Consists of 19 scrapbooks containing more than 10,000 prints of fashion illustrations produced between the early 1800s and 1913. The prints primarily depict clothing and accessories designs, with a few depicting theatrical costumes, architectural and sculptural details, and textile designs. Many images were issued as portfolio prints, others cut from books and periodicals, such as Graham's Magazine and Godey's Lady's Book and Magazine.

Saks Fifth Avenue compiled this collection of more than 1,100 slides depicting fashion runway shows in the 1990s. The 35 mm slides depict haute couture and ready-to-wear collections from an array of fashion labels, including Adrienne Vittadini, Bill Blass, Calvin Klein, Dolce & Gabbana, Issey Miyake, Max Mara, Michael Kors, Oscar de la Renta, Ralph Lauren, Rifat Ozbek, Versace, Vivienne Westwood, Yves Saint-Laurent, and many others. Former Parsons School of Design students include but are not limited to Marc Jacobs, Donna Karan, Badgley Mischka, Isaac Mizrahi, Charlotte Neuville, Anna Sui, and Yeohlee Teng. Dan and Corina Lecca, Chris Moore, and Dino Scrimali are some of the photographers whose work is represented in the collection.

Fiona Walker Dieffenbacher is a fashion designer, author, and alumna of Parsons School of Design, as well as a faculty member and director of the BFA Fashion Design program. The collection consists of student notebooks and portfolios kept by Dieffenbacher while Fashion Design BFA student at Parsons School of Design in the 1990s; samples of visual aids she created as professor; and student work made in her classes in the 2000s.

Francesca Sammaritano is a fashion designer and alumna of Parsons School of Design, as well as a full-time faculty member. The collection is comprised of two student project notebooks maintained by Sammaritano while she was a Fashion BFA student at Parsons School of Design in the late 1980s and two examples of student work created in classes Sammaritano taught as a professor.

Francis Geck (1900-2005) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1924 and taught interior design at the school's Paris Ateliers until 1927. In 1930, Geck became a professor of fine arts at University of Colorado, where he taught for 39 years. The papers contain correspondence with Parsons administrators, design sketches and student work, publications, and course materials.

The collection contains correspondence from Frank Alvah Parsons, president of the New York School of Fine and Applied Art (later, Parsons School of Design), to alumni James Wilfrid Kerr and Rose Netzorg Kerr, in addition to a short manuscript written by James Wilfrid Kerr upon Parsons' death. The tribute relates Kerr's experiences as a World War One veteran studying art under Parsons' tutelage.

Frank Alvah Parsons (1866-1930) began as an instructor at the New York School of Art in 1904. He became director in 1911, renaming the school the New York School of Fine and Applied Art to reflect his reorientation of the institution toward practical design disciplines. The school was later renamed to honor his leadership. The collection consists of published editions of Parsons' lectures, and prints he used to illustrate them.

Frederick Werlé (1910-1997) was a composer, music teacher, and a former dean of the Mannes College of Music. His papers primarily consist of reel-to-reel and LP audio recordings and original music manuscripts. Also present in the collection are newspaper clippings, published music scores, concert programs, correspondence and notes.

Fred Greenhill (1925-2007) graduated from Parsons School of Design in 1950. He went on to work as a fashion illustrator for Neiman Marcus in the 1950s, and was the primary artist for Saks Fifth Avenue in the 1960s and early 70s. Greenhill is most recognized for his work at Lord & Taylor from 1974 into the 1980s. The collection holds approximately 700 illustrations that Greenhill created from the 1960s through the 1980s.

Frieda Wunderlich (1884-1965) was a member of the University-in-Exile (also known as the Graduate Faculty, and later as the New School for Social Research). A professor, public official and editor of an anti-Nazi magazine in her native Germany, Wunderlich came to the New School in 1933 and continued her social and economic research while teaching into the 1950s. The collection consists of files and topically-themed notebooks.

Giuseppe Zambonini (1942-1990) was an Italian-born and New York-based architect, interior designer, theater director, and teacher. This collection contains materials pertaining to Zambonini's architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design, founder and head of the Open Atelier of Design, and director of the architecture program at the Georgia Institute of Technology. Dating primarily from the 1960s through the late-1980s, materials in the collection include sketches, drawings, plans, and blueprints of Zambonini's architecture and interior design projects, as well as photographs of the building sites and finished work. Also included are correspondence, photographs, and printed material related to his teaching and administrative career. Zambonini's work as a theater producer and director in Italy is represented by photographs, scripts, audio, and a variety of posters and programs. Finally, the collection contains a small selection of Zambonini's writings and lectures.

The collection consists of showroom books for the Givenchy Nouvelle Boutique of New York City, 1972-1974. The showroom books include price lists, garment sketch reproductions, and fabric swatches.

Audio and video recordings of events sponsored by the Graduate Faculty of the New School for Social Research, 1959-2007. The graduate school at the New School was established in 1933 as the Graduate Faculty of Political and Social Science. In its early years, the school was often referred to as the University in Exile. The division's name was changed in 2005 to the New School for Social Research (NSSR).

The Graduate Faculty of Political and Social Science, often referred to in its early years as the University in Exile, was established in 1933. This collection consists of minutes from meetings from the time the Graduate Faculty was established through 1968.

This collection consists of working papers, numbered 1-56 (with some gaps in numbering), originating from the Committee on Political Economy of the New School for Social Research. The numbers were assigned by the Committee and follow a rough chronological order. Authors include Thomas I. Palley, David M. Gordon, Willi Semmler, and Alice H. Amsden.

The collection consists of thirty-three graphic novels written and illustrated by undergraduate students enrolled in Julia Gorton and Madeline Schwartzman's Spring 2007 Parsons School of Design Lab course.

Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.

Hannah Arendt was University Professor in Philosophy from 1967-1975 in The New School's Graduate Faculty (later, New School for Social Research). These records stem from her work as professor and advisor to students, and her involvement with the Tenure Committee. Student files consist of transcripts, writing samples, resumes, referral requests, grant applications and correspondence, among other documents related to graduate student admissions. Files in locations "nr_2" and "Box 2" are restricted. Please email archivist@newschool.edu for details.

In 1979, Harold Matossian (Parsons School of Design, 1968) became director of the Knoll furniture company's graphics department, producing invitations, brochures, stationery, catalogs and other corporate literature for the company until 1994. The Kellen Design Archives holds finished examples of these graphics.

Harry B. Baker (1868-1941) was an illustrator who taught at the New York School of Fine and Applied Art (which became Parsons School of Design) in the early 20th century. Before moving to New York, Baker traveled the American West. He illustrated bar fights, cowboys, Native Americans, and street scenes. The collection includes photographs of Baker and his students, a letter from Frank Alvah Parsons, and illustrations by Baker.