Letters, manuscripts, printed ephemera and photoreproductions collected by Saffron. The collection reflects Dr. Saffron's two avocations: book collecting and the history of medicine. Of particular importance are three reels of microfilms of Hunterian manuscripts at the University of Glasgow Library. William Hunter (1718-1783) was a Scottish physician. In addition, there is an autograph signed manuscript by John Martyn titled "To the Author of the Grubstreet Journal" 1731-32; letters published in "The Grub-Street Journal" concerning Richard Bentley's edition of Milton; a letter from Stephen Phillips to [Sir Sidney Colvin]; and poetry of Emily Winthrop Miles

Correspondence, manuscripts, documents, photographs, subject files, printed materials, and memorabilia of historian George Vernadsky (Georgii Vladimirovich Vernadskii; 1887-1973). Most of the collection consists of his personal and professional papers, circa 1918-1973. Sizable groups of materials also concern members of his family, especially his wife Nina (1884-1971); his father, scientist Vladimir I. Vernadskii (1863-1945); his mother Nataliia E. Vernadskaia (1860-1943); and his sister Nina V. Toll' (1898-circa 1976).

The collection consists of correspondence, manuscripts by Sidorova and a photograph, presumably of Sidorova (1970). The manuscripts (signed Evgenii︠a︡ Mor, her pseudonym) include short stories, poems and essays about the second world war. Particularly noteworthy are long essays on the painter Kuzḿa Petrov-Vodkin (including lists of his works in private collections) and the playwright Evgeniĭ Shvart︠s︡, both of whom Sidorova knew personally. There are also brief essays about the writers Alekseĭ Pli︠u︡shkin (Ugri︠u︡mov) and Ivanov-Razumnik.

Collection includes correspondence, manuscripts, documents, photographs, and printed materials. There are letters from Rodion Berezov, Aleksandra Tolstai︠a︡, I︠A︡kov T︠S︡vibak, and Mark Weĭnbaum as well as one letter each from Georgiĭ Grebenshchikov, Dmitriĭ Shakhovskoĭ, and Igor ́Sikorskiĭ. There is a poem and letter drafts by Matviĭchuk, dating from 1945-1973. The arranged manuscripts include a brief memoir by Matviĭchuk entitled "Ushedshee." The essay discusses his family, the Civil War, and life in the Soviet Union during the 1920s. Matviĭchuk left the Soviet Union during World War II, and eventually emigrated to the United States. There is a box of clippings and several boxes of emigre newspapers and journals, many of which contain essays by Matviĭchuk.

The collection consists of correspondence, manuscripts, documents, a photograph, and printed material, primarily from the period 1941-1957. Included are letters from Ivan Bunin, Marc Chagall, Mikhail Karpovich, Vasiliĭ Maklakov, W. Somerset Maugham, Vladimir Nabokov, Ili︠́a︡ Repin, Edmund Wilson, Boris Zaĭt︠s︡ev and many others. Manuscripts of his works include "Istoki""Nachalo kont︠s︡a""Zhivi, kak khochesh"́, and "The Escape" (English translation of "Begstvo"), such shorter tales as "Noch ́v terminale""Povest ́o smerti", and "Ulḿskai︠a︡ noch"́, as well as numerous articles, book reviews and essays. There are financial records for "Novyĭ Zhurnal", which Aldanov helped found, and the clippings are mainly articles about Aldanov. There is one late photograph of Aldanov.

The papers, which primarily concern Shmelev, consist of correspondence, manuscripts, photographs, and printed materials. The correspondence includes photocopies of letters from Petr Struve to Ivan Shmelev, and of letters from Shmelev to one Aleksandr Ivanovich. Manuscripts consist of Kutyrina's memoirs and essays about Shmelev; these draw heavily on correspondence of Shmelev, Ivan Bunin, Konstantin Balḿont, and Thomas Mann. Also included are Kutyrina's memoirs about the October 1917 Revolution in Moscow. Printed materials consist of books by Kutyrina's husband, the writer Ivan Novgorod-Severskiĭ.

Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).

The collection primarily consists of unpublished manuscripts by Shavelśkiĭ. There are also letters from Shavelśkiĭ to his daughter (Marii︠a︡ Novit︠s︡kai︠a︡), several photographs of Shavelśkiĭ, clippings and miscellaneous printed items. Shavelśkiĭ's manuscripts include his memoirs (1920) which describe church affairs in Russia, World War I, the Imperial family and the 1917 Revolution; "Nabroski s natury" (1947), a series of brief essays and stories; "Pokhod protiv Rasputina" (n.d.); "Russkai︠a︡ t︠s︡erkov ́pred revoli︠u︡t︠s︡ieĭ" (1937); and "V dobrovolćheskoĭ armii" (1943), which describes Shavelśkiĭ's service as an army chaplain. Other manuscripts include brief sketches of Shavelśkiĭ by Feodor Bokach and N.N. Glubokovskiĭ.

The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Correspondence of I.L. Tolstoĭ. Nearly all the correspondence is between Il'ia Tolstoĭ and his wife, Nadezhda Klementévna Tolstai︠a︡. It primarily dates from the 1920s and concerns the lecture series Il'iaTolstoĭ gave throughout the United States and in Paris. There is one letter from Aleksandra L. Tolstai︠a︡ and a folder of official correspondence relating to the lecture series, including several letters from Tolstoĭ's manager. There is a brief essay by Tolstoĭ entitled "A Democratic Peace" and an unidentified photograph, presumably of Nadezhda Tolstai︠a︡.