Alison Smith Hannan (1925-) graduated from Parsons School of Design in 1947. She maintained this student notebook while studying fashion design and fashion illustration between 1945 and 1947.

The collection consists of art and design work executed by furniture and interior designer Allan Skriloff during his studies in Parsons School of Design's Interior Design Department.

The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. The clinic was offered once and at times twice annually from the 1920s through 1955 to forecast the year's fashion industry trends. This workbook belonged to Howard Phillips, merchandise manager for Ernst Kern Department Store, Detroit, Michigan, and was annotated by Phillips.

Completed by Burton Schuman while a student at Parsons School of Design in 1947-1948 for an advertising design class taught by Betty Carter, the collection includes sketches, illustrations and advertising designs.

The collection consists primarily of lecture notes and course-related notebooks maintained by designer Carolyn Nesbitt Wagenseller ('63) during her studies in Parsons School of Design's Interior Design Department.

Charles Harbutt taught photography at Parsons School of Design from the early 1990s until his death in 2015. He served as the president of the photographic cooperative Magnum twice, and his work appeared in many publications and exhibitions. The collection consists of material created and assembled by Harbutt for his Parsons classes.

Notes taken by Cleora Clark Wheeler during lectures given by Frank Alvah Parsons at the New York School of Fine and Applied Art (later, Parsons School of Design), which Wheeler attended in 1912-1913. Also included is a set of bookplates, which was the focus of Wheeler's later career.

Dero Darwin, Jr. (1929-2014) graduated from Parsons School of Design's Interior Design Department in 1964. This collection includes design work Darwin produced as a student, as well as lecture notes and course materials, and material from Darwin's professional design career.

Manuscript created by Parsons School of Design instructor Estelle Hamburger for the book, Fashion Business: It's All Yours (Canfield Press, 1976).

Fiona Walker Dieffenbacher is a fashion designer, author, and alumna of Parsons School of Design, as well as a faculty member and director of the BFA Fashion Design program. The collection consists of student notebooks and portfolios kept by Dieffenbacher while Fashion Design BFA student at Parsons School of Design in the 1990s; samples of visual aids she created as professor; and student work made in her classes in the 2000s.

Francesca Sammaritano is a fashion designer and alumna of Parsons School of Design, as well as a full-time faculty member. The collection is comprised of two student project notebooks maintained by Sammaritano while she was a Fashion BFA student at Parsons School of Design in the late 1980s and two examples of student work created in classes Sammaritano taught as a professor.

Frieda Wunderlich (1884-1965) was a member of the University-in-Exile (also known as the Graduate Faculty, and later as the New School for Social Research). A professor, public official and editor of an anti-Nazi magazine in her native Germany, Wunderlich came to the New School in 1933 and continued her social and economic research while teaching into the 1950s. The collection consists of files and topically-themed notebooks.

The collection consists of Jeanette Olliver's student work in the form of lecture notes, detail sketches and course materials, representing her work in the Parsons School of Design Interior Architecture and Decoration Department in the early 1940s.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.

Lyman Martin (1908-2003) graduated from Parsons School of Design in 1939 and joined Thedlow, an interior decoration firm. At Thedlow, Martin created interiors and watercolor renderings, and designed rugs and murals. In 1969, Martin became president of Thedlow, remaining until its closure in 1979. The collection includes student work, interior drawings, a travel diary, floorplans, photographs, clippings, and exhibition files.

The Margaret Susan Daniell papers consist of biographical materials, a student notebook and drawings from her education at Parsons School of Design in the late 1920s, and two photographs. Daniell (1907-1998) studied fashion design at Parsons and later worked at Paramount Studios.

The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

A student notebook kept by Marion Reed, who attended Parsons School of Design's Paris Atelier in the summer of 1927. The notebook contains lecture notes, postcards and class handouts.

Mary Frances Gettrust graduated from the New York School of Art (later, Parsons School of Design) in 1939 with a diploma in Costume Design and Illustration, and served as an instructor of Costume Illustration at Parsons in the 1940s. The collection consists of a partial student notebook of costume sketches, printed samples of Gettrust's work as a fashion illustrator, correspondence from Parsons Alumni Association, and Parsons-related ephemera.

Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.

Raymond S. Waldron, Jr. (1913-2002) attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1938-1941. After serving in World War II, Waldron worked for Lord & Taylor. In 1965, he established his own interior decoration firm. The collection includes his student work, a travel sketchbook, and professional files. Waldron's student work includes notebooks, instructor handouts, sketches and renderings, and tracings. A travel sketchbook reflects Waldron's later design studies in New York, France and Italy. Materials from Waldron's professional career include project files, design research, stereo slides of the Blair House, among other projects, and publicity for his business.

Sunbeam "Sunny" Randall (1898-1993) graduated from Parsons School of Design Interior Design Department in 1951 and worked as a professional decorator. The collection includes course materials, furniture and decorative style sketches, class notes, and a scrapbook documenting Randall's art tour of Europe as a Parsons student in 1950.

Violet Holsinger Mueller (1907-2003) studied fashion design at the New York School of Fine and Applied Art (later, Parsons School of Design) from 1926 through 1929. She worked as an interior designer for Stix, Baer & Fuller, a St. Louis-based department store, and founded her own design consultancy in Belleville, Illinois. Her papers include personal materials, and documentation created during her studies at Parsons and her design career.

After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most importantly, as creative director for Calvin Klein. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of items produced and compiled between 1969 and 2000, including idea books, photographs, clippings, student work, and sketches.