Correspondence, manuscripts, documents, photographs, subject files, and printed materials belonging to Russian émigré artist and collector Nikolai Vasil'evich Zaretskii (1876-1959). The collection is a mixture of materials created by or for Zaretskii, and materials collected by him.

The Yu Feng Tse papers (于鳳至檔案) document her family life and that of her spouse, the Young Marshall Zhang Xueliang, who was under house arrest since 1937, first in mainland China and later in Taiwan until he was free in 1992. The materials primarily consist of correspondence, writings, printed materials, photographs, as well as memorabilia, dating from 1928 to 2011, with its bulk dating from 1943 to 1996. The materials show the relationship between Yu Feng Tse who was in the United States and Zhang Xueliang who was in Taiwan at the time.

Papers of the American industrial designer. Business records (1931-1964) pertaining to clients including American Cyanamid Corporation, Casein Company of America, Cornwall Corporation, and General Electric Company; architectural drawings, articles, lectures, book manuscripts, photographs, consumer and trade surveys, 1943-1959; clay, plaster, and paper models; and scrapbooks of clippings.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

Sketchbook by African American college student and artist

Papers of the Mexican muralist. An epigrapher and sculptor, Wight acted as secretary, translator, and technical assistant to Diego Rivera during the latter's sojourn in the United States. Collection includes a variety of materials relating to Rivera's mural work in Detroit, San Francisco, and New York, including technical documents, correspondence, miscellaneous holograph and typescript manuscripts, photographs, and printed material.

Collection consists primarily of White's letterpress books and correspondence, with some related bills, receipts, and other ephemera, 1887-1906, relating to his professional and personal matters. Correspondence, 1907, relates to his estate. Correspondents of note include William A. Boring, Richard Morris Hunt, Augustus Saint-Gaudens, Louis C. Tiffany, John La Farge, Charles McKim, Frederick Law Olmsted, Whitney Warren, Stefano Bardini, Bessie White, William Merritt Chase, William Robert Ware, Kenyon Cox, Cornelius Vanderbilt, Percy Baker, Cass Gilbert, Childe Hassam, John Singer Sargent, John Wanamaker, Carrère & Hastings, Thomas Dewing, James McNeill Whistler, Lawrence White, Richard White, and other architects, artists, contractors, suppliers, clients, friends, and family members. One letter book contains letters, 1922, by White's son Lawrence Grant White. Also included are White's architectural drawings for houses he built for himself at St. James, Long Island, 1892-1904, and 121 East 21st Street, New York, undated; miscellaneous drawings; and a few architectural drawings by Lawrence Grant White, and drafts of his translation of Dante's DIVINE COMEDY.

American painter. Collection contains artwork (original and photographs), correspondence, printed material and biographical material, including a diary from Vietnam in late 1968.

Papers of the Austrian-American portrait painter. Collection contains correspondence, incoming, 1934-1965; drawings; photographs of his portraits; and printed material, including articles, clippings and exhibition catalogs, 1936-1964.