The collection consists primarily of Underwood's pen-and-ink designs for these articles, with manuscript captions and notes to the printer; and illustrations for children's stories which appeared in THE SUN, ca. 1905-1910, together with typescripts, proofs, and printed copies of the stories, several of which are by Underwood. The collection also includes correspondence relating to a projected series of costume designs for THE LADIES' HOME JOURNAL, a manuscript of a work on geography, and scrapbooks and clippings relating to these projects.

Architectural drawings for buildings designed by Hamlin including proposed alterations for the Charles Dudley Warner House, circa 1885; pumping station Clear Stream (or Clear Stream Station), Long Island, 1886; American Classical School, Athens, Greece, 1886-1888; proposed cottage for Mrs. R. Hoe at Sea Cliff, Long Island, 1887; an addition to Clinton Hall at Blair Presbyterian Academy, Blairstown, New Jersey, circa 1896; Soldier's Monument, Whitinsville, Massachusetts, circa 1904 (Hamlin was the architect and Herman A. MacNeil was the sculptor); and miscellaneous and unidentified structures. Also included are drawings done by Hamlin while a student at the Massachusetts Institute of Technology, 1876-1877; sketches done by Hamlin on travels both in the United States and abroad, 1867-1923; photographs of various unidentified buildings and architectural drawings; manuscripts of "ARCHITECTURAL SHADES AND SHADOWS" with related drawings"History of American Art" (unfinished, in French), circa 1923, and "MODERN ARCHITECTURE AND THE CRITICS" circa 1923. Personal materials included undated photographs of A.D.F. Hamlin; a photograph of an 1835 portrait of Cyrus Hamlin; a volume containing condolences, 1926, on the occasion of A.D.F. Hamlin's death; and a scrapbook"Memoirs of Amherst, Class of '75" containing programs, invitations, clippings, notes, essays, exam questions, steamship passenger lists, and other materials.

Correspondence files of Dr. Adolph S. Oko. The bulk of the correspondence is from Dr. Carl Gebhardt (1881-1934), with a large group also relating to a campaign to raise money for the Domus Spinozana. Present are a number of typescripts of articles and an extensive life of Spinoza. There are a few personal items, but practically all correspondence and manuscripts relate in some measure to Spinoza. Also, nine boxes of clippings relating to Spinoza, a duplicate set of cards for the Spinoza Collection used by G.K. Hall in publishing SPINOZA BIBLIOGRAPHY, the personal cardfiles of Oko and Gebhardt, and one box of Oko bookplates.

The papers of the American cartoonists for The New Yorker (1926-1974) include correspondence (letters from John Taylor Arms, Peggy Bacon, Isabel Bishop, Warren Chappell, Eric Hodgins, and Alan Watts); cartoons and drawings; exhibition catalogs; notebooks; business files and financial records; and memorabilia, including clippings, photographs, and scrapbooks. .

Albert Schweitzer Fellowship Records includes Albert Schweitzer Fellowship Records (office files, board of directors records, financial records, programs and projects, and publications); Albert Schweitzer Hospital records (communications, medical reports, publications, hospital construction including photographs, blueprints, and financial records, U.S. A.I.D. grant, subject files); Association internationale de l'Hôpital Albert Schweitzer (communications, subject files, publications); Albert Schweitzer Center records (communications and publications); Schweitzer Memorabilia (Albert Schweitzer documents, Helene Schweitzer documents, Schweitzer-related materials, material by and about Schweitzer in various languages). Correspondents include Erica Anderson, Theodor Binder, Jorge Bird, Julius Seelye Bixler, E. Gaine Cannon, Frank Catchpool, Norman Cousins, A.R.T. Denues, Lee and Dottie Ellerbrock, Ford Foundation, Maurice Frey, Lawrence Gussman, Hermann Hagedore, Jerome Hill, Homer A. Jack, Charles Joy, George T. Keating, Reinhard N. Lahde, Leif Erikson Foundation, Charles Lowe, Hans Margolius, Emmy Martin, Louis Mayer, William Maul Measey, William Larimer Mellon, Joseph F. Montague, Edouard Nies-Berger, Simon Obame-Bikoro, Leslie Paffrath, Laura Person, R.P. Dominique Pire, Fergus Pope, Thomas D. Rees, Myrta Ross, Ali Silver, Ruth Sloan, Keith Smith, Isaac N.P. Stokes, Margaret S. Tenbrinck, Paul Dudley White, Andre Wick, V. McKinley Wiles, and Elizabeth L. Young.

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail Iur'evich Lermontov.

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail I. Lermantov. Album 1, 1808-1822, belonged to Elizaveta Arkadievna Annenkova-Vereshchagina. It contains poems by Russian and French poets. Some of the verses by Russian poets are copies; others are autographs. Many poems have penciled annotations identifying the poets who wrote them. These notes were added at a later date and their accuracy can not be trusted. In addition to verses, this album contains numerous drawings, none of which have been attributed to or identified as works of Lermontov. Other poets whose works are identified include N. Vakhrameev, Ivan Dmitriev, Dawidoff, A. Guselnikov, Zhukosky, Popov, Vasily Kapnist, Princess Nadzhda Golitsnya, and S. Martinoff.

Papers of the English occultist and author. Correspondence, incoming and outgoing, with Frieda Harris, Cordelia Sutherland, and others; handwritten and typescript essays, poems, and notes; drawings, and printed advertisements.

Filipino poet, writer, librarian and teacher. Collection contains correspondence, artwork, galleys, manuscripts, printed material.

Alexander McMillan Welch (1869-1943) was a New York City based architect who practiced independently and as a member of Welch, Smith & Provot. His firm was best known for designing New York City townhouses in the Beaux-Arts style. The collection includes 1,641 architectural drawings, 196 student drawings, 14 student notebooks, 99 loose photographs and 3 photo albums of project photography, project specifications and files, and some professional ephemera.

Architectural plans and renderings of Welch's designs, largely New York City residences, circa 1890s-1920s; specifications; photographs; and brochures advertising buildings at 787 Fifth Ave., 628 Fifth Ave., and 71 and 73 Murray Street, in New York City. Drawings and a sketchbook done by Welch while a student; fourteen notebooks containing Welch's notes from Columbia classes in architecture, 1888-1890; licenses to practice in New York and New Jersey, 1904-1923; a certificate, 1937, and related correspondence relating to Welch's appointment as a U.S. delegate to the fourteenth International Congress of Architects, held in Paris, July 18-25, 1937. A list of U.S. delegates is included. Of note are drawings and papers for the restoration of the Dyckman House, an 18th century farmhouse in upper Manhattan (1910-1917); and the Mrs. Rutherford Stuyvesant Estate in Allamuchy, New Jersey, and the Rutherford Stuyvesant Momument in Tranquility Cemetery, Tranquility, New Jersey, designed by sculptor Daniel Chester French.

Papers of the Italian-American painter, muralist.

The collection of D.H. Lawrence material contains two book-length manuscripts, the typescripts of Sea and Sardinia and The Boy in the Bush, both with manuscript corrections in Lawrence's hand. The typescript for The Boy In The Bush is probably the manuscript from which the book was printed. Other Lawrence manuscripts include "The Future of the Novel," and Chapter 13 of Aaron's Rod. Correspondents include Thomas Seltzer, Johathan Cape, Mrs. Nancy Henry, and Lady Ottoline Morrell. The collection also contains three watercolor drawings made by Lawrence for the jacket of the English edition of The Plumed Serpent. Related printed material is also included. The John Steinbeck material is comprised of one letter, and proofs for thirteen of Steinbeck's works, including East Of Eden and Of Mice and Men. Also included are a printed biography and photographs, and printed ephemera relating to many of Steinbeck's works. There are books inscribed to Alfred and Clarisse Hellman. This collection also contains some correspondence of Alfred Hellman and some letters collected by Dr. Morton Pepper.

Correspondence, manuscripts, printed materials, and a photograph concerning his friendship with and scholarly interest in Hart Crane, H.P. Lovecraft, and Samuel Loveman. There are 55 letters from Samuel Loveman, 3 from John Unterecker, and 4 from Brom Weber, and other correspondence about Crane. There are also several Loveman poetry manuscrip]ts and his photograph, as well as printed articles and interviews about Crane

Papers of Allen Ginsberg, American poet and one of the founders of the beat generation. The collection contains correspondence, manuscripts, and publications created by Ginsberg and his associates. Note that the main body of Ginsberg's papers is found at Stanford University.

Journals kept aboard the U.S.S. Delaware and the U.S.S. Dolphin during tours of the Mediterranean, West Africa, and South America, including drawings and watercolors.

Correspondence, diary, expedition journal, financial material, scientific notebook and sketches, photographs, published material, including articles and newspaper clippings, and scrapbooks. Correspondence (1854-1902) includes that of Alexander Agassiz, Charles E. Beecher, E.D. Cope, James D. Dana, J.S. Diller, G.K. Gilbert, G. Brown Goode, Asa Gray, Robert T. Hill, Anna Hyatt Huntington, Hyatt’s father, Alpheus Hyatt, Audella Beebe Hyatt, Jules Marcou, Harriet Randolph Hyatt Mayor, A.S. Packard, Charles Schuchert, and Charles Walcott.

The American Book Company was formed in 1890 by consolidation of Van Antwerp, Bragg and Co., A.S. Barnes and Co., D. Appleton and Co., and Iveson, Blakeman and Co. The collection includes the records of the company which manufactured books and educational materials in several locations in the United States, with head offices in New York City; the book list embraced all subjects at all educational levels. The collection is primarily textbooks, including several editions as far back as 1840 of the McGuffey readers; also included are business records and illustrations.

Papers of the American Bureau for Medical Aid to China consist of correspondence, memoranda, reports, minutes, committee files, membership records, financial records, fund raising records, motion pictures, audio tapes, phonograph records, photographs, posters, publications of ABMAC and other printed materials. Also included are the files of related Chinese relief organizations: Aid Refugee Chinese Intellectuals, 1954-1969; American Emergency Relief, 1941-1946; United Services to China, 1941-1977. Of particular interest are approximately 6,000 photographs of Chinese medical colleges, hospitals, laboratories and personnel and 45 phonograph records including speeches by such ABMAC supporters as Mme. Chiang Kai-Shek, Pearl S. Buck, Wendell Willkie, Fiorello LaGuardia and a number of movie stars

Manuscripts, photographs, drawings, watercolors, and printed materials relating to the mission of the American Relief Administration in Soviet Russia in the early 1920s, during the famine of those years. There are manuscripts by William N. Haskell (chief of the mission) and Alvin E. Blomquist based on their experiences. There are many photographs concerning the mission's work, and the famine; there are also photographs of Communist Party leaders Lev Kamenev, Maksim Litvinov, and Nikolai Semashko. The drawings and watercolors, which are by an undentified artist, are of Simbirsk.

Collection contains pencil drawings of comb designs presumably drawn by George and/or Samuel Amorosi; bound volume of photopies of sketches; and 2 photographs, of George Amorosi and Samuel Amorosi.

Manuscripts, proofs, and printed editions of Scheinfeld's books on human heredity, YOU AND HEREDITY, WOMEN AND MEN, and THE NEW YOU AND HEREDITY. Sketches and line drawings used as illustrations in the books are included. Also, manuscripts and clippings of his magazine articles; many examples of his comic strips, including "Dixie Dugan;" and correspondence and financial documents about his works.

The collection consists of manuscripts, documents, correspondence, and printed materials.

Collection of paintings, drawings, collages, and other mixed media work made by Andrew C. Johnstone

This collection contains papers, documents, publications, ephemera, sound and video recordings, photographs, and artwork primarily created by, given to, or related to Angus MacLise and Hetty MacLise.

Papers of the American painter. Collection includes correspondence (1932-1969); artwork, and printed material, including articles, clippings, and exhibition catalogs.

The Archimedes Russell Collection comprises architectural drawings and other materials related to his professional life as an architect.

The Arlington T. Hardell Papers contains notes from his high school and college years.

Papers of Lobeck while he was in Paris as Assistant to the Chief Cartographer of the American Commission to Negotiate Peace. Included are memorabilia, some correspondence, several docuements, and some photographs. The correspondence consists of his letters of appointment from Robert Lansing, Secretary of State, and his postcards to his wife, Bertha Merrill Lobeck, who later joined him in Paris. There are official documents such as passports, Commission memoranda, identification cards, and passes. Of particular interest are sixteen photographs of persons and places in France, and one drawing and one caricature of Lobeck that he sketched. The collection, however, is chiefly memorabilia of Lobeck's crossing the Atlantic on the U.S.S. George Washington with the members of the Commission; over 700 picture postcards, with no messages, of the Lobeck's travels in France, Spain, Great Britain, and other European countries; railway, subway, and bus maps, schedules, and tickets; tourist maps; hotel and restaurant receipts and menus; money; ration coupons; and theater programs.

Papers of the American industrial designer; professor, Syracuse University. Office records for Pulos Design Associates, Inc., including correspondence, drawings, photographs and slides for jobs for various clients.

The collection contains 26 letters by Rackham and nine Christmas cards either specially designed by him or incorporating designs made for his books. Letters to Rackham's biographer, Derek Hudson, from Winifred Wheeler, daughter of Walter Freeman, a friend who started Rackham on his commercial career. The manuscript notebooks, galley proofs, and a printed copy of Hudson's ARTHUR RACKHAM: HIS LIFE AND WORK are included. Also, notes, drafts, and miscellaneous material relating to the Arthur Rackham catalog published by the Friends of Columbia University Libraries in 1967. In addition, the library has a collection of 413 Rackham drawings, watercolors, and oil paintings, 30 sketch books, and about 400 printed books and ephemera.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Papers of the American architect. Died 1966. Architectural drawings and designs, photographs and slides, material relating to bridge design, articles by and about Embury.

pen and ink sketch of women with babies

The Barry Miles Papers contains correspondence, manuscripts, photographs, and printed materials concerned with Miles' literary activities in the London counterculture. Included are letters and manuscripts from William S. Burroughs and Allen Ginsberg, among numerous others. This collection also includes material used by Miles in the research and writing of his work Ginsberg: A Biography as well as from his editorship of the annotated edition of Ginsberg's Howl.

Papers of the American Jewish painter, lithographer, etcher, illustrator, sculptor.Born in Russia. Correspondence (1911-1962), including a series of letters (1936-1958), some in scrapbook form, by Kopman to his art dealer, G.D. Thompson; manuscript poems, and prose, some in Yiddish; legal and financial papers; sketches; and photographs of Kopman's work and his family. Incoming letters, arranged alphabetically, include those from the Art Institute of Chicago, David Burliuk, the Federal Art Project, Rockwell Kent, Katharine Kuh, the Metropolitan Museum of Art, the Museum of Modern Art, Clifford Odets, the Pennsylvania Academy of the Fine Arts, the Phillips Memorial Gallery, Hugo Robus, Frederic F. Sherman, Raphael Soyer, the Whitney Museum of American Art, and Carl Zigrosser.

Three sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.

The Benson John Lossing Collection is an assortment of correspondence, drawings, writings, and memorabilia relating to the 19th century historian, illustrator, and editor of The American Historical Review (1813-1891). Predominantly correspondence, the collection centers around Lossing's information gathering for his popularizations of American history, while it also illuminates the early publishing industry in the United States.

Papers, photographs, and media related to Bettye Caldwell's research and professional work in the field of childhood development

709 editorial cartoons drawn for the Newark News and the Newspaper Enterprise Association and 5 magazine illustrations.

Correspondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.

Collection contains six original pen and ink illustrations by American sculptor Brenda Putnam, done for an edition of John Bunyan's Pilgrim's Progress adapted for children by Edgar White Burrill.

Papers of the American sculptor and medalist. Died 1975.

Sketches, drawings, notes, galleys and a set of limited-edition lithographs related to the production of Buckminter Fuller's TETRASCROLL: Goldilocks and the Three Bears, A Cosmic Fairy Tale.

Pollard's architectural drawings for churches, and residential and commercial buildings, located largely in New York and New Jersey, many undated, circa 1830s. Included are drawings for St. Paul's Protestant Episcopal Church, Petersburgh, Va., built, 1838, and destroyed in a fire, 1854; a prison, probably submitted by Pollard to the 1835 competition for the New York Hall of Justice. Also, a broadside, undated, describing the projected Washington Monument, New York City; a letter Pollard from Charles C. Taber, 1850, describing his plans for four houses on three adjacent lots on 25th Street, with sketched plans on verso; and two trade cards of C. Pollard's Ohio Fire Proof Mineral Paint attached.

This collection contains correspondence, manuscripts, notes, research materials, theses, course materials, subject files, printed matter and photographs, 1957-1985, pertaining to American economist, Carlos Federico Diaz Alejandro.

Drawings, prints, watercolors, photographs, and reproductions, largely undated (late 19th- through the 20th century) of architectural and other subjects by Harriman, with some by others including Perry Coke Smith, Howard J. Custer, and unidentified artists and architects. Of note is an undated unidentified photograph of late 19th- or early 20th-century art or architecture students.

Original daily and Sunday cartoons from the newspaper comic strip The Lone Ranger (1966), correspondence (1935-1967), original drawings and sketches, published material, and original typed continuity script from Fran Striker.

Papers of the American author, illustrator, novelist, painter, poet. Correspondence (1916-1963); manuscript drafts of writings and poetry with original drawings by Shaw; exhibition catalogs; photographs; and scrapbooks of magazine articles and clippings compiled by Shaw of his and his friends' work (1921-1935). Incoming correspondence includes that of Josef Albers, Ruth Chatterton, George Gershwin, Sinclair Lewis, H.L. Mencken, George Jean Nathan, The New Yorker, Maxwell Perkins, Smart Set, Deems Taylor, and Monty Woolley.

Drawings and maps, with related clippings, showing proposals for traffic routes; railway and ship terminals; boulevards and streets; buildings; public spaces; bridges; and other projects, located mostly in Manhattan, with some in Brooklyn. Also, a rendering by Jacob Wrey Mould of the Church of the Pilgrims, Brooklyn, New York, is included.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

Correspondence, manuscripts, original drawings and sketches, and memorabilia of Reinhart. Of the 247 letters in the collection, a number are from E.A. Abbey, William Dean Howells, and Henry James. There are eight original drawings and sketches and two sketchbooks, as well as numerous photostats and clippings of his works that appeared in magazines. Also, a group of letters to the artist's son, C. Stanley Reinhart, relating to the disposition of various paintings to galleries and museums throughout the country.

Drawings and presentation regarding the revival of Goudy's Sherman typeface for Syracuse University.

Papers of the Mexican muralist. An epigrapher and sculptor, Wight acted as secretary, translator, and technical assistant to Diego Rivera during the latter's sojourn in the United States. Collection includes a variety of materials relating to Rivera's mural work in Detroit, San Francisco, and New York, including technical documents, correspondence, miscellaneous holograph and typescript manuscripts, photographs, and printed material.

Several generations of an important New England family. Clippings, correspondence, subject file, manuscripts, printed material, journals, photos, scrapbooks, books, artifacts, sermons, articles, correspondence, diaries, calendars, notebooks, more.

Included are architectural drawings, surveys, maps, and site proposals, for Columbia's Morningside Heights campus, designed primarily by McKim, Mead & White. Other architects represented include Adams & Woodbridge; Arnold Brunner (who designed the School of Mines); Eggers & Higgins; the Columbia University Buildings and Grounds Department; Howells and Stokes (designed St. Paul's Chapel); Reinhard, Hofmeister and Wahlquist; and James Gamble Rogers. Drawings for buildings no longer in existence or never constructed and drawings for later alterations, are included. Architectural drawings of the Bloomingdale Insane Asylum, and surveys of the asylum site prepared for Columbia, 1888-1894. Also included are site plans and proposals, surveys, and maps, circa 1890s-1910s, showing the surrounding area, including such institutions as the Jewish Theological Seminary, St. Luke's Home, Cathedral of St. John the Divine, Grant's Tomb, and others. Drawings for the Womans's Hospital in the State of New York (designed by Allen & Collens, erected 1903, demolished in the 1970s), circa 1903-1914, are also included. This building was used to house the Columbia School of the Arts in the 1960s since it was located near the campus.

Additional materials include carbons of typescript correspondence of lectures given by Dean William A. Boring (academic year 1933-1934) and Professor Theodor Karl Rohdenburg (academic year 1946-1947). Also design problems, the earliest of which were given in conjunction with the Beaux-Arts Institute of Design, from academic years 1918-1919, 1926-1927, 1936-1937, 1949-1950, and 1957-1958. Also materials for the Architecture 51 class; correspondence of Joseph Hudnut; course outlines; correspondence relating to the search for a new dean of the school, 1957-1963.

A collection of letters addressed to Russell Potter, Director of the Institute of Arts & Sciences, relating to speaking engagerents and conferences. The correspondence, dated 1930-1945, includes letters from Gertrude Stein, Robert Frost, Edna Ferber, Al Smith, Henry Wallace, Anthony Eden, and Harold Laski. Some of the letters are of a personal nature.

Included are drawings--from preliminary sketches to finished renderings--done by students in the architecture program at the School of Mines at Columbia and, later, at the School of Architecture at Columbia. The bulk of these were done circa 1884-1912, during the tenures of Deans William Robert Ware (1881-1903) and A.D.F. Hamlin (1903-1912). Included in collection are student drawings by William A. Boring, Harry Allan Jacobs, Benjamin Wistar Morris, Jr., Julian Clarence Levi, Arthur Ware, Talbot Faulkner Hamlin, Leopold F. Arnaud, Perry Coke Smith, Theodor Karl Rohdenburg, and Aladar Olgyay. Also, drawings done by architecture students at the Massachusetts Institute of Technology, circa 1880s; a photograph, undated, of William Robert Ware; and one drawing, 1879, by architect Cass Gilbert.

Fan mail (1940-1950); published illustrations and covers from The New Yorker (1929-1960); and original drawings.

Papers of the American industrial designer. Collection includes correspondence (1940-1965), blueprints, design drawings, notes, photographs, renderings, reports, pamphlets, clippings (1932-1965) and color slides, 1966.

Dawn Powell (1896-1965) was an American author of novels, plays, and short stories. The collection includes address books, appointment books, books, clippings, correspondence, diaries, ephemera, family materials, manuscripts, notes, notebooks, photographs, programs, research files, reviews, scrapbooks, sketches and drawings.

Correspondence, manuscripts, documents and a drawing concerning the De Quincey family of England, with members serving throughout the colonial world; the most famous was a prominent literary figure in England, Thomas De Quincey, best known for his "Confessions of an Opium-eater" (1821). There are letters from an uncle of his, Thomas Penson, who was serving in the Indian Army early in the century, to Thomas De Quincey. A son, Paul Frederick, served in the Army there later, and a Daughter, Florence, spent her married life in India. Another daughter, Margaret, married and was living in Macahʹe, Brazil, where her brother, Francis, was serving as a doctor until he died of the yellow fever. There are letters from her and associates of his at the time. Yet another man of that generation, Horace, died in China, of "the Remittant Fever of the Country" described to his sister Margaret by a colleague on his return to England. There is also some material about De Quincy himself, about his final illness, a drawing of his birthplace, and a document on the Norman origins of the Quincey family.

Photographs and architectural drawings of Lienau's work, much of it in New York City and in New Jersey. Projects include the Gardner A. Sage Library for the General Theological Seminary in New Brunswick, N.J.; the Francis Cottenet Villa in Dobbs Ferry, N.Y.; a house for Legrand Lockwood in South Norwalk, Conn., later owned by Mark Twain and now known as the Lockwood-Mathews Mansion; and the Telfair Academy of Arts and Sciences in Savannah, Ga. Also included are drawings of unidentified or unexecuted buildings; student drawings, and early European commissions; lecture notes, 1835-1837, from the Stadtische Gewerbeschule, Berlin; a partial list of of Lienau's work, 1848-1886; specifications; acounts; printed material; photographs, postcards, and prints showing various European buildings; clippings; certificates; typescripts of articles; and correspondence.

Holden's writings (articles, books) and artwork (drawings of nude human figure in various media, watercolor landscapes); binders containing a catalog of Holden's watercolors and slides of his work in public collections; assortment of exhibition catalogs and articles about the painter.

Papers of the American painter, lithographer. Collection includes correspondence (1938-1971); photographs; scrapbook of work.

Writings and artwork, submitted by incarcerated Americans, that portray their experiences of prison life

Papers of the American architect. Collection includes pencil drawings, miscellaneous published materials, and several hundred photographs (interior and exterior) of completed Baum architectural projects, mostly homes in Florida and New York State.

Earl I. Sponable was a chemist, Chief Engineer and Director of Research for Twentieth Century-Fox Film Corporation and its subsidiaries, 1926-1962. He was active in many aspects of research and development in broadcast and movie media, particularly in early sound film.

Correspondence, manuscripts, documents, photographs and printed material of the English poet and critic, Edmund Blunden, documenting his personal and professional activity. Blunden's letters to his second wife, Sylva Norman, and his secretary, Aki Hayashi, are particularly well represented. Also included are many letters addressed to Blunden by eminent literary figures such as John Betjeman, George Orwell, Siegfried Sassoon, Stephen Spender, and Henry Williamson. Other literary correspondents are Adrian Bell, Joyce Cary, Richard Church, C. Day Lewis, Walter de la Mare, Graham Greene, H.D., William Plomer, Kathleen Raine, and Leonard Woolf. A substantial portion of the cataloged correspondence contains drawings, verse fragments and poems by Blunden which have been analyzed. Also present are eleven of Blunden's diaries, 1936-1967, which contain drafts of a number of poems. In addition, the collection contains a small number of autograph manuscripts of Edmund Blunden's literary works.

The diary is a detailed account of Abbott's trip from Sydney, Australia to the Philippines, Hong Kong, Macao, China and Japan. There are numerous pen-and-ink sketches of landscape, architecture, historical sites, and inhabitants, and maps, some in water color. Pasted in the volume are memorabilia such as menus, hotel brochures, postcards, photographs, clippings, calling cards, etc. Of special interest are his accounts of the various native Christian communities he visited. Following the text there is a name index. In addition to the volume there are some related letters, documents, memorabilia and published maps.

Letters and manuscripts of MacDowell. One group was written to Arthur P. Schmidt, his publisher during MacDowell's years as professor of music at Columbia University. These letters concern the publication and distribution of his compositions and his copyright difficulties with other firms, especially Brietkopf & Härtel. There are eight letters from MacDowell to the American pianist, composer, and pedagogue William Mason. This personal correspondence deals with such things as musical pieces dedicated by each man to the other. A diary and letter book belonging to Marian N. MacDowell (Mrs. Edward) contains draft copies of letters to Nicholas M. Butler and others relating to his controversial career at Columbia University. Also, photocopies of eight letters from the Mary Flagler Cary Music Collection at the Morgan Library. Among the numerous musical scores and sketches are his INDIAN SUITE and the SONATA TRAGICA. Also, two original drawings of MacDowell by Orlando Rowland; and correspondence, manuscripts, catalogs, and other materials relating to the MacDowell Exhibition at Columbia University in 1938.

A collection of letters written to Frederick W. Dupee and George Stade in connection with their work as editors of THE SELECTED LETTERS OF E.E. CUMMINGS, published in 1969. There are letters from numerous friends and associates of Cummings, including Kenneth Burke, Malcolm Cowley, Marion Morehouse Cummings (Mrs. E.E. Cummings), John Dos Passos, Max Eastman, Marianne Moore, and Allen Tate. Also, 24 drawings by E.E. Cummings dating from the 1920 and 1930s.

Correspondence, drawings, printed material, and writings of or relating to the American painter.

Field notebooks detailing the customs and ceremonies of the Native American Hopi tribe, collected by Elsie Worthington Clews Parsons, PhD (1874-1941). Thirty of these volumes were the notebooks of Alexander M. Stephen (d. 1894), a U.S. Army officer who, in about 1882, started observing Hopi life. Although chiefly concerned with the Hopis, there are some notes on Hopi-Navajo relations and a few references to the Native American Tewa and Hokya tribes. Stephen's penciled notes and drawings were edited and published by Dr. Parsons as the Hopi journal of Alexander M. Stephen (New York: Columbia University Press, 1936). Also included are three unpublished notebooks of observations made by a young American physician with the Bureau of Indian Affairs (BIA), Jeremiah Sullivan (1850-1916), who lived among the Hopis (1881-1888) in the village of Sichomovi. A letter from anthropologist Alfred L. Kroeber, PhD (1876-1960) to Dr. Parsons explains the provenance of one of Sullivan's notebooks. These last three notebooks [Vols. 31-33] have also been attributed to Alexander M. Stephen by Alex Patterson (February 1994). [See, Alex Patterson's full note at subseries I.2. Jeremiah Sullivan (Vols. 31-33).]

Collection consists of typescripts of Emiliia Vitol'dovna Brusinskaya's reminiscences of Siberia in the late 19th century. There are also two newspaper clippings with her publications, 1 drawing, clipping with image of ballerina, and a brief essay (typescript) written by Konstantin Bruzinskii about his grandfather, Iakub Geishtor.

Papers of the Russian-American sculptor, painter. Incoming and outgoing correspondence; manuscripts including drawings, notes, sketches, and illustrations; published material; and photographs of Gershoy's work and family.

Collection consists of copies of 16 drawings, a materials list, and instructions for installation, operations and maintenance related to a hydraulic sheeter.

Letters and manuscripts of Evelyn Waugh, including letters written to Sr. Jaime Potenze, and a series of eight pen-and-ink drawings done by the novelist for the limited edition of BLACK MISCHIEF, ca. 1932. The scenario for the MGM film of his THE LOVED ONE (1966), screenplay by Terry Southern and Christopher Isherwood, has been added. Also, thirteen letters from Evelyn Gardner Waugh to John Maxse.

The collection consists of diaries, documents, a map of the Zmievskiĭ uezd of the Kharkov region, and printed materials. Diaries by Onopko cover the Civil War period from March 13, 1920 to March 25, 1922, and span from his service in the Kharkov area to his emigration to Prague. The diaries also concern Onopko's years in emigration in France from 1930-1944. Documents are mostly from the Civil War period. Printed materials consist of a clipping and printed drawing.

The collection includes copies of official communiques sent and received by the Russian Imperial Embassy in London for the period 1886-1890 and 1919-1922; copies of reports forwarded by E.V. Sablin to the Council of Ambassadors in Paris, for the period 1922-1937; correspondence grouped around specific subjects; "case files" containing letters from and on behalf of individual Russian emigres wishing to enter Great Britain or to adjust their immigrant status; and letters received by E.V. Sablin and his wife Nadezhda Ivanovna from various persons, together with carbon copies of their replies. The most voluminous correspondence is between E.V. Sablin and V.A. Maklakov, V. Dobuzhinskiĭ, Joseph P. Kennedy, Aleksandr F. Kerenskiĭ, Vladimir V. Nabokov, Fedor I. Shali︠a︡pin, Petr and Gleb Struve, Adri︠a︡na V. Trykova-Williams etc. The remainder of the collection consists of manuscripts of articles and speeches both by Sablin and by others; public statements issued by Sablin in mimeograph form; miscellaneous mimeo material; clippings from both the Russian emigre press and British and French newspapers of articles by and about Sablin; as well as miscellaneous clippings, books, booklets, leaflets, performance programs, newsletters, Russian language newspapers published in England, photographs and several drawings and watercolor sketches.

Papers of the British born painter, cartoonist, illustrator, lithographer, engraver, textile designer, writer. Collection includes artwork, maps, printed material, photographs, textiles, writings and drawings of Coulton Waugh, wife Elizabeth Waugh, grandfather, portrait painter Samuel Bell Waugh, and father, marine artist Frederick Judd Waugh.

This artificial collection consists of oversized posters, maps, newspapers, drawings, floor plans and architectural plans related to Columbia events, people and locations. The collection has been organized by subject matter.

This collection includes correspondence, original artwork, journals and scrapbooks of Stettheimer's work, photographs of her paintings, apartments, family and friends, catalogues, books and articles pertaining to Stettheimer's paintings and exhibits and puppets for Four Saints in Three Acts and the (unfinished) ballet Pocahontas.

Correspondence, manuscripts, notes, drafts of speeches, appointment books, subject files, documents, photographs, memorabilia and printed materials. There are notes from her lectures on Sociology at Adelphi College in 1911-1912; papers from 1912-1932, when Perkins served on the Commission for Safety and on the Industrial Commission of New York State; the main body of the material is from the period of her cabinet office, 1933-1945; and some items from her days on the Civil Service Commission, 1946-1953. Also included are personal and family papers.

Hand-drawn and hand-colored patters for fine decorative china, created by Fred Walklett for the Onondaga Pottery Company.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

Correspondence, printed material, writings, bibliographies relating to the American type designer and printer.

Papers of the Austrian-American portrait painter. Collection contains correspondence, incoming, 1934-1965; drawings; photographs of his portraits; and printed material, including articles, clippings and exhibition catalogs, 1936-1964.

Personal and professional papers of the notable literary critic. The collection includes correspondence, manuscripts, notes, journals, photographs, drawings and films, and a collection of signed and annotated books and magazines from Dupee's library.

Vic the Vet cartoons and other materials relating to Gabe Josephson and his work

Papers of the Gagarin family, consisting of correspondence, manuscripts, documents, invitations, drawings, and photographs. The correspondence includes letters to Prince Gagarin, Russian Ambassador in Rome in the 1820s and 1830s; letters to Prince Aleksandr A. Gagarin; and one letter each from R.W. Gilder and Fedor Shali︠a︡pin to Princess (Marii︠a︡?) Gagarina. The documents chiefly concern Prince Aleksandr A. Gagarin. There are photographs of the Emir of Bokhara and his son from about 1900.

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

The George A. Plimpton Papers consist largely of personal and professional correspondence, financial and real estate records, personal diaries and albums, writings, and lectures produced by or for George Arthur Plimpton. But the Papers also contains not only the correspondence and records of Plimpton's colleagues at Ginn and Company, the publishing house that Plimpton led for decades, but also correspondence and records relating to the dozens of other institutions and organizations that Plimpton helped lead. In addition to extensive correspondence relating to Plimpton's collecting of rare books, manuscripts, and historical artifacts, the Papers also contain such diverse items as autographs of presidents, handwriting specimens, studies of medieval manuscripts, and documents relating to the American slave trade.

American industrial designer. Collection includes notes, drawings, correspondence, reports, conference materials, public relations and marketing material, product data, slides, transparencies, models, and much more.

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings.

Design descriptions and illustrations (1957-1968) and design tracings and drawings (1948-1968) of the American industrial and interior design firm.

A photostatic copy of the diary of Strong. The diary, running without interruption from Oct. 1835 through June 1875, contains a wealth of information about life in New York City. Its scope broadens to include the national scene with the outbreak of the Civil War. There is also a miscellaneous assortment of approximately 150 photostatic copies of personal correspondence with family and friends, correspondence during his term as treasurer of the U.S. Sanitary Commission, original drawings, caricatures and doodlings, invitations, guest lists, theater and concert programs, newspaper clippings, a family tree, and photographs. Includes typed index of Columbia references in Strong's diary.

Collection consists of drawings of molds created by Gerard Designs for various companies in the plastics and other industries. Most drawings contain initials of Robert McGee.

Correspondence, manuscripts, notes, documents, subject files, photographs, art works, and printed materials. This collection covers the entire span of his life, although by far the greatest part relates to his activities as a professor from the 1930s to the 1960s. Among the correspondents are many important figures in American Russian studies or Columbia University; there are also many letters from his wife, Clemens T. Robinson, and Lewis Mumford. Manuscripts by Robinson include his "Rural Russia under the Old Regime" lectures, notes, speeches and essays, and also miscellaneous pieces (essays, reviews, poems, stories, plays, etc.) that he wrote while he was an aspiring young journalist and writer in the 1910s and 1920s. Manuscripts by others consist of student theses, papers, books and reports that were given him for review or comment. Subject files deal with such topics as his service in World War I; Columbia University (especially the Libraries and the History Department); and various aspects of academic life and Russian studies. Almost nothing in the collection has any bearing on his government service during World War II; items from the war years concern personal affairs or scholarship. There are photographs of Robinson and his wife; family photographs from the late 19th and early 20th centuries; and Russian scenes. Art works include items by Clemens T. Robinson. Among the printed materials are two books inscribed by Mumford to Robinson.