directory compiled by Herman K. Phinney in 1887; and address list of the men graduates and non-graduates, classes of 1908-1913.

This collection primarily reflects the activities of Alvin Saunders Johnson during his years as director and president emeritus of the New School for Social Research (1946-1971). The files consist of biographical materials, correspondence, subject files, and writings. Because much of Johnson's work as president emeritus of the New School was concentrated on fundraising, the correspondence and subject files largely document this activity. Other projects documented here include Johnson's proposal to establish a labor college at the New School (which never came to pass), and launching a Faculty of Retired Professors. The Writings series includes drafts, typescripts, and reprints from publications documenting Johnson's abiding engagement with social issues, in addition to chapter drafts for his autobiography, Pioneer's Progress (published 1952).

The collection contains: typescripts, chiefly of unpublished novels, short stories and a few poems; correspondence between herself and James Brown of James Brown Associates (her agent), publishing companies, book clubs, friends, and on behalf of Operation Morale; magazine and newspaper clippings, scrapbooks, desk diaries, and miscellaneous pictures.

Barr's manuscript of Thyra Varrick, ca. 1901, forms the bulk of this collection. Other materials include letters, photographs, and postcards.

The Anthony Giardina Papers include a generous collection of the author's early drafts - typically handwritten on yellow legal pads amply embellished by the author's inimitable ornate doodles, somewhat suggestive of the work of M. C. Escher. Giardina explains that doodles are his way of warming up to writing as he returns to his work-in-progress each day. Also included are drafts showing editorial comments by Jonathan Galassi and others, and the work of copy editors. Selections from the correspondence offer substantive insight into Giardina's thoughts, and exchanges with others, about the process of writing. The collection includes other materials documenting aspects of the publishing process such as interactions with literary agents, development of publicity for new titles, play and book reviews, and reader responses in the form of fan mail or online reviews.

The collection consists of correspondence, the manuscript of the play "Milestones", two manuscripts of essays published in the London Evening Standard, notes for the play "Mr. Prohack", and a binder of clippings about the run of "Milestones". The chief correspondents are Arnold Bennett, Edward Knoblock, and Max Meyerfeld. The Bennett-Knoblock correspondence concerns agreements and rights pertaining to "Milestones", the writing of two other plays, "London Life" and "Mr. Prohack," Knoblock's experiences in Hollywood, and their shared hobby of furniture buying. The Meyerfeld-Knoblock correspondence concerns the translation of "Milestones" into German. All letters are indexed.

Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, lectures, and other academic and professional work spanning his entire career. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.

Arthur Waldeck (1899-1965) was a New York-based voice teacher. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated copies of Schenker's works, written and published in German.

The collection consists of a group of manuscripts contributed to the literary magazine, The Bermondsey Book, which was published from December 1923-May 1930, with Frederick Heath as the editor, as the organ of the Bermondsey Bookshop, and a means of publishing hitherto unknown writers. There are also three letters to Heath from John Alfred Spender (1862-1942), journalist and author, Sir Hugh Seymour Walpole (1884-1941), writer, and Charles Edward Montague (1867-1928), journalist and man of letters, discussing The Bermondsey Book.

The papers consist of literary manuscripts written by Charles Albert Brown.

The papers include manuscript drafts of reports on the biological condition of the Rochester water supply, and printed material mentioning Dodge or his books. Also, two papers, "Vital Economics" (1916) and "Making Diphtheria Anti-toxin Serum..." (1930) which Dodge read before "The Club."

The Curtis White Papers consists of 35 boxes and 1 oversize folder of White's personal papers, including 6 boxes of correspondence; 21 boxes of manuscript and printed material by White; 1 box of interviews and works by other authors; 2 boxes of audio/visual material; 1 box of speeches and presentations; and 4 boxes and 1 oversize folder of personal ephemera.

The collection includes correspondence and other papers; his diary, which reveals research activities, especially an interest in European artists in South America during the 19th century; and activities as a print dealer; and record books of print purchases and sales, 1962-1966. Unpublished material includes a work of fiction (Love In Santiago: Four Tales) and material on artists, including Auguste Borget (1809-1877), Otto Grashof (1812-1876), and Johann Moritz Rugendas (1802-1858).

The collection consists of correspondence (personal and about book and articles published); outline of courses taught at the University of Rochester; subjects of interests; and some of his published articles and speeches.

Notes:

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

The Elizabeth Brayer Papers consists of two series: Draft Manuscripts and Printed Materials. Within the first series there are four complete drafts of Brayer's biography of George Eastman. Johns Hopkins University Press published Brayer's book titled, George Eastman, a Biography, in 1996. In 2006 the University of Rochester Press reprinted it. The second series consists of a photocopy of the script: George Eastman in Focus.

A substantial portion of the Erich Hula Papers consists of his writings, both in typescript and published form. This includes his contributions to newspapers and journals as well as extensive notes from his research and for courses taught. The collection also contains correspondence files and biographical documents, and a large collection of reprints (and some typescripts) sent to and collected by Hula of colleagues and other scholars.

The Ernest Poole Papers are comprised of two boxes containing typescripts with manuscript alterations and notes for Blind and Beggars' Gold (1921), a novel that explores the inherent power of individuals to deal with political and personal challenges.

Correspondence on various topics, including emigration to the United States and Cuba; relocation in academic jobs; denazification and conditions in Germany after the war; and Kantorowicz's scholarship. In addition to family members, correspondents include Ernst Curtius, Ludwig Edelstein, Bernhard Flexner, Felix Frankfurter, Sidney Hook, Robert Maynard Hutchins, Ernst Kitzinger, Theodor Ernst Mommsen, John Ulric Nef, Kurt Riezler, Hans Rothfels, Fritz Saxl, Percy Ernst Schramm, Edward Sproul, Gerd Tellenbach, Paul Tillich, Edward Tolman, Helen Waddell, Earl Warren, and Stanley Weigert.Unpublished manuscripts, and offprints of articles and reviews by Kantorowicz, largely on medieval cultural history; a brief biography of him by Ralph Giesey.Manuscripts, correspondence, legal briefs, clippings, and other material on the loyalty-oath controversy; material on Kantorowicz's tenure at the University of Frankfurt, and on his dismissal.Manuscripts, correspondence, and other papers of family members; an art history essay by Gertrude Kantorowicz and a pamphlet of poetry from Theresienstadt; genealogies; and a manuscript on Simon Kaliphari of Posen; manuscript by Kaete Ledermann, A Memorial of Angi ("Esther") Kantorowicz, c. 1904-1944, 1954, including transcript compiled by Guenther Roth.Photos of Kantorowicz and of family members.Papers of Richard Kandt (1867-1918), an African explorer and, from 1908-1914, administrator of Ruanda: poems, letters, maps, and obituaries.Addenda: Original lectures by Kantorowicz. Photocopies for reader service.The following individuals and families are mentioned in this collection: Curtius, Ernst R.; Edelstein, Ludwig; Flexner, Bernhard; Frankfurter, Felix; Giesey, Ralph; Hook, Sidney; Hutchins, Robert Maynard; Kaliphari family; Kaliphari, Simon; Kandt, Richard; Kandt, Richard; Kantorowicz, Angela (Angi, Esther); Kantorowicz, Gertrude; Kitzinger, Ernst; Ledermann, Kaete; Lieeschuetz, Hans; Mommsen, Theodor; Nef, John Ulric; Riezler, Kurt; Rothfels, Hans; Saxl, Fritz; Schramm, Percy Ernst; Sproul, Edward; Tellenbach, Gerd; Tillich, Paul; Tolman, Edward; Waddell, Helen; Warren, Earl; Weigert, Stanley.

Manuscript created by Parsons School of Design instructor Estelle Hamburger for the book, Fashion Business: It's All Yours (Canfield Press, 1976).

Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

The collection contains correspondence from Frank Alvah Parsons, president of the New York School of Fine and Applied Art (later, Parsons School of Design), to alumni James Wilfrid Kerr and Rose Netzorg Kerr, in addition to a short manuscript written by James Wilfrid Kerr upon Parsons' death. The tribute relates Kerr's experiences as a World War One veteran studying art under Parsons' tutelage.

The collection contains scores and parts of original compositions and arrangements by Frederick Slee. It also includes transcriptions of works by composers such as J.S. Bach, Mozart, and Haydn, as well as a lesson for recorder.

The Frederick Exley collection consists of 36 boxes and 9 oversize items of Exley's personal papers and memorabilia, including 7 boxes of correspondence; 6 boxes of manuscript and printed material by Exley; 1 box of manuscript material by other writers; 4 boxes of printed material and ephemera; 2 boxes of financial, legal, medical and personal documents and materials; 5 boxes of ephemera and memorabilia; 7 boxes of Jonathan Yardley's personal research and manuscript material; 5 packages of oversize ephemera; 1 framed oil portrait; and 3 large exhibit posterboard photos. Several books belonging to Frederick Exley have been removed from the collection and catalogued for Rare Books' stacks (see Appendix C for a detailed listing).

The Frederick Taylor Gates collection is comprised of one series: Typescript. The Typescript series contains the carbon copy of Chapters in My Life, which was used in the publication of the book.

This collection contains correspondence, book catalogs, and research materials of Frederick Ungar, especially those relating to the Frederick Ungar Publishing Company.

The collection contains scores and parts of twenty original compositions by Friedrich Otto Trautmann, a composer and organist who lived in Germany and England in the late nineteenth to early twentieth century.

Tetens was a journalist and political pamphleteer who also wrote under the pseudonym Anton Pettenkofer. This collection contains correspondence, unpublished manuscripts, and information about the anti-Nazi movement.

The collection documents the professional life of photographer and journalist Fritz Neugass. The Neugass Papers include published writings, typescripts, clippings, research materials, photographs by Neugass, photographs by others, correspondence, and auction catalogs.

The collection includes a typescript (887 numbered leaves) of Ellis's novel There Goes the Queen, which was published in 1935.

George Rohrlich served in the U.S. Office of Strategic Services, 1943-1945, in the Public Health and Welfare Section of the Supreme Commander of the Allied Powers, Japan, 1947-1951, and the International Labour Office (ILO), Geneva, 1959-1964. He was a professor of economics at the University of Chicago, 1964-1967, and at Temple University, 1967-1981. This collection contains correspondence, manuscripts of unpublished papers, lecture notes, and novellas.

Manuscripts of published and unpublished works of George Henry Harris including manuscripts (presumably an original and a revised draft) of his "Life of Horatio Jones."

This collection consists of working papers, numbered 1-56 (with some gaps in numbering), originating from the Committee on Political Economy of the New School for Social Research. The numbers were assigned by the Committee and follow a rough chronological order. Authors include Thomas I. Palley, David M. Gordon, Willi Semmler, and Alice H. Amsden.

Hans Elias, a native of Darmstadt, Germany, was a German-American scientist. This collection contains a number of his contributions to medical research, biology, zoology, and even art in the form of reprints of articles, a photocopy of his manuscript "Abenteuer in Emigration und Wissenschaft," and two reel-to-reel tapes.

The Henry T. Hettger Papers document Hettger's published and unpublished contributions to various numismatic publications, his coin purchases, and various correspondence.

The collection consists of correspondence, including letters from such notables as Herbert Hoover, H.L. Mencken, Billy Rose, and Walter Winchell. Also included are the manuscripts of his books, copies of the "Seen and Heard" columns and his other publications, newspaper clippings, and photographs. Some correspondents include Samuel Hopkins Adams, Louise Brooks, Carl Carmer, Jacob Robert Cominsky, Eva Gabor, Frank Gannett, Herbert Hoover, J. Edgar Hoover, Beatrice Kaufman, Claire Boothe Luce, Jerre Mangione, Irene Castle Mc Laughlin, Henry Lewis Mencken, Frank Sullivan, Booth Tarkington, Gene Tunney, Walter Winchell.

The collection includes correspondence and notes, and the manuscripts of his published and unpublished books, articles and addressee. The collection has been expanded with the acquisition of photographs, photographic glass plates, scrapbooks, additional notes, miscellaneous papers and memorabilia.The final additions to the Fairchild papers were made after the Professor's death, when his wife gave the residue of his personal papers to the Library.

The collection includes printed programs, a selection of papers presented by members, histories of the Class, book lists, and photographs.

These papers contain drafts, outlines, notes, and manuscripts authored by Horace Meyer Kallen (bulk 1930s-1960s), documenting his career as a founding professor of philosophy at the New School for Social Research (1919-1974). His papers also contain writings by others and research material in the form of offprints and printed journals. Many topics center on religion and his work with Jewish organizations during the 1950s-1960s.

This collection is comprised of working papers originating from the International Center for Migration, Ethnicity, and Citizenship (ICMEC), described and arranged in the following series: Migration Policy in Global Perspective, Immigrant New York; Occasional Papers; Critical Perspectives on Xenophobia; and Negotiating Differences.

The collection consists of correspondence, photographs, and manuscripts which reflect Irina Aleksander's association with a number of literary notables such as Anaïs Nin, Miroslav Krlea, Marijan and Zora Matkovi, Lon Pierre-Quint, Claude Aveline, and Evgenii Zamiatin.

The collection contains family letters, legal documents (personal, professional, and business), primarily written by residents of New York State and miscellany; photographs of nineteenth-century portraits from the album of Elizabeth Van Rensselaer; black and white photographs taken in the mid-1950s and 1960s of Van Rensselaer family member portraits and homes; newspapers with articles relating to the Van Rensselaer family.

Jacques Judah Lyons, hazzan, rabbi and community leader, was born in Surinam and emigrated to Philadelphia in the early 1800s. Minister of the New York Congregation Shearith Israel for 38 years, he gathered extensive materials on early Jewish history in the United States, Canada and the West Indies. His papers include manuscripts, newspaper clippings, scrapbooks, notebooks, photographs and a Sansom ship's log book. Contains material relating to Jews in North and South America generally and more specifically to Congregation Shearith Israel and the Jews in New York, the Touro Synagogue and cemetery and the Jews in Newport, Rhode Island, Philadelphia and the West Indies. Also contains material relating to Jews in the wars of the United States, correspondence of the Jews with George Washington and items relating to Haym Salomon. Collection consists of manuscript material and five notebooks and three scrapbooks of Lyons. Contains also material not listed in calendar consisting of sermons by Lyons, a manuscript prayer book used in Surinam and a guide for religious ceremonies at Congregation Shearith Israel, as well as letters written during the Civil War period and correspondence relating to the personal life and career of Lyons.