This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.

Collection of nearly 100 documents, mostly handwritten in Tibetan, produced or gathered by the Neighborhood Committee Number Three (Tib. Grong lhan ang gsum pa) in Lhasa, primarily from 1959-1972. About one-third of the materials are handwritten registries from 1959-1961, listing residents, personal property, and alleged crimes. A second set of materials include four notebooks and other statements documenting struggle sessions against Lhamon Yeshe Tsultrim (Tib. Lha-smon Ye-shes-tshul-khrims, 1913-77), a senior secretary for the Panchen Lama at Tashilhunpo Monastery. In sum, these papers constitute primary resources for the study of the Democratic Reforms campaign (Tib. Dmangs gtso bco ʼgyur ; Ch. Min zhu gai ge), as implemented in Tibet. The remaining materials date to the Cultural Revolution, particularly 1966-1972, and include the personal files of previous landowners, transcripts of self-criticisms, and several other autobiographical statements. The collection also includes a handful of published documents (handbills, study-books, and speeches).