Included are architectural drawings, surveys, maps, and site proposals, for Columbia's Morningside Heights campus, designed primarily by McKim, Mead & White. Other architects represented include Adams & Woodbridge; Arnold Brunner (who designed the School of Mines); Eggers & Higgins; the Columbia University Buildings and Grounds Department; Howells and Stokes (designed St. Paul's Chapel); Reinhard, Hofmeister and Wahlquist; and James Gamble Rogers. Drawings for buildings no longer in existence or never constructed and drawings for later alterations, are included. Architectural drawings of the Bloomingdale Insane Asylum, and surveys of the asylum site prepared for Columbia, 1888-1894. Also included are site plans and proposals, surveys, and maps, circa 1890s-1910s, showing the surrounding area, including such institutions as the Jewish Theological Seminary, St. Luke's Home, Cathedral of St. John the Divine, Grant's Tomb, and others. Drawings for the Womans's Hospital in the State of New York (designed by Allen & Collens, erected 1903, demolished in the 1970s), circa 1903-1914, are also included. This building was used to house the Columbia School of the Arts in the 1960s since it was located near the campus.

Additional materials include carbons of typescript correspondence of lectures given by Dean William A. Boring (academic year 1933-1934) and Professor Theodor Karl Rohdenburg (academic year 1946-1947). Also design problems, the earliest of which were given in conjunction with the Beaux-Arts Institute of Design, from academic years 1918-1919, 1926-1927, 1936-1937, 1949-1950, and 1957-1958. Also materials for the Architecture 51 class; correspondence of Joseph Hudnut; course outlines; correspondence relating to the search for a new dean of the school, 1957-1963.

Included are drawings--from preliminary sketches to finished renderings--done by students in the architecture program at the School of Mines at Columbia and, later, at the School of Architecture at Columbia. The bulk of these were done circa 1884-1912, during the tenures of Deans William Robert Ware (1881-1903) and A.D.F. Hamlin (1903-1912). Included in collection are student drawings by William A. Boring, Harry Allan Jacobs, Benjamin Wistar Morris, Jr., Julian Clarence Levi, Arthur Ware, Talbot Faulkner Hamlin, Leopold F. Arnaud, Perry Coke Smith, Theodor Karl Rohdenburg, and Aladar Olgyay. Also, drawings done by architecture students at the Massachusetts Institute of Technology, circa 1880s; a photograph, undated, of William Robert Ware; and one drawing, 1879, by architect Cass Gilbert.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

Sketchbooks, 1895-1903; sketches, 1894-1896, made while Magonigle was travelling in Europe on Rotch Travelling Scholarship; graphic designs, 1902-1919; rendered competition drawings for government buildings, circa 1907-1920, and memorial structures, circa 1910-1930; photographs of Magonigle's architectural drawings, memorial structures, monuments, and other architectural work, much of it located in New York City, circa 1900s-1930s. Among projects represented in the collection are the Gates Avenue Courthouse, Brooklyn, N.Y.; the Firemen's Memorial, the Robert Fulller Memorial, and the National Watergate Memorial in New York City's Riverside Park; the Liberty Memorial in Kansas City, Mo.; the Isaac Guggenheim house in Port Washington, N.Y.; numerous additions and alterations for the Franklin Murphy mansion in Mendham, N.J.; and the United States Embassy compound in Tokyo, Japan. Also, drawings by other architects including Hugh Ferriss, Thomas Rogers Kimball, Hubert George Ripley, and I.W. Taber, that were presented to Magonigle. Also included are drawings, circa 1910s-1940s, by Magonigle's wife, painter and designer Edith Marion Day; photographs of Day and Magonigle; manuscripts of lectures, literary works, and other writings by Magonigle; and ephemera.

Harold Van Buren Magonigle was a New York-based architect, graphic designer, painter and sculptor. Magonigle married artist Edith Marion Day in 1900. Edith Magonigle was a painter and muralist who served as President of the Society of Women Painters and Sculptors. Edith was a primary collaborator of Harold Van Buren Magonigle in both the decoration and creation of buildings designed by his practice. He was widely known as an architect of memorial structures including the Firemen's Memorial on Riverside Drive and the Liberty Memorial in Kansas City. Other prominent commissions include the Isaac Guggenheim house in Port Washington, New York and the United States Embassy in Tokyo, Japan.

Hugh Ferriss (1889-1962) was an architectural renderer known for his vision of the modern city and his ability to translate vast projects into dramatic but clear-cut images. Ferriss published two books: The Metropolis of Tomorrow (1929) and Power of Buildings (1953). The collection was donated to Avery Library by Ferriss' family after his death, and has been supplemented by several later additions from other sources. 363 original drawings in the collection have been photographed and digitized and can be viewed via links in the finding aid's container listing.

Collection includes James Renwick's sketches, 1813, for the layout of Columbia University's second campus on Park Row (there have been four campuses to date: the first on Wall Street, the third on 49th Street and Madison Avenue, and the current campus in Morningside Heights), and a medal awarded him, 1824, by the Franklin Institute, Philadelphia. James Renwick, Jr. is represented by his architectural drawings of St. Patrick's Cathedral, New York, which he designed. Some of the drawings are signed by Bertram Grosvenor Goodhue. Also, published drawings of the Cathedral, 1886; negatives and photographs, circa 1860s, showing the Cathedral under construction; interior and exterior photographs, circa 1930s-1960s, of the Cathedral; and photographs of Grace Church, New York, also designed by James Renwick, Jr. Renwick family correspondence, 1930s, and typescript copies of 19th century Renwick family correspondence relating to family history and genealogy; photographs of James Renwick, Jr; typescript copies of family Bible records, 1792-1863; Renwick coat of arms.

This collection includes Giorgio Cavaglieri's preliminary studies, working drawings, presentation drawings, and specifications, circa 1962-1965, for his renovation of the Jefferson Market Courthouse into a library. Also, prints of drawings, 1876, by Vaux and Withers for the original building, and drawings, circa 1918-1940, for alterations.

The projects in this collection represent the history of a firm that lasted nearly a century. The roots of the firm can be traced back to Hermann J. Schwarzmann, a German-born architect who designed the Philadelphia Centennial of 1876. Schwarzmann soon partnered with Albert Buchman and practiced with him until 1887. Unfortunately no drawings survive from the two earliest firms. This collection begins with records from the partnership of Buchman & Deisler (circa 1888-1899), followed by a succession of partnerships until the dissolution of the firm: Buchman & Fox (1899-1917), Buchman & Kahn (1917-1930), Ely Jacques Kahn Architects (1930-1940), and Kahn & Jacobs (1940-1973). The bulk of the collection documents the firms' work from 1893 until 1950. The collection includes approximately 8,250 architectural drawings for projects located primarily in New York City that were designed or altered by Kahn & Jacobs and the various predecessor partnerships. Major projects include the Bergdorf Goodman Department Store (1927); Bloomingdale's Department Store (1903-1917); the Bonwit Teller Department Store at Fifth Avenue and 38th Street (1911); the Film Center building (1928-1932); the original New York Times Building at 42nd Street and Broadway (1915-1920); and the Squibb Building (1929-1951), all in New York City. Researchers will also find drawings for the Oppenheimer-Collins Company buildings in Brooklyn (1915-1928), New York City (1906-1930), Philadelphia (1923), and Pittsburgh (1919-1928).