Autograph manuscript poem "An Inscription On A Groto of Shells".

Letters, manuscripts, printed ephemera and photoreproductions collected by Saffron. The collection reflects Dr. Saffron's two avocations: book collecting and the history of medicine. Of particular importance are three reels of microfilms of Hunterian manuscripts at the University of Glasgow Library. William Hunter (1718-1783) was a Scottish physician. In addition, there is an autograph signed manuscript by John Martyn titled "To the Author of the Grubstreet Journal" 1731-32; letters published in "The Grub-Street Journal" concerning Richard Bentley's edition of Milton; a letter from Stephen Phillips to [Sir Sidney Colvin]; and poetry of Emily Winthrop Miles

These records contain the editorial, production and correspondence files of Grand Street, a New York literary quarterly founded by Ben Sonnenberg Jr. in 1981 and published through 2004. Throughout its two decades, Grand Street prided itself on nurturing authors and presenting a smart and eclectic mix of contemporary poetry, fiction, art and journalism. The bulk of this collection consists of annotated manuscripts, proofs and correspondence related to the magazine: featured writers include Anne Carson, Arthur Coleman Danto, Jonathan Franzen, Dennis Hopper, Ted Hughes, Norman Mailer, Susan Minot, Toni Morrison, Alice Munro, Orhan Pamuk, Salman Rushide, Edward Said and David Foster Wallace. Production files related to the magazine's operation are also housed within these records and these files include contracts, press and publicity files, design ideas and materials pertaining to Grand Street's attempts to rebrand itself as an online only magazine in the 2000s.

Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Correspondence, manuscripts, memoranda, contracts, and miscellaneous material from the files of Don Congdon Associates, Inc., literary agency, dealing with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright restrictions. Select files pre-date the firm's establishment because some clients of Harold Matson Company, Inc. became clients of Don Congdon Associates, Inc. The cataloged correspondence include: Ray Bradbury, Lillian Hellman, William Manchester, William Shirer, William Styron, and Francois Truffaut.

American poet, translator and graphic designer. Haberman was instrumental in founding the American Poets' Corner at the Cathedral of St. John the Divine in New York City and was the Cathedral's first Poet-in-Residence (1983-1986).

Correspondence, manuscripts, and miscellany relating to the presentation of poems at a Shakespeare's Birthday Concert on 23 April 1972, by a number of British poets including W.H. Auden, C. Day Lewis, Robert Graves, and Stephen Spender. The collection consists primarily of correspondence with the poets involved; several manuscripts of poems both presented at and eliminated from the program; some business correspondence of the Globe Playhouse Trust and Calder and Boyars, Ltd., Publishers; and Hampton's notes.

These papers are the correspondence, manuscripts, memoranda, and publicity for poetry readings at the Camden Festivals of 1969 and 1970. There is also the book-manuscript and proofs for TWELVE TO TWELVE (London, Poets' Trust, 1970), twelve poems which were commissioned for the 1970 festival. The correspondents include Charles Causley, C. Day Lewis, Ted Hughes, Christopher Logue, Hugh MacDiarmid, Gary Snyder, and Louis Zukofsky.

Correspondence and manuscripts of many authors who were asked to contribute to the proposed anthology, as well as letters from publishers to whom the project had been offered. Among the cataloged correspondents are: John Ashbery, W.H. Auden, Lawrence Ferlinghetti, David Ignatow, W.S. Merwin, Ron Padgett, and May Sarton.

Three groups of drawings, two in notebooks and the third torn from a notebook. 1). A 38 page spiral bound notebook containing 29 drawings, 9 pages of notes, and a concrete poem by Nancy Holt. Most of the drawings were done in preparation for his show at L'Attico Gallery in Rome, October 15 to November 7, 1969. The last two drawings refer to his travels in the Yucatan. 2). Three loose drawings torn from a larger spiral bound notebook. They are studies for L'Attico Gallery Exhibition. 3). A 12 page typewriter paper tablet containing 10 drawings (four are loose) and two pages of notes. The drawings were done from late 1969 through 1970 in Vancouver, the Anaconda Mines in British Columbia, and elsewhere.

Correspondence and proofs for two books by Hughes, ANIMAL POEMS (Richard Gilbertson, 1968) and FIVE AUTUMN SONGS FOR CHILDREN'S VOICES (Richard Gilbertson, 1968). Also, two watercolor drawings and two pen and ink drawings for FIVE AUTUMN SONGS, by Philidor Gili.

Manuscripts by Voronkov. One manuscript is a short (6 p.), handwritten, autobiographical essay, in which Voronkov mentions his military education, his service in the Russian Imperial Army, his management of a military factory in WWI, and his emigration after the Civil War. The other manuscript"Svi︠a︡tai︠a︡ Ruś" consists of 80 poems written by Voronkov primarily about Imperial Russia, Russian Orthodoxy and the Romanov family. The collection also includes a copy of a Russian emigre newspaper published in Argentina ("Nasha Strana" 15 Feb. 1966) that contains an article about Voronkov's poems.

The collection includes Romanovich's memoirs (15 p.) concerning the period 1914-1920, mostly focusing on her activities in the Don region during the Civil War. There are also two typescript poems by Romanovich.

The collection documents the scholarship and writing of John Eugene Unterecker, a poet, biographer of the poet Hart Crane, and professor of English. The majority of the collection is composed of correspondence and manuscripts. Materials date from 1961 to 1987.

A second generation New York School poet, Ted Berrigan's life and work was heavily influenced by the Beat poets whom he greatly admired. This collection of personal letters and journals allows insight into the poet's thought processes and inspirations.

Letters, manuscripts, and books, including four letters from MacNeice to the poet and editor, Geoffrey Grigson. The manuscripts, either by or about MacNeice, include ten of his last poems. Five of these have been published in SOLSTICE, 1961, and four in THE BURNING PERCH, 1963. Drafts of the first group of poems were written in a personal notebook used by the poet while he worked for the British Broadcasting Corporation. In another similar notebook is a partial draft of his play "The Administrator." Both notebooks are in the collection. Also, an untitled, unpublished poem of seven stanzas"Tingling [born] the burning island" written on the reverse of a map. Works about NacNeice include manuscripts of a memoir and a radio portrait by Robert Pocock. The portrait has poignant comments and personal reminiscences by twenty of the poet's contemporaries, including John Betjeman, Anthony Blunt, W.H. Auden, E.R. Dodds, Stephen Spender, and others. Both Auden and a literary coterie of Spender, Betjeman, William Empson, and Cyril Connoly taped disucssions of MacNeice and his poetry. Also, thirty-eight books that were in MacNeice's personal library. Most are autographed by him, and many have marked passages and marginal notes. One of the books, Euripides' ALCESTIS AND OTHER PLAYS, is heavily annotated, apparently for a broadcast production.

Notes, manuscripts, and printed materials of Lawrence. The collection is comprised mostly of typescripts of her books.

Letters to Elsa Dorfman from "beat" poets including Allen Ginsberg, Philip Whalen, Frank O'Hara, Edward Field, and Robert Creeley. Included are 14 poems by Elsa Dorfman with critical comments by Allen Ginsberg.

Correspondence, manuscripts, and page-proofs received by Andrew Crozier for the American poetry issue of GRANTA magazine, March 1964, published at Cambridge University. There are also later correspondence and printed materials from English and American poets to Andrew Crozier.

The office file of the magazine. There is correspondence and manuscripts from many writers among whom are: William Burroughs; Diane di Prima; Allen Ginsberg; Anselm Hollo; Walter Lowenfels; Michael McClure; Gerard Malanga, and John Wieners

The Barry Miles Papers contains correspondence, manuscripts, photographs, and printed materials concerned with Miles' literary activities in the London counterculture. Included are letters and manuscripts from William S. Burroughs and Allen Ginsberg, among numerous others. This collection also includes material used by Miles in the research and writing of his work Ginsberg: A Biography as well as from his editorship of the annotated edition of Ginsberg's Howl.

Letters from McClure to David Meltzer discussing McClure's writings, especially during a visit to New York in 1961. Also, three poems sent to Meltzer; one letter, dated 1965, and addressed to Joe Pinelli; letters from McClure to his agent, Max Gartenberg, 1965-1967, concerning his negotiations with Grove Press; and 43 drafts of his MEAT SCIENCE ESSAYS, published by City Lights Books in 1963 and 1966.

Correspondence, manuscripts, photographs, audio cassettes, and printed materials. Three items consisting of a nine page autograph poem entitled "The Light Touch"; a collection of short poems written in five small notebooks called "From the Sublime"; and a printed pamphlet of poetry entitled "Modern Haiku and Tanka". All items were prepared during 1971, but several pieces in "From the Sublime" date back to 1956. A sixth notebook dated 1971-1972 for "From the Sublime" is also included. Keppel writes one notebook each month and forwards them to the collection after they are completed. There are a few cataloged letters in Box 1, but the bulk of the collection consists of Keppel's poetry and essays.

The collection consists of manuscripts, memoirs and a printed item. Manuscripts consist of poems by Maĭborodov, including a typescript of a poema entitled "Bogdan Khmelńit︠s︡kiĭ." The memoirs primarily concern the years 1900-1938 and include Maĭborodov's reminiscences as a student at St. Petersburg University (1900-1904) and his reminiscences of his service as a zemstvo chief in the Volyni︠a︡n, Podoli︠a︡n, Bessarabian and Kherson provinces from 1904-1916. The printed item is an off-print (61 p.) of a memoir entitled "S frant︠s︡uzami," which was published in "Arkhiv Russkoĭ Revoli︠u︡tsii." In the collection it is part of the memoir "Vo vremi︠a︡ smuty (pri vremennom pravitelśtve) [1917-1920]."

This collection consists of correspondence, manuscripts, documents, photographs, video and tape recordings, and printed materials relating to Economou's poetry manuscripts, to publications and performances to which he contributed, and to his teaching career as a professor of medieval literature.

The papers of artist and Beat Generation figure Robert LaVigne. The collection contains correspondence, artwork, and event invitations.

Correspondence, manuscripts, and proofs of writings by and about John Berryman collected by his friend and critic, William Meredith. The collection also contains 28 volumes from Berryman's library containing his notes, inscriptions, etc. (loose notes are filed with the manuscripts) and 43 books, mostly inscribed to Berryman's mother. Correspondence of the following people are cataloged: Van Meter Ames, Saul Bellow, John Berryman, Robert Giroux, William Meredith, and William Phillips.

Correspondence and works of Andre Racz, including one letter from Gabriela Mistral, 1952, a portrait of her (etching-aquatint), Ricz's etching (metal plate) for Mistral's POEMAS DE LAS MADRES (Santiago, Chile, 1950), a Christmas card, 1970, illustrated and signed by Racz, and a holograph of Thomas Merton's poem AUBADE--HARLEM, Racz's facsimile of this poem etched on a zinc plate, and his artist's proof pulled from the plate. Also, signature practice page for scroll presented to President Sovern by the Executive Committee of the Faculty in appreciation of his work as chairman, 1968.

Typescript poem "Na strashnyi sud istorii (Delo Anny Akhmatovoi)" that discusses events in Akhmatova's life from the 1946 attack on her by Zhdanov through the publication in 1950 of her cycle "Slava miru." The poem circulated in the Soviet Union in samizdat in 1950-1951.

Correspondence and manuscripts including drafts, typescript, notes, photographs, mimeographed scripts and printed materials, re. Hall's plays, radio and television scripts, short stories, and novels. Among the cataloged correspondents are: Alan Ayckbourn, Robert Bolt, Christopher Fry, Sir John Gielgud, and Harold Pinter.

The collection includes typescript libretti of Obkircher's operas and plays including KURT UND MARIANNE; OPFER; UNSCHULDIG; WAHL; and WILHELM KÜHNER, and of his collected poems. These are bound in eight volumes and are all in German. Most of these are signed by Obkircher. There are also two letters from Obkircher.

Includes published and unpublished writings, artwork, correspondence, and sound recordings created by or related to the Beat poet Gregory Corso.

Collection includes 5 bound typescript collections of her plays and verse for children and of her poetry, a copy of the journal "Pravoslavnai︠a︡ Rus"́ with a poem she wrote, two autobiographical letters, and a bound typescript collection of poems by her brother, Oskar O. Gild́e (1896-1969).

Typed poems of Zlinchenko. Included are typed copies of four groups of poems: "Teni schasti︠́a︡" "Volnui︠u︡shchai︠a︡ taĭna" "Nesbyvshai︠a︡si︠a︡ mechta" and "Vzdokhi sveta." Also in the collection is a copy of Zlichenko's book.

Correspondence and manuscripts. Correspondents include Leonard Cutts, John Gawsworth, Robert Herring, David Higham, John Lehmann, and Denys Kilham Roberts. The letters in general deal with the publication of his poems. The manuscripts are mainly corrected typescripts.

Correspondence, manuscripts and page proofs. The correspondence includes 12 letters from Roland Barthes, 1963-1978, concerning French literature in French and American universities, and one letter from Charles Maurras and his comments on Roudiez's Columbia University dissertation (1950), CHARLES MAURRAS: GENESIS OF A REACTION; also a typescript of the translation and revision of the dissertation, MAURRAS JUSQU'À L'ACTION FRANC̦AISE, published in Paris in 1957. In addition, there are several typescript drafts and page proofs all with holograph corrections for Roudiez's translations of Julia Kristeva's DESIRE IN LANGUAGE (New York: Columbia University Press, 1980) and POWERS OF HORROR (New York: Columbia University Press, 1982); and the typescript for Roudiez's book FRENCH FICTION TODAY(New Brunswick: Rutgers University Press, 1972)

Iljinskii 's correspondence, manuscripts, diaries, documents, photographs, and printed material. The correspondence, primarily from the period 1945-1990, includes a large body of letters from Iljinskii to his wife and numerous letters to Iljinskii from such persons as Roman Goul, Valentina Sinkevich, Leonid Rzhevskii The manuscripts consist primarily of handwritten and typescript copies of Iljinskii's essays and humorous poems. Also included are his dissertation and notebooks. The collection includes about 100 photographs mostly of Iljinskii. The printed material consists almost exclusively of books and clippings.

Playscripts, correspondence about his scripts, poems, notebooks and other manuscripts including drafts, typescripts, notes, photographs, mimeographed scripts and printed materials, re. Cooper's plays, radio and television scripts, short stories, and novels.

Collection includes correspondence, manuscripts, documents, photographs, and printed materials. There are letters from Rodion Berezov, Aleksandra Tolstai︠a︡, I︠A︡kov T︠S︡vibak, and Mark Weĭnbaum as well as one letter each from Georgiĭ Grebenshchikov, Dmitriĭ Shakhovskoĭ, and Igor ́Sikorskiĭ. There is a poem and letter drafts by Matviĭchuk, dating from 1945-1973. The arranged manuscripts include a brief memoir by Matviĭchuk entitled "Ushedshee." The essay discusses his family, the Civil War, and life in the Soviet Union during the 1920s. Matviĭchuk left the Soviet Union during World War II, and eventually emigrated to the United States. There is a box of clippings and several boxes of emigre newspapers and journals, many of which contain essays by Matviĭchuk.

Correspondence, manuscripts, diaries, notebooks, subject files, books and other printed materials of Berezov. The correspondence includes letters from Aleksis Rannit, Alexandra Tolstoy, and the editors of "Novoe russkoe slovo," Mark Weinbaum and Andrei Sedykh (pseudonym of Iakov Tsvibak). There are three different typescript versions and handwritten drafts of Berezov's novel "Volzhskii solovei" as well as manuscripts of his short stories and poems. There are also many notebooks containing drafts of poems and miscellaneous notes. Berezov's diaries cover the years 1944 to 1975. Printed materials include books and clippings about Berezov, also books by other authors from his library. A subject file on Alexandra Tolstoy contains numerous articles concerning her father as well as her work in this country; there are also poems by Berezov which are dedicated to her.

Papers of Allen Ginsberg, American poet and one of the founders of the beat generation. The collection contains correspondence, manuscripts, and publications created by Ginsberg and his associates. Note that the main body of Ginsberg's papers is found at Stanford University.

Correspondence, manuscripts, proofs, and publicity materials for POETRY LONDON-NEW YORK, which appeared in four issues from 1956 to 1960. There is correspondence to and from M.J. Thurairajah Tambimuttu (1915-1983), the editor, Anthony S.M. Dickins, the "editor in Britain" from the contributors, manuscripts submitted for publication, and letters about the launching party for the magazine on 31 July 1956.

Correspondence, manuscript, and printed materials of Kees. There are fourteen letters from Kees to Herbert Cahoon, twelve letters from James T. Farrell to Kees, the manuscript of Kees' THE LAST MAN, and announcements and clippings by and about Kees.

Papers of Philip Whalen, American poet, novelist, and Zen Buddhist associated with the Beat Generation and the San Francisco Renaissance.

The collection consiste of correspondence, memoranda, reports, bulletins, clippings, photographs, awards, and printed material. The files, arranged by genre and topic and reflect her philanthropic and legislative work in the areas of health, specifically cancer, heart disease, and mental health. Her civic and legislative work is covered in detail, as well as her private interests and activities.

Correspondence and manuscripts of Bowles. Most of the letters in the collection are from Bowles to his friend, Ira Cohen, and pertain to Bowles' life in Morocco and his interest in the music of Morocco and Thailand. Bowles was particularly interested in Moroccan hypnotic music and made a commercial recording of it. His notes for an insert booklet to be included with the record are in this collection. There are also eight letters from Bowles to Frank Roberts, his friend and collaborator on the screenplay adapted from Bowles' novel, LOVE WITH A FEW HAIRS. There are also 4 letters from Bowles to Irving Stettner and 1 letter from Mohammed Mrabet to Stettner. The Bowles manuscripts also include three short stories, some poems, an interview with Bowles by Ira Cohen, and several pages (thermofax copies) from a notebook. In addition, a reel of tape with one of Bowles' compositions"Wet and Dry" and a short story by Mohammed Mrabet are in the collection.

Much of this material came from submissions to the literary magazine "Voyages" and includes correspondence between Claire and Mark and Dorothy Van Doren. There are also works by Robert Lax, Allen Tate, John Taglibue relating to Mark Van Doren.

Most of the letters, which comprise the bulk of the collection, were written to Chekver in the late 1940s and 1950s by such emigre writers as David Knut, Aleksei Remizov, and Iurii Terapiano. Also included are verses by some of Chekver's correspondents (such as Knut, Igorʹ Chinov, and Vasilii Sumbatov), photographs of Knut, and books of verses by Chekver and Iurii Trubetskoi.

The collection includes seven volumes of scrapbooks containing clippings on current affairs roughly between 1939 and 1950 with particular reference to the trials of the German War Criminals at Nuremberg and the state of Germany after World War II. Also, general items on President Franklin Roosevelt and U.S. foreign policy. There are several complete copies of newspapers folded and inserted in the scrapbooks. The second and more important part of the collection consists of typescripts of Dr. Pfeiffenberger's writings. These occupy one and one-half manuscript boxes (Boxes 4 and 5). Included are about 45 pages of poetry in German, about 120 pages of selected stories of New York Life (in German), about 30 pages on The European State-System, 1848-1890 (in German), 127 pages of manuscript entitled "The Spirit of the Code of Hammurabi" (this is a preliminary draft in English of a short book or article by Pfeiffenberger), about 305 pages of typescript on "Compensation in the Western Zone of Germany" by Pfeiffenberger, Dr. H. Klein, and Dr. Klavehn-Berndt (there are many changes and notes in script, and this item is accompanied by another typescript of approximately the same size on the same subject), and several other items.

Correspondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.