The Andrew Sarris Papers are comprised of correspondence, drafts and manuscripts, clippings, printed ephemera, periodicals, monographs, photographs, and audio recordings related to the career and personal life of renowned film critic Andrew Sarris. The materials span several decades, from the inception of his career as a film critic and theorist in the mid-1950s to the last years of his long tenure at The Village Voice in the late 1980s..

The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.

The David Lloyd collection on Lao She consists of records relating to the publications and translations of Lao She's work during and after his stay in New York, dating from 1946 to 1957. Materials in the collection include correspondence, accounts, manuscripts, and a portrait of Lao She.

Douglas Putnam Haskellan (1899-1979) was an American writer, architecture critic and magazine editor. This collection contains correspondence, memos, articles, speeches, lectures, transcripts, clippings, notes, printed matter, photographs, audiotapes, and memorabilia mainly relating to Douglas Haskell's editorship at Architectural Forum and his professional activities. The collection includes items dating from 1866 to 1979, with the majority of materials dating from the period of 1949 to 1964.

Edmund Stevens (1910-1992) was an American journalist who worked as a foreign correspondent in the Soviet Union from the 1930s until the early 1990s. He won the Pulitzer Prize for international reporting in 1950. The papers include articles, book materials, correspondence, travel notes, reporter notebooks, and photographs.

Professional and personal papers of Francis T. P. Plimpton (1900-1983), an attorney, president of the New York City Bar Association from 1968 to 1970, and member of the American delegation to the United Nations from 1961 until 1980.

John Leonard (1939 -2008) was an American literary and cultural critic best known for his extensive writing on literature, television, media, politics and American culture and his work as head editor of The New York Times Book Review in the 1970s. The John Leonard papers include drafts of Leonard's reviews, essays, essay collections, and works of fiction and nonfiction. The collection also includes his correspondence with prominent literary and cultural figures, his research and business files, personal memorabilia, photographs, signed artwork, printed matter, posthumous tributes to Leonard, and audio-visual material.

Marable was a leading figure in African-American studies as well as a historian, social theorist, and political activist. The collection includes appointment books, biographical information, budgets, clippings, correspondence, drafts, lecture notes, manuscripts, photographs, proposals, reports, speeches, syllabi, and teaching materials.

The collection was originally housed in several filing cabinets in and near Miwa Kai's office space in Kent Hall, which she shared with Wm. Theodore de Bary. Kai kept well-organized files, and most of her original file names have been retained. In addition to the papers she collected and created through the course of her work and personal life, she also inherited papers created by Howard P. Linton and Ryusaku Tsunoda, which she incorporated into her own files and enhanced with supplementary material and her own hand-written notes.

Pamela Moore (1937-1964) was an American novelist, best known for Chocolates for Breakfast (1956). The papers contain correspondence, clippings, contracts, diaries, drafts, manuscripts, memorabilia, photographs, notebooks, notes, outlines, proofs, school materials, sketch books, and a collection of published editions of Moore's novels.