Correspondence, documents, portraits and photographs of the Deutsches Haus. The correspondence files consist of General Correspondence for the letters K-M, 1929-1943 and a special group which relate to the founding of the Haus in 1929. There are letters and tributes from many well known people on the occasion of the opening of the Haus. There are also correspondence documenting its function as an information center for German Studies. Among the correspondence are: Max Brod, George Eastman, Kuno Francke, Hugo von Hofmannsthal, Thomas Mann, Edwin Markham, Andrew Mellon, Max Planck, Arthur Schnitzler, Jakob Wasserman, Arnold Zweig, and Stephan Zweig

The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.

This collection contains records documenting Columbia University's activities slightly prior to, during and immediately following World War I. The collection consists of mostly correspondence, but also includes newspaper clippings, pamphlets, various publications, reports, photographs, service record cards, and numerous lists of Columbia men and women who served during the war.

Established in 1965 by Columbia University, the Double Discovery Center (DDC) provides educational programs and services to low income and first generation college-bound junior high and high school students in New York City. The DDC is one of the oldest Upward Bound programs in the United States. The collection contains the records of the DDC from 1965 to 2005, including student files and materials documenting the DDC's primary programs, Upward Bound and Talent Search.

The K.P. Chen papers documented the banking and finance career of a banker, entrepreneur, and finance advisor, Kwang Pu Chen dating from 1936 to 1968. Materials in the papers include accounts, loan contracts, correspondence, telegrams, diaries, financial reports, , letters, news clippings, notes, photographs, press releases, printed materials, and reports.

Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.

These papers contain the correspondence, photographs, press releases, programs and manuscripts of Clarence Joseph Bulliet (1883-1952) who was a prominent art and dramatic critic for the Indianapolis Star,Louisville Herald and Chicago Evening Press. The bulk of this collection is comprised of materials from the 1910s and early 1920s, when Bulliet was business manager for the touring company of Shakespearean actor Robert Bruce Mantell. Production photographs, press releases, production diaries and notes and drafts for Robert Mantell's Romance, the biography of Mantell written by Bulliet, are included in this collection. This collection also contains photographs and souvenir programs from other productions; drafts of Bulliet's literary works; printed materials and correspondence with Edward Albee, Julian Eltinge, Genevieve Hamper, Robert B. Mantell and Vera Zorina.

This collection documents the life and career of African-American social worker and educator William Neal Brown. Personal material includes his military records, family photos, material from his undergraduate years at the Hampton Institute, and various tributes from later in his life. The professional material is primarily typescripts of speeches and papers that Brown presented in the late 1960s and early 1970s to various academic and community groups. The audiovisual material includes audio of his debate with Malcolm X, titled "Integration or Separation," that took place on Ovember 3, 1961, at Rutgers University.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

The Richard Brick and Geri Ashur collection consists of materials related to film productions created and collected by Richard Brick and Geri Ashur, dating from 1968 to 2014. The materials document the career of Richard Brick as a filming professor, producer, and the first commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB). The collection also includes materials related to films by Geri Ashur. The bulk of the collection focuses on the motion picture films and production files of the films Richard Brick and Geri Ashur produced, as well as the administrative records that document Richard Brick's contribution to the filming industry in New York during his tenure as the commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB).