A collection of 44 original photographs by Yosei Amemya, New York. The subjects include private gardens, office buildings and houses (interior and exterior views) and a few bridges. The majority are printed in a grainy, soft focuse technique and signed in pencil by the photographer. Also included are 3 halftone prints of bridges after photos by Amemya.

Architectural drawings for projects designed by the firm. The drawings, mostly blueprints, documents Allegheny General Hospital, Pittsburgh, Pa.; Mountainside Hospital, Glen Ridge, N.J.; The Department of Commerce Building, Washington, D.C.; The New York Academy of Medicine, New York, N.Y.; Federal Reserve Bank of New York, New York, N.Y.; and University of Michigan, Ann Arbor, Mich.

The Woodlawn Cemetery archive documents the history of the grounds, mausolea, monuments, and operations of Woodlawn Cemetery, founded in 1863 in The Bronx, New York, and one of the largest in the United States. The collection includes architectural designs records, maps, photographs, correspondence, construction and maintenance records, and other historical documents, spanning 140 years of the cemetery's operations.

Wilson Eyre, Jr. (1858-1944) was an American architect, teacher and writer who practiced in Philadelphia. He is known for his country houses and for being an innovator in the Shingle Style.

An unpublished manuscript by William S. Brown titled "SOM: The Formative Years." The manuscript, a 400-page typescript with holograph annotations throughout, was written between 1979-1983. The manuscript is incomplete, missing various pages sections.

This collection includes a very small number of personal papers from Ware; photographs of students, faculty, and school buildings, 1880s-1920s; memorials and testimonials to Ware; and miscellaneous clippings (including clippings of articles about Marcia Mead, first woman graduate of the School of Architecture), invitations (including two invitations to the first commencement of the University of the City of New York, 1834), greeting cards and announcements.

Architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to William Muschenheim's projects. The William Muschenheim Architectural Drawings and Papers span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material (described in RLIN VIM), consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations. William Muschenheim also had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom he did alteration work, Muschenheim also worked with a wide variety of companies including Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others

Watercolor drawings of interior walls and ceiling designs, late nineteenth-century, probably American.

This collection contains original drawings for thirty-nine architectural commissions, dated from 1913 to 1946. The majority of projects were located in New York City; other locations include the District of Columbia, Pennsylvania, South Carolina, and Virginia. Projects with the greatest number of extant drawings include River House in New York City (1930-1931); the Ernest P. Davies residence in Roslyn, New York (1916); the William Goadby Loew residence in Old Westbury, New York (1931-1932); and the Robert Goelet residence in Georgetown, South Carolina (1935). Drawings are primarily done in graphite on tracing paper, with some in ink on drafting linen.

Drawings are primarily for residential commissions in and around New York City, Connecticut, and Rhode Island. Some manuscript and photographic materials are also included in the collection.

This collection contains primarily project records, including drawings, files, specifications, correspondence, and photographs, related to the architectural practice of William & Geoffrey Platt. Projects including commercial, institutional, and residential buildings located in Colorado, Connecticut, Delaware, Florida, Louisiana, Massachusetts, Maine, North Carolina, New Jersey, New York, Ohio, Pennsylvania, Virginia, Vermont, Washington, and France. The firm was involved in the design of many buildings and additions for institutions such as the Pierpoint Morgan Library, Princeton University, Smith College, and Deerfield Academy.

The collection contains 290 drawings by American architect William Gehron for projects in the New York area. Projects represented are: Queens Borough Hall, 1939-40 (74 drawings); P.S. 191, 1952 (25 drawings); Convalescent Day Camp, Welfare Island, 1937 (15 drawings); Micellaneous Housing Projects, 1935 (25 drawings); Proposed Plaza for Broadway and 122nd Street, 1936 (1 drawing); World War II Memorial in Watermill, Long Island, NY, 1950 (6 drawings); Harlem Hospital OPD, 1939 (77 drawings); Studies for MacDonald Observatory, 1931 (28 drawings); and Utica State Hospital, 1949 (41 drawings). An rendering by Hugh Ferriss of the State Educational Building and Memorial Pylons in Harrisburg, PA was donated in 2004 (acq. 2004.005).

Collection consists of over 1,200 architectural drawings primary for residential buildings.

This collection contains 247 photographs from William F. Lamb's reference files. The photographs were originally arranged into 4 albums entitled "A: Interiors, Ceilings, and Vaults" "B: Miscellaneous" "C: Details" and "D: Details and Wood." The images primarily detail Italian architecture in Rome, Florence, Siena, Venice and Vatican City.

This collection of drawings, photographs and papers documents the architectural history of the William B. Osgood Field family in Lenox, Massachusetts, and New York City from the period 1908 through the 1920s. The bulk of the collection focuses on High Lawn, the private house and working farm located in Lee, MA. Several architects were commissioned to design buildings at High Lawn, including Delano & Aldrich, Alfred Hopkins, and John C. Greenleaf. The collection contains more than 450 drawings, 334 photographs (mostly construction photos of High Lawn Farm), specifications, general project files, and project correspondence between 1908-1914. In addition to the farm in Lee, MA, the collection also contains drawings for several buildings in New York City. There are alteration drawings by Stuart & Stuart (1903) and Hunt and Hunt (1911) for the Field's family home at 645 Fifth Avenue in New York. There are also drawings for a commercial building by John C. Greenleaf for 8 and 10 West 37th Street.

Correspondence, memoranda, minutes, announcements, and notes relating to the purchase, proposed publication, and research into the history and authenticity of the Serlio manuscript; manuscripts, with related notes, of Dinsmoor's article "The literary remains of Sebastiano Serlio" published in ART BULLETIN and correspondence, 1942, from the people who had received reprints of the article; a transcription and translation of the manuscript; and a photostatic copy of the Munich manuscript of the 6th book.

The colleciton includes one album created by the Cass family about Crimson Beech and 59 working drawings used for the construction of the dwelling. The album includes photographs of the exterior and interior of the house, the "Erdman Homes Standard Specifications & Package Content" document, clippings, and 4 architectural drawings by D. Korves. The working drawings were produced by Marshall Erdman & Associates and are primarily technical drawings.

The collection is made up of clippings, photographs, notes, and other research material gather on various architectural projects by Calvert Vaux in support of the writing of the publication Calvert Vaux: Architect & Planner (1994).

This scrapbook includes correspondence, typescripts, printed materials, black and white photographs, postcards, and other ephemera relating to the life, work, and personal interests of William Adams Delano and his architectural partnership with Chester H. Aldrich.

Also, typescripts of lectures delivered by Boring in architecture courses at Columbia, 1932-1933, miscellaneous typescripts of articles and printed materials, 1930-1933, and a typescript of Boring's autobiography, MEMORIES OF THE LIFE AND WORK OF WILLIAM A. BORING, circa 1937. Also included are four sketches by Henri Gauthier, Edward Tilton, Maurice Sashin, and Joseph Laudin.

This collection contains architectural photographs, drawings and records related to the architectural projects and designs of Warren and Wetmore, principally in the United States, but also representing commissions in Canada, Cuba, and Puerto Rico. Unfortunately, the bulk of architectural drawings produced by the firm are no longer extant. Additionally, it holds a variety of photographs and other records used as reference materials in the course of Warren and Wetmore's professional work. Lastly, a small group of student and personal papers and photographs from Whitney Warren completes the collection.

Wank Adams Slavin Associates was an American architecture firm that grew out of Reed & Stem (1889-1923) and Fellheimer & Wagner (1923-1961). Both early firms were known for their work with train station design; Reed & Stem won the commission for Grand Central Terminal, and Fellheimer & Wagner specialized in Art Deco and Beaux-Arts train stations. However, Fellheimer & Wagner also expanded into financial institutions, educational complexes, housing facilities, and laboratories. This would continue to expand under the leadership of Roland Wank with Wank Adams Slavin Associates. Relationships between firm partners and government institutions were also an important source for commissions. The firm has been active as WASA Studio since 2005.

This collection contains architectural records, student work, correspondence and professional writings related to the academic and architectural practice of Walter Sobotka. The largest portion of the collection, Series 1, relates to his architectural practice and contains drawings, files, and a scrapbook of photographs and articles pertaining to his work in Europe and America. The majority of his projects consisted of residential buildings and interiors in Austria along with furniture designs. However, there is also a selection of theater interiors that Sobotka designed for RKO across the United States. Series 2 contains a limited selection of Sobotka's lectures and writings, as well as correspondence. This series also contains material relating to two of his unpublished writings, The Prefabricated House and Principles of Design, including copies of the manuscripts, correspondence with publishers, and research materials. A bound version of Principles of Design is catalogued separately and contains an appendix in which Sobotka translated into English excerpts of his correspondence with the Viennese architect Josef Frank. Series 3 contains some artwork and student drawings, as well as a few personal letters.

Walter Curt Behrendt (1884-1945) was a German-American architect and an active advocate of German modernism. The collection is composed primarily of lectures and writings.

Architectural drawings for projects in the United States, largely in the Chicago area, done before 1912; in Australia (where they lived, 1912-1937), including the Federal Capitol of Australia in Canberra, 1912, and Castlecrag, a planned suburb of Sydney, undated; and India, 1936. These projects were designed by Walter Burley Griffin and most of them were rendered by Marion Mahony Griffin. The extent to which some of these projects were also designed by Mahony Griffin is not certain.

The Wallace K. Harrison architectural drawings and papers consists of architectural drawings, photographs, correspondence, notes, speeches, manuscripts, press releases, clippings, memoranda, printed material, job lists, curriculam vitae, contracts, articles, and other material related to Harrison's architectural projects. The collection also contains a significant amount of material regarding Harrison's position as director of the Office of Inter-American Affairs, director of planning of the United Nations Headquarters and biographical material. Approximately a third of the collection is made up of photographs. Photographers include Wendy Barrows, Shirley Burden, George Cserna, Y[uzo] Nagata, and Ezra Stoller, among many others. There is also a collection of 148 art books that belonged to Harrison referred to as his "doodle books." A list of these books with brief descriptions of where Harrison drew in them is contained in the finding aid. Projects documented include Lincoln Center, Metropolitan Opera House, Rockefeller Center, Albany Mall (Empire State Plaza), United Nations, X City, ALCOA building, Corning Glass building, First Presbyterian Church, La Guardia Airport, Socony-Mobil building, Battery Park City, Radio City Music Hall, New York World's Fair (1939 and 1964), Institute for Advanced Study, National Academy of Science, Pahlavi National Library Competition, Oberlin College's Hall Auditorium, Pershing Memorial, Rockefeller University, Hopkins Center, The Anchorage, Avila Hotel, and numerous other buildings and residences.

Walker O. Cain (1915-1993) was an American architect associated with the firms of McKim, Mead & White (1940-1961), Steinmann, Cain & White (1961-1965), Steinmann & Cain (1965-1967), Walker O. Cain & Associates (1967-1978), and Cain, Farrell and Bell (1978-1986). Collection consists chiefly of travel sketches, cartoons, invitations, and other ephemera. The collection also includes correspondence with Alexander Calder and photographs of the sculptor and his works; photographs and printed materials related to the firm of McKim, Mead & White; Scrapbooks; Medals; and a few architectural drawings.

Photomontage entitled "Urban images/New York City/An addition." Awarded Honorable Mention at the The Annual Birch Burdette Long Memorial Competition of Architectural Drawings sponsored by the Architectural League of New York.

The typescript is the only surviving evidence of a fictitious journal called The Diary of Mary, a Little Farmer's Wife, written by Walter V. Davidson, an important client of the architect Frank Lloyd Wright. It is part of a larger collaboration with Wright in which Davidson proposed a nation-wide network of small farms and marketplaces as a solution to the environmental and economic crises of the Great Depression. Typescript in a binder titled "Little Farms and Davidson Markets Prospectus and Manual."

Collection consists of 51 reprographic architectural working drawings for the TWA Terminal A at John F. Kennedy International Airport in Queens, N.Y., drawn between 1958 and 1961. All sheets are diazo print on paper, with a very few bearing graphite and/or colored pencil annotations. Earlier drawings note Eero Saarinen as the architect of record; later drawings note Eero Saarinen and Associates. Architectural working drawings are stored in numerical order, sheets 2 through 121, with some sheets lacking.

The collection consists of personal, professional, and project-related papers. The project and professional papers are made up of contracts, specifications, proposals, published speeches, reports, clippings, trade catalogs, and engineering drawings and documents. Among the projects documented in the collection are T. Kennard Thomson's Niagara River Water Power project, Manhattan Extension project, New York City Belt Line Railroad and Elevated Highways project, and Fifth Avenue Traffic Puzzle project. Additional engineering projects represented in the collection include those primarily related to bridge and elevated railroad projects. The personal papers include photographs, financial records, obituaries, clippings, and collected ephemera of Thomson and his extended family members. The personal papers also include menus, programs, and bulletins from various clubs and societies Thomson was associated with, including the Canadian Club of New York and the University of Toronto Engineering Society (founded by Thomson while at University).

This collection includes original and reprographic architectural drawings, black and white photographic prints, typescript specifications, and other papers relating to the architectural practice of Thomas W. Lamb, as well as his colleague and successor, John J. McNamara.

Also, minutes kept by Richard Michell Upjohn for the American Institute of Architects, New York Chapter, Committee for Library and Publications, 1868-1877, and Executive Committee, 1867-1889; sketchbooks, 1850s-1870s; photographs of Upjohn buildings and portraits of Richard Upjohn; correspondence, wills, memorial tributes, manuscripts, printed material, and miscellaneous personal and business documents; and several drawings by other architects including Alexander Jackson Davis, Hobart Brown Upjohn, and Calvert Vaux

The collection documents the events and activities of The Temple Hoyne Buell Center for the Study of American Architecture from the 1980s to the early 2000s. The collection consists of correspondence, board minutes [restricted], administrative and financial records, posters, reports, recordings of lectures and events.

The collection of historical photographs and lithographs of New York City consists of about 3,000 items dated from the 1850s until the 1980s. The collection is made up of color photographic prints, color negatives, black-and-white photographic prints, black-and-white negatives, copy prints, studio and cabinet cards, stereo cards, cyanotypes, albumen prints, gelatin silver prints, lantern slides, glass negatives, and Polaroid prints, lithographs, woodcuts, tear sheets, and engravings. The collection also includes official images, newspaper images, and candid images. Also included are images from the photo morgue of the New York Herald-Tribune newspaper, which ceased publication in 1966. Other images were purchased as copies from New-York Historical Society, Museum of the City of New York, WNYC-FM Radio, the Bettman Archive, and from collectors, private vendors, and other institutions. Photos by noted photographers are included.

Architectural drawings of late 18th- and early 19th-century residences, ecclesiastical buildings, commercial buildings, stables, and other structures located largely in New York City. Drawings are signed by Joseph Newton, James C. Lawrence, Henry Hedley, a Mr. Whiteman, T.G. Vandenheuvel. Drawings are largely unsigned. Among structures represented are Washington Hall, on Broadway, New York, undated, unsigned; "A plan of a roof sent to Philadelphia for the circus" undated, unsigned; and City Hall, New York, undated. Also, miscellaneous engravings, clippings, and details.

8 engravings signed A.V., after drawings by S.B. (usually identified as Sebastiano Serlio). The initials S.B. appeared on impressions of the first state only, which were made in Venice in 1528. In the second state, the titles were re-engraved by Agostino Veneziano (also known as Agostino Musi), who redated the plates 1536 and numbered them; these were printed in Rome. In the third state, a later publisher, Antonio Salamanca, added his name: Ant. Sal. exc. These engravings are third state. This set of 8 prints contains nos. 1, 2, 3, 5, 7, 9, 10, 11. Plates 4, 6, 8 are lacking.

Theodore Conrad (1910-1994) was an American architectural model maker. This collection is composed primarily of model photographs, press clippings and other documentation, drawings, and administrative papers. The visual materials mainly consist of model making documentation from Conrad's career as a professional model maker for major architecture firms, most notably Skidmore Owings and Merrill and Edward Durell Stone.

Blue-line prints of The Museum of Broadcasting located at 25 West 52nd Street, New York, NY. The drawing set (which is 108 sheets including the cover) includes mechincal drawings, structural drawings, and architectural drawings.

Elevation and plan.

Architectural, electrical, mechanical, plumbing, structural, and elevator drawings for the Eldorado Apartment Building at 300 Central Park West in New York City.

Positive photo stat of second story floor plan.

This collection is composed primarily of the projects (built or unbuilt) that Taliesin Associated Architects (TAA) conducted in Iran in collaboration with Nezam Amery and his office NAKK spanning from 1965 to 1979. The collection includes final and working project drawings, correspondences, contracts, estimates, calculation, photographs, and additional papers. It also includes records of litigation after 1979 in the United States Courts. While the time of the projects overlaps, the series are arranged chronologically based on the dates each contract was signed.

The collection includes the project files and architectural drawings of the Taliesin Associated Architects, the firm that was established after the death of Frank Lloyd Wright in 1959. Projects include commissions that were left on Wright's desk at the time of his death as well as independent commissions and renovation work. Over 1,000 architectural projects are represented either in the paper records, the architectural drawings, or both.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.

This collection contains architectural drawings, and some supplementary archival materials, for buildings primarily designed or altered by Sylvan Bien alone or in partnership with his son, Robert L. Bien. Most of the projects represented in this collection are apartment buildings located in New York City, particularly on the Upper East Side, with some work in surrounding regions and states. In several cases, drawings by the original architect for buildings later altered or studied by Bien are also included in this collection. Lastly, a small group of drawings created by Robert Bien while with Eggers Group is also included.

The Significant Interiors Survey (1984-1985) was conducted by The Junior League of the City of New York, Inc. in an effort to document interior spaces of significant buildings in New York City. The collection contains the surveys conducted by The Junior League as well as colored slides of the 14 buildings. The buildings represented include American Telephone & Telegraph Company Building, Carnegie Hill School, Charles Scribner Residence, The Cloisters, Hotel Plaza. The Jewish Museum, Manhattan Country School, Moran's Chelsea, New York Public Library's Main Branch Building, Saks Fifth Avenue, Salmagundi Club, St. Bartholomew's Episcopal Church, Sunar Hauserman Showroom, and the Trump Tower. The collection also contains a copy of "Preserving a Fragile Art: A Manual for Surveying Significant Interiors" published by the American Society of Interior Designers and the New York Landmarks Preservation Commission.

This collection primarily contains photographic prints, including contact sheets, depicting Frank Lloyd Wright, Iovanna Lloyd Wright, the apprentices, and buildings at Taliesin West in the 1950s, made by Stuart Weiner. Additionally there is a small group of photographs documenting Wright's presentation of his plans for the Arizona State Capitol in April 1957 and another small group of photographs by Weiner documenting Wright's presentation of that same project to students at Phoenix Union High School several days later. Additionally, there is a small group of photographs by Weiner showing the Raymond Carlson residence in Phoenix, Arizona, designed by Frank Lloyd Wright in 1950. Also of particular note are two original architectural drawings by Frank Lloyd Wright for the Susan Lawrence Dana residence in Springfield, Illinois, showing a gate and an exterior elevation. Lastly, the collection contains a complete copy of the February 1956 Arizona Highways special issue on Frank Lloyd Wright and Taliesin West, and a copy of Wright's self-pubilshed "Oasis: plan for Arizona State Capitol submitted by Frank Lloyd Wright, Architect, February 17, 1957.".

Album of photographs taken and purchased by Stanford White on a trip to France in 1878.

Collection consists primarily of White's letterpress books and correspondence, with some related bills, receipts, and other ephemera, 1887-1906, relating to his professional and personal matters. Correspondence, 1907, relates to his estate. Correspondents of note include William A. Boring, Richard Morris Hunt, Augustus Saint-Gaudens, Louis C. Tiffany, John La Farge, Charles McKim, Frederick Law Olmsted, Whitney Warren, Stefano Bardini, Bessie White, William Merritt Chase, William Robert Ware, Kenyon Cox, Cornelius Vanderbilt, Percy Baker, Cass Gilbert, Childe Hassam, John Singer Sargent, John Wanamaker, Carrère & Hastings, Thomas Dewing, James McNeill Whistler, Lawrence White, Richard White, and other architects, artists, contractors, suppliers, clients, friends, and family members. One letter book contains letters, 1922, by White's son Lawrence Grant White. Also included are White's architectural drawings for houses he built for himself at St. James, Long Island, 1892-1904, and 121 East 21st Street, New York, undated; miscellaneous drawings; and a few architectural drawings by Lawrence Grant White, and drafts of his translation of Dante's DIVINE COMEDY.

Specifications document, 6 pages in manuscript, 12 x 8 inches, 1882; Letter to David Whipple offering to sell pier rights, 1878; Letter from Whipple to wife concerning pier, 1884.

In detail. Roof, framing, floors, doors, shutters, plastering, windows, closets, glazing ("best Boston Crown Glass"), built-in dresser in the china closet, papering, painting, fireplaces & cranes, silver-tipped lightning rods.

Avery's collection of Spanish children's drawings of the civil war consist of 153 drawings made by children aged 7 to 14 between the years 1936 and 1938. The drawings were willed to the Department of Art History and Archaeology of Columbia University by Martin Vogel, a lawyer, who died on May 20, 1938 at the age of 59. He made several bequests to Columbia University in a will dated March 16, 1938. From the date of this will and of his death, it is likely the drawings he purchased were those exhibited at Lord & Taylor's in February 1938. His name, however, does not appear among the patrons of the exhibition.

This small collection of correspondence, 17 photographs, and 1 blueprint plan documents the construction and maintenance of the Slade Memorial in Gate of Heaven Cemetery (Mount Pleasant, N.Y.). The papers provide an account of the working relationship between architect and client, as well as detail the many complications encountered when commissioning a built work.

This collection primarily includes black and white and color photographic prints of approximately 100 buildings designed by the American architectural firm Skidmore, Owings & Merrill in locations throughout the United States, circa 1945-1969.

The collection consists of approximately 140 bound albums of photography by Ezra Stoller featuring buildings and interiors designed by Skidmore Owings & Merrill (SOM) and a small collection of project records. Projects represented include, among others, Albright Knox Art Gallery, American Republic Insurance Company, Banque Lambert, Beineck Library, Chase Manhattan Bank, Connecticut General Life Insurance Company, Ford Motor Company, HJ Heinz Research Center, John Hancock Building, Lever House, Lyndon Baines Johnson Library, and US Airforce Academy.

Published page taken from November 13, 1886 Harpers Weekly. Features prominately The Dakota apartment house, with seven subsidiary drawings.

Blueprint of Bush Terminal in Brooklyn, New York.

This collection documents the projects and activities of SITE, an architecture and environmental design firm founded in 1970 by James Wines, with material dating from the early 1970s to 2017 (bulk 1990s). The collection also includes a small selection of James Wines' papers. The SITE records include project files, drawings and sketches, photographic material, including a significant portion of SITE's slide collection, and marketing, exhibition and office records. Many of the project files document SITE's Green Architecture phase of the 1990s and more recent projects, including lesser known commercial work, such as restaurants and coffee shops. Much of this material relates to projects which have not been widely published, and reveals the breadth of the firm's practice beyond the major projects for which they are known. Many of the photographs and slides document the construction of SITE's experimental projects from the 1970s and 1980s. James Wines' papers include writings, lectures, research notes, limited correspondence, business plans, grant proposals, and documents related to publications, exhibitions, product design, and education projects.

James Wines (1932–) is an artist, architect and professor, best known for his interdisciplinary art and architectural practice and work leading the firm S.I.T.E. (Sculpture In The Environment) which he co-founded with Alison Sky in 1970. This collection documents the projects and activities of SITE, with material dating from the early 1970s to 2017 (bulk 1990s). The collection also includes a small selection of James Wines' papers.

Designs for chimney pieces. Also included is a design for an entrance porch and a design for a pavilion.

Includes drawings for stained glass window patterns, furniture designs for churches, drawings of saints, and other detail drawings.

Primarily papers and photographs related to Breines' architectural designs and professional activities. Some project architectural drawings are also included.

This collection contains primarily drawings made by Danish-American architectural photographer Sigurd Fischer while he was a student in Denmark. Drawings include travel sketches, studies for furniture and lighting, a sailboat design, architectural designs, and a theatre poster. Also six issues of the weekly Danish journal ARCHITEKTEN

This collection includes original and reprographic presentation, working, and rental drawings for projects in the New York City area, including the Ferris Booth Hall and Dormitory at Columbia University; the Empire State Building; Hunter College; the Johns-Manville Sales Corporation exhibit at the 1939 World's Fair; the Julliard School of Music; New York City Hall additions and renovations; National City Bank of New York; P.S. 302 and P.S. 307 in Brooklyn; and the United Engineering Center at the United Nations Plaza.

The Sheppard Pratt Asylum was founded in 1853 for the progressive treatment of the mentally ill by the Baltimore merchant Moses Sheppard. The New York architect Calvert Vaux was hired in 1858 to design the buildings for the institution at the same time Vaux and Frederick Law Olmsted won the competition for the design of Central Park. Construction on the Asylum began in 1862, during the Civil War, and because of lack of financial constraints, the Asylum opened in 1891. The Sheppard Pratt Asylum is now on the National Historic Register. The 17 drawings for the project include floor plans, elevations, sections, and detail drawings.

An American architect and urban planner, Shadrach Woods was a student of Le Corbusier and worked extensively throughout North Africa, France, Germany and New York City on projects ranging from low-cost housing developments to university campuses. Also highly regarded as a critic and theorist, Woods taught at Harvard and Yale and lectured and published widely. The collection represents the span of Woods' life and career through papers, photographs, architectural drawings, writings, and published materials. A small group of materials documents his childhood and education through personal papers and photographs. However, the bulk of the collections relates to his professional work and collaborations.

The collection is made up of full sheets, removed from Harper's Weekly, which contain illustrations by Thomas Nast.

Arranged alphabetically by Theatre name, the collection is made up of over 700 theatre programs and Playbills; included are some of the most prominent productions in the New York area during the 20th century. Often included in the programs are seating charts for specific theatres.

Miscellaneous letters collected or found in the Seymour B. Durst Old York Library.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

The collection consists of research files primarily on New York City architectural history. Prominent topics include Friends Meeting House, Cast Iron, James Renwick, and Grace Church.

Includes the publications of, and much correspondence about, the American Institute of Architects, as well as other organizations affecting the architect; copies of bills and correspondence about legislation affecting architectural practice; obituaries of architects, and certain material dealing with the World War, besides some personal correspondence and memorabilia.

Architectural historian Sarah Bradford Landau is a scholar, advocate, and public servant in New York City, active from the late 1970s into the second decade of the 21st century. Landau's research includes a focus on the architecture of William Appleton Potter and Edward Tuckerman Potter (on whom she wrote her dissertation), the gothic revival (especially its influence on American church architecture), and the skyscraper. The bulk of the collection is made up of research and lecture files. Additionally, the collection includes a number of personal effects, including portraits of Landau as well as her ephemera files, which include clippings, correspondence, and other mementos from the colorful and celebrated career of a public intellectual beloved in many circles in New York City and beyond.

Approximately 30,000 negatives and prints of buildings primarily on the East Coast, designed by various architects, including the Baltimore Museum of Art, Constitution Hall and the National Archives Building in Washington, D.C., and several churches and houses, all designed by John Pope Russell; four houses by Electus D. Litchfield; houses and other projects by Grosvenor Atterbury; houses by Peabody, Wilson & Brown; the John Ringling mansion in Sarasota, Florida, among other houses, churches, and office buildings designed by Dwight James Baum; numerous houses and apartment buildings in Miami Beach, Florida, especially those by Russell T. Pancoast and Robert Law Weed; many other houses throughout Florida by architects such as John L. Volk and Treanor and Fatio; and many houses and estates located in suburbs of New York City, particulary Greenwich, Conn., Montclair, N.J., and Mt. Kisco, Locust Valley, Oyster Bay, and South Hampton, N.Y.

The collection consists of 4 film reels, which have been digitized and are available online to Columbia affilates (and available to our public in our reading room).

The four sheets include : [1] NYDA.1000.108.0001. [Design for a residence in Bristol, R.I. : front and side elevations] ; [2] NYDA.1000.108.0002. [Residence for Mr. Alexander Perry, Bristol, R.I. : side elevation] [3] NYDA.1000.108.0003. [Residence for Mr. Alexander Perry, Bristol, R.I. : front elevation] ; [4] NYDA.1000.108.0004. [Westminister Church (2nd. Unitarian) Providence, R.I. : perspective view] / Russell Warrn & Jas. C. Bucklin Architects. (Signed) M. Swett Invt. & delt. Pendletons Lithography.

This collection contains lectures, notes, photographs, correspondence, and architectural drawings documenting the work of Russell Sturgis, and, secondarily, his son, Lyman Sturgis. The materials were created between 1874 and 1932.

This collection includes architectural drawings on linen, tracing paper, and paper, microfilmed drawings; photographic prints; a job list; and a small group of specifications and correspondence for the Ogden Reid residence. Buildings represented are primarily in New York City, with a few commisions built in the surrounding region. Projects include apartment buildings, private residences, offices, hotels, and hospitals.

The collection documents the design development and construction of the Randolph and Amalie Rothschild Residence in Baltimore, MD. The papers, collected by the owners, Randolph and Amalie Rothschild, consist primarily of correspondence, specifications, and floor plans and sketches by architect Percival Goodman. There is a significant amount of correspondence between the Rothschild's and Goodman regarding alterations to the design. This correspondence underscores the larger theme of client-architect relationships and its influence on the design process.

Rose Associates, Inc. is a prominent New York real estate development firm. The collection contains construction photographs, brochures, newspaper clippings, advertising materials, and other records related to the construction of apartment complexes overseen by the historic firm between 1920 and 1980. Notable projects within the collection include the Madison Belvedere, Park Gramercy, Georgetown Plaza, and Metropolis.

The collection consists of pencil sketches and drawings by Romaldo Giurgola for three Michell/Guirgola Architects architectural projects. The three projects represented in this collection are Mission Park Residential Houses for Williams College in Williamstown, Massachusetts (1971), three schemes for The American Institute of Architects National Headquarters Building Competition in Washington, D.C.(1965-67), and The Sherman Fairchild Center for Life Sciences at Columbia University in New York City (1977).

Roger Halle (1919-1993), a research architect who devoted his professional practice to reducing the cost of construction. After receiving a graduate degree in architecture from Princeton University, he worked for several architectural firms; and.later started his own practice in New York City and Caracas, Venezuela. Halle held 12 patents in 17 countries for his work. In 1964, he introduced the Halle Building System, and in 1972 he established Halle Building System Company Inc. He wrote many articles to promote his ideas on how to build more with less cost and was published in several publication including Architecture & Engineering News, Progressive Architecture, and The New York Times. He also gave talks and lectures at Princeton University, New York Institute of Technology and HUD-NIBS Conference.

Roger Cesare Ferri (1949-1991) was an American architect, painter, and designer, principally active in New York City. This collection includes Ferri's project records, original and reprographic architectural drawings, paintings and sketches, professional papers, and very limited miscellaneous personal documents and items.

Robin Middleton is an architectural historian whose work focuses largely on French and English architecture of the eighteenth and nineteenth centuries. The collection documents Middleton's research and writing process starting with his early dissertation work on Eugène Emmanuel Viollet-le-Duc at Cambridge University continuing into the 1990s after Middleton joined the faculty at Columbia University.

This collection includes photographs taken by Robert Bien of historic and architecturally significant churches and railroads in New York City, New York State, California, Connecticut, Colorado, Massachusetts, New Jersey, Pensylvania, Québec, Rhode Island, Texas, and Toronto between 1982 and 2002.

This collection includes primarily papers and published materials, with a small number of audio cassette tapes, photographs and slides, related to Gutman's teaching, research, and academic responsibilities.

Robert Allan Jacobs (1905-1993) was an American architect and designer active in the United States from the 1930s until his retirement in the early 1980s. His work consists primarily of commercial projects, including numerous skyscrapers in New York City, along with a richly varied corpus of other institutional, residential, and commercial projects--primarily centered in New York City and its surrounding suburbs but ranging as far afield as South Africa and the Dominican Republic. The son of the notable Beaux-Arts architect Harry Allan Jacobs, Robert Allan Jacobs was educated at Amherst College and the Columbia University School of Architecture. Jacobs began his career as a disciple of Le Corbusier, went on to serve as a designer and draftsman for Harrison & Fouilhoux, and then formed a partnership with Ely Jacques Kahn in 1941--thus commencing three decades of pioneering collaborative design work that would leave an indelible mark on the Manhattan skyline. Together, Kahn & Jacobs made their debut with the Municipal Asphalt Plant in 1941 and went on to design such iconic projects as 100 Park Avenue (1944), the Universal Pictures Building (1947), 1407 Broadway (1950), 425 Park Avenue (1957), the Seagram Building (in collaboration with Mies van der Rohe and Philip Johnson, 1958), the Astor Plaza Building (in collaboration with Carson & Lundin, 1961), the New York Telephone Building (1969), and One Astor Place (1970).

This collection includes research materials, publication manuscripts, notes, correspondence, and architectural drawings related to the academic study, teaching, and writings of architect and urban historian Richard Plunz. The bulk of the collection contains research papers, administrative records, notes, and sketches, as well as reproductions of architectural drawings by other architects for various properties owned by the New York City Housing Authority, gathered by Plunz and his Urban Design Research Group students during their studies on the concept of "defensible space" in New York City public housing. Also included in this collection are notes and draft manuscripts for "Design and the Public Good" [Cambridge, Mass. : MIT Press, 1982], Plunz's compilation of writings by architect and educator Serge Chermayeff, as well as general research files about and correspondence with Chermayeff. Lastly, a small body of reproduced drawings documents various historic structures on Ellis Island, the 39th St. Ferry Terminal building in Manhattan and Fort Hamilton in Brooklyn.

Richard Joseph Neutra (April 8, 1892 – April 16, 1970) was an important modernist architect who helped introduce the International Style to the US. The Richard Neutra papers document primarily the architect's writings.

Richard Henry Dana (1879-1933) was an American architect. The collection is made up of 342 mounted black and white photographs of executed works and restoration projects completed by Dana.

This small collection of Bach's professional papers contains primarily correspondence and papers related to his consulting work for the American Institute of Interior Designers and his correspondence with UNESCO and other organizations regarding laws against design piracy. The collection also contains correspondence, notes, and clippings concerning his research on industrial design topics, including the value of better design in industry, an ideal industrial design school, and specialized museums serving industries. Also included in the collection are typescripts and published copies of some of Bach's writings and lectures.