The Tharchin Collection consists primarily of correspondence, publications and drafts, photographs, daybooks and financial accounts, and autobiographical materials. The geographic coverage of the collection spans both sides of the Himalayas, in particular, the activities of intellectuals, officials, missionaries, and other historical figures in India, Sikkim, and Tibet.

The Ta-Chun Hsu papers (徐大春檔案) document his personal life and provide a glimpse of his career in China and in the United States. The bulk of the papers consist of correspondence related to his family and his personal life as a Chinese-American and an immigrant living in New York. The correspondence also highlights his relation to a prominent Chinese educator and philosopher, Hu Shih (胡適) and his family. There are also materials related to his father, Hsu Singloh (徐新六), who was a major finance and banking leader during the Second Sino-Japanese War. Also included are immigration and travel documents of T.C. Hsu. Other materials also include news clippings, articles, financial records, printed materials, portraits and photographs, maps and postcards.

The Li Xianting Film Fund Collection of the 9th Beijing Independent Film Festival (栗宪庭电影基金之第九屆北京獨立影像展收藏/栗宪庭电影基金之第九届北京独立影像展收藏) consists of 87 films screened during the film festival in Beijing, August 2012. The films featured at the festival include fictional, documentary, experimental films, and animation. The films emphasize the contemporary subjects and matters.

The Center for US-China Arts Exchange records (美中艺术交流中心档案; 美中藝術交流中心檔案) document the activities of the Center's art and music related cultural exchange initiative and projects primarily between the United States and China, dating from 1978 to 2002.

The collection contains 383 digital audio files recorded from 1948-1994, with music performances, radio programs, conferences, interviews, and lectures.

The Oracle Bones collection comprises 128 authentic, forged, and unconfirmed pieces of ox scapula and tortoise shells, also known as oracle bones (jiagu, 甲骨), that were used as a form of divination in ancient China during the late Shang dynasty, dating from circa 1300-1050 BCE.

Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.

This collection contains slides, photographs with corresponding contact sheets and negatives, audio and video materials, performance-related printed materials, realia objects and personal papers. Visual, audio, video and printed materials, and realia objects are described at the item level with play titles, production dates, and performer names and other descriptors, if applicable. Personal papers are described at the folder level. 178 plays, 290 productions, and 183 performers of the National Bunraku Troupe are cited in this collection. Visual and printed materials for fifteen Living National Treasures of Japan in Bunraku are also included in this collection.

The collection consists of published works and writings, including drafts, articles and reprints, drafts for "Halls of the Ancestors", field notes and research, lectures, papers presented and miscellaneous reports as well as correspondence and reports from his travels.