The collection consists of 68 prints out of a set of 70 from woodcuts created by Romanian-born painter Arthur Segal (1875-1944) between 1912 and 1919. The prints, from Segal's original blocks, were made on handmade paper by William Carter, and published by Richard Nathanson.

This record group consists of outgoing correspondence by New School for Social Research Provost Judith Walzer. Arranged chronologically, the files concern subjects such as hiring, admissions, and various committees during her first year as university provost. Walzer was the first person to hold this title in the university's history.

In 1950, fashion designer James Galanos (1924- ) started Jimi Originals with Mary Scourby. The company only existed for a short time, but it was the first company to market Galanos' creations under his name. The collection consists of twelve Jimi Originals fashion sketches as well as invoices and notes. Galanos was a critic at Parsons School of Design from 1962 to 1968.

The collection comprises two home movies made during the annual fall barbecue Halle held for members of the University in Exile and their families, as well as New School staff, on Halle's property in Pound Ridge, New York, in Poundridge, Westchester County.

The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

The collection includes class notes and a clipbook of decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she attended the New York School of Fine and Applied Art (later Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile samples, circa the 1950s, and costume designs for the Broadway play "The Laughing Woman" (1936).

French painter, printmaker and textile designer Raoul Dufy (1877-1953) created the woodcut for "La Danse" in 1910. This print was made in the year of his death as part of an edition of 220.

Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.

This collection of 24 drawings and paintings consists of women's and men's fashion illustrations created by Elizabeth Cornell, probably in the late 1920s and early 1930s. The illustrations mostly depict women's and men's wear, accessories, and fabric patterns.

Three impressions from an edition of 100 prints produced in 1974 from a zinc-plate etching created in 1933. The etching is divided into six small panels in which each of the artists etched a portrait of another member of the group.

The American Indian College Fund is one of the largest Native-run charity supporting Indigenous students' access to higher education in the United States. The collection consists of advertising posters created by the advertising firm Wieden+Kennedy for the American Indian College Fund.

Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.

This collection represents video recordings of events sponsored by the India China Institute at The New School.

Photographer and Parsons School of Design Overseer David Finn created this portfolio of inspirational texts paired with photographs.

Records of Tracyann Williams, PhD, who served as director of Academic Affairs for the Bachelor's Program for Adult and Transfer Students (BPATS) in The New School's Schools of Public Engagement until she left the university in early 2020. Includes documentation on the Diversity Committee and the Diversity Task Force, the Gender Studies program, the Faculty Senate, and Students of the African Diaspora, for whom Williams was a faculty advisor.

The Designer files collection was assembled by Kellen Design Archives staff between approximately 1994 and 2008 from a variety of sources (on occasion new files continue to be added). Subjects are typically Parsons School of Design graduates, visiting critics, lecturers, or faculty. Folder contents may include press clippings, work samples, ephemera, slides, and such printed materials as business cards, postcards, and pamphlets.

Mounted posters from the exhibition, "Unity and Diversity: a selection of posters from the Communication Design Department at Parsons School of Design," created by junior-year Communication Design students at Parsons. Thirty posters were chosen for the exhibition out of 180 entries submitted to a poster competition held by the Communications Design Department on the theme of "diversity, the underlying theme of the American Republic" in 1994.

This ongoing collection consists of objects and ephemera produced for The New School and Parsons School of Design. Items include mugs, t-shirts, tote bags, pens, and other objects.

Collection consists of eight square paintings, measuring 6 inches by 6 inches, depicting apples, oranges, and other citrus fruits by Parsons School of Design alumna Janet Amendola. The illustrations appeared in Parsons School of Design course catalogs for the 1979-1980 academic year.

The Schools of Public Engagement was formed in 2011 with the reorganization of the New School for General Studies. As of 2016, the division consisted of: the Bachelor's Program for Adults and Transfer Students (BPATS); the School of Languages; the School of Media Studies; the Milano School of International Affairs, Management, and Urban Policy; and the Creative Writing Program. The collection also holds the 1991-2008 records of the World Policy Institute. Dating largely from the 1990s until 2014, these records contain correspondence, memoranda, reports, budget and financial material, and faculty and personnel files relating to the administration and governance of the Schools of Public Engagement and their predecessor programs, departments, and schools. Some files are restricted. Please email archivist@newschool.edu for details.