2 boxes of correspondence, reports, financial records, and other materials regarding Andrew Heiskell's involvement with various non-profit organizations. Also has photographs, audiotapes, and other items for his memoir: Outsider, Insider. 1960s-2000s.

Correspondence of Williamson covering his college years and his positions at Bryn Mawr College, the New York Public Library, the Carnegie Foundation, and the Rockefeller Foundation. A significant portion of Williamson's Columbia University correspondence and memoranda is addressed to or related to Roger Howson, University Librarian from 1926 to 1940. The manuscripts, chiefly typescripts, are concerned with library science and educational topics. Also, clippings and pamphlet files with some related correspondence and typescripts dealing with education and particularly the use of television as a teaching aid.

Charles Weidman (1901-1975) was a dancer, choreographer, and teacher known for his roles as a member of the Denishawn Company, and later for founding his own companies: the Humphrey-Weidman Concert Company, Theatre Dance Company, and An Expression of Two Arts. The additions to the Charles Weidman papers contain material related to choreographed works he performed with the Theatre Dance Company and An Expression of Two Arts; files representing his time with the Denishawn Dancers; photographs; and scrapbooks.

This collection contains lithographs of New York City streets, buildings and other structures drawn and printed by Ernest Born during the period 1930-1931. The suite of 15 completed images are New York City subjects originally contracted by a London art house; but, due to the 1930's depression, the transaction was not completed and the project remained in the Born family archives. The original edition was 20 prints of each image, of which five to 13 of each image survive. The lithographs are titled as follows: "Brooklyn Bridge" "Late Afternoon" "Battery Place" "East River Bend" "New York Public Library" "Grand Central Station" "Park Avenue and Lincoln Building" "Trinity Church" "Wall Street" "Garment Center" "Foundation Construction" "6th Avenue Elevation" "Jeannette Park Curve" "Bank of Manhattan and US Treasury" and "Frankfort Street.".

Correspondence, course outlines, reading lists, programs, minutes, and survey questionnaires on hospital libraries. These papers contain her correspondence and course related materials for hospital librarianship which she taught at Columbia University, 1945-1947; her correspondence and teaching materials for the Columbia Conference on Hospital Library Service and Training, 30 November 1945; her correspondence, minutes, and program for the Columbia Institute on Library Service in Hospitals, 16 April 1946; and questionnaires and data summary sheets for a survey of New England and Mid-Atlantic hospital and patients' libraries she conducted for the Library School in April 1947, for the purpose of developing a curriculum to train librarians for medical and patients' libraries.

George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence.

Correspondence, manuscripts, documents, photographs, and printed materials of and relating to Woodberry. Included are letters from Woodberry to Melville H. Cane, John Erskine, John S. Harrison, Robert Underwood Johnson, and Joel E. Spingarn. There are 330 letters from Woodberry to Harry Harkness Flagler telling of Woodberry's daily life in Beverly, Mass. and of his travels in Europe and Africa. Additional correspondence, notes, and printed materials relate to Woodberry's life, writings, teaching career, retirement, the controversy in 1902 that led to his resignation from the Columbia University faculty in 1904, the bequest of his books to Harvard University and Phillips Exeter Academy, the Poetry Room dedicated in his honor at Harvard University, an exhibit of Woodberriana at the New York Public Library and the Woodberry Society. There are more than fifty manuscripts of his essays and poems. Among the printed materials are his poems, essays, and book reviews, most of which have been cut from THE ATLANTIC MONTHLY. Other printed materials are about Woodberry, reviews of his books, obituaries, memorials, and books, many inscribed.

The Larry Neal Papers document his role as a writer/editor and seminal figure in the Black Arts Movement, and consists principally of Neal's diverse forms of writings, including essays, scripts, screenplays, poems, short stories and anthologies. Published copies of some of his writings are included in the collection, as are writings by colleagues and publishers.

Papers of the Italian-American painter, engraver, illustrator, printmaker who worked in New York City and Chicago. Correspondence (1932-1967); exhibition catalogs and invitations (1930s-1977); original artwork (prints and etchings); reproductions of artwork; and printed materials, including articles and newspaper clippings (1933-1968) about Calapai. Predominantly incoming correspondence includes that of the American Institute of Graphic Arts, John Taylor Arms, Artists for Victory, Inc., Aline Bernstein, Boston Public Library, Brooklyn Museum, Charles Burchfield, Lorenz B. Graham, Lou Harrison, Arthur Heintzelman, Codman Hislop, Clayton Hoagland, Charles Hopkinson, A. Hyatt Mayor, Riverside Museum, Max Rudolf, Franz Schoenberner, Society of American Graphic Artists, Benton Spruance, Andrew Stasik, Lynd Ward, Morris Weisenthal, Mabel Wheaton, John Hall Wheelock, Arthur Zaidenberg, and Carl Zigrosser. Exhibition catalogs includes catalogs for two Rockwell Kent exhibits at Calapai's gallery.

Muriel Sharon (1918-1996) was a children's theater director and director of the 92nd Street YM-YWHA's Children's Drama Department from 1947 to the early 1970s. The Muriel Sharon papers (1924-1996) document her career producing theater for children and teaching drama; her involvement in children's theater organizations; and her study and use of drama as an educational and therapeutic tool, especially through creative dramatics and psychodrama. The collection contains production papers, scripts, scores, promotional and publicity materials, correspondence, photographs, notes, articles, and administrative records.

Arthur Hays Sulzberger was the publisher of xxThe New York Timesxx from 1935 until 1961 and chairman of the board of The New York Times Company from 1961 until 1968. While he was publisher, circulation of The Times almost doubled; the editorial page developed a reputation for strong opinions; news events were subjected to more analysis and coverage of specialized topics was strengthened; new sections and departments were created for food, fashion, and women; and the overall style of the paper became less rigid and more aesthetically pleasing. The papers document Sulzberger's life and career at xxThe New York Timesxx, with the majority of the collection relating to Sulzberger's 26 years as president and publisher of the paper. Included in the collection are correspondence with family members, friends, colleagues, world leaders, and other dignitaries; memoranda regarding the business of the newspaper, including Sulzberger's notes of praise and criticism to his editors, managers, and writers; reports on his meetings with world leaders, including Winston Churchill, Dwight D. Eisenhower, Franklin D. Roosevelt, and Harry S. Truman; and photographs of Sulzberger, his family, business trips, vacations, and The Times' buildings.

The New York World's Fair of 1939 and 1940, was held in Flushing Meadows in the Borough of Queens. The non-profit Fair corporation was formed in 1935 under the guidance of business and civic leaders, and financed through federal, state, municipal and private funds. The Fair commemorated the 150th anniversary of Washington's inauguration in New York City and took "Building the World of Tomorrow" as its central theme. Participants included close to 60 nations, 33 states and U.S. territories, and over a thousand exhibitors, among them some of the largest corporations in the United States. The records of the New York World's Fair 1939-1940 Incorporated present a comprehensive view of all aspects of the Fair including construction, maintenance and demolition of Fair facilities; planning and development; architecture and landscaping; displays and exhibits; government participation; publicity and public relations; amusements, entertainment and concessions; legal and financial affairs; the import and export of goods; labor relations; and public safety and welfare. In addition to correspondence and memoranda, the collection consists of reports, minutes, financial and legal records, architectural plans, design drawings, sound recordings, brochures, leaflets, press releases and other promotional materials, notably over 12,000 photographs of the Fair, its exhibits and visitors.

The collection contains offprints of articles by Otto Kinkeldey and others, correspondence, documents related to the Committee on Graduate Study in Music (1938), Kinkeldey's transcriptions of musical works, and one of his own compositions.

Personal papers, family and general correspondence, writings, field notes and research materials, working papers, office files and printed matter documenting Ralph Bunche's personal life and professional career, from his enrollment at the University of California to his retirement in 1971.

Samuel J. Tilden (1814-1886) served as Governor of New York, 1875-1876, and was the Democratic nominee for the Presidency in 1876. Tilden began his career as a corporate lawyer; he served as Corporate Counsel for the City of New York, as a member of the New York State Assembly, and as Chairman of the Democratic National Convention. Monies from his estate contributed to the founding of The New York Public Library. His papers document his political and legal career and are comprised primarily of correspondence, political and legal files, financial documents, writings, speeches, and personal papers dating from 1785 - 1929 (bulk 1832 - 1886).

Papers of the American painter, illustrator, cartoonist, lithographer. Correspondence (1927-1950); original drawings, paintings, and prose by Gropper and others; published material, including cartoons from New Masses, clippings, exhibition lists, and illustrations (1918-1968); and a scrapbook containing birthday congratulations.