The papers consist of correspondence, manuscripts, documents, subject files, photographs, and printed materials, and chiefly concern the post-1917 emigration; the Rodichevs settled in Switzerland. There is a great deal of family correspondence, including letters from Fedor I. Rodichev to his wife and daughter, letters from their niece Nina Vernadsky (Mrs. George), and from relatives in Soviet Russia in the 1920s and 1930s. There are many letters by Fedor I. Rodichev to Ivan and Anastasii︠a︡ Petrunkevich, and to Natalii︠a︡ Herzen fille. There are also letters to the Rodichevs from such Kadet leaders as Nikolaĭ Astrov, I︠O︡sif Gessen, Vasiliĭ Maklakov, Pavel Mili︠u︡kov, Sofii︠a︡ Panina, and Ivan Petrunkevich, and items by Aleksandr I. Herzen, Nikolaĭ Ogarev, and Ignacy Jan Paderewski. Manuscripts include memoirs and other writings, with many notes and fragments, written by Fedor Rodichev while in exile. There is also Aleksandra Rodicheva's biography of her father, and materials used by Kermit McKenzie to prepare his edition of Fedor Rodichev's memoirs. Subject files concern such topics as the Russian Civil War, the emigration, and the Rodichev and Herzen families. Among the photographs, which are chiefly of the Rodichevs and their friends and relatives, are two portraits of Giuseppe Garibaldi. Printed materials include clippings and offprints of works by Fedor Rodichev, and some books by, or relating to, members of the Herzen family.

The papers include correspondence, manuscripts, documents, printed materials, and photographs. Much of the correspondence concerns "Reka Vremen." Cataloged correspondents are Georgiĭ Adamovich, George Kennan, Vasiliĭ Maklakov, I︠U︡liĭ Margolin, Sofii︠a︡ Pregeĺ Harrison Salisbury, I︠U︡riĭ Terapi︠a︡no, Nikolaĭ Uli︠́a︡nov, and Edmund Wilson. There are manuscripts of several stories by Olǵa, and of her biography of Vladimir; also included are the memoirs of N.N. Savvin about the St. Petersburg Polytechnic Institute. Printed materials include articles about Vladimir and his obituaries. There is a photograph of the "Normandie" coming into an American port in the 1930s.