Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, lectures, and other academic and professional work spanning his entire career. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.

Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

Giuseppe Zambonini (1942-1990) was an Italian-born and New York-based architect, interior designer, theater director, and teacher. This collection contains materials pertaining to Zambonini's architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design, founder and head of the Open Atelier of Design, and director of the architecture program at the Georgia Institute of Technology. Dating primarily from the 1960s through the late-1980s, materials in the collection include sketches, drawings, plans, and blueprints of Zambonini's architecture and interior design projects, as well as photographs of the building sites and finished work. Also included are correspondence, photographs, and printed material related to his teaching and administrative career. Zambonini's work as a theater producer and director in Italy is represented by photographs, scripts, audio, and a variety of posters and programs. Finally, the collection contains a small selection of Zambonini's writings and lectures.

Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.

Interior designer and Parsons School of Design alumna Henriette Granville Suhr (1917-2015) specialized in merchandising and display design. This collection represents her work for such manufacturers, retailers, and designers as Baker Furniture, Bloomingdale's, and T. H. Robsjohn-Gibbings.

The Institute for Retired Professionals (IRP) was founded in 1962 by a group of New York City schoolteachers who sought to continue their intellectual development after retirement. The creation of courses and their delivery is entirely member run and depends upon members' interests. New courses are offered each term. The collection consists mainly of printed matter, such as fliers, publications and course catalogs.

This collection consists of a portfolio of wet collodion portraits of new immigrants to the United States by fine arts photographer Jill Enfield. The portfolio forms a part of Enfield's The New Americans series, and originated as a year-long project funded by a Faculty Development Grant from Parsons. Enfield's grant statements are also part of the collection.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.

Julius Rudel (1921-2014) was an opera and orchestra conductor who graduated from the Mannes School of Music in 1942. He served as music director for several organizations, most notably as director and principal conductor for New York City Opera from 1957 to 1979. The collection includes annotated conducting scores, notes, a scrapbook of news clippings, programs and playbills, correspondence, biographical material, and photographs.

The Lucie Porges fashion design papers include biographical materials, fashion sketches, fashion illustrations and fashion photographs, and teaching records. It is of a primarily professional nature, with little documentation of Porges's personal life. The primary activities documented are Porges's fashion design work for Pauline Trigère and her teaching activities at Parsons School of Design.