Collections : [Columbia University: Avery Architecture and Fine Arts Library]

Columbia University: Avery Architecture and Fine Arts Library

Columbia University: Avery Architecture and Fine Arts Library

300 Avery Hall
1172 Amsterdam Avenue M.C. 0301
New York, NY 10027, United States
Located in Avery Hall, the Avery Architectural and Fine Arts Library collects books and periodicals in architecture, historic preservation, art history, painting, sculpture, graphic arts, decorative arts, city planning, real estate, and archaeology. The Library contains more than 250,000 volumes and receives approximately 1,500 periodicals.

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Start Over You searched for: Repository Columbia University: Avery Architecture and Fine Arts Library Remove constraint Repository: Columbia University: Avery Architecture and Fine Arts Library Level Collection Remove constraint Level: Collection Names Skidmore, Owings & Merrill Remove constraint Names: Skidmore, Owings & Merrill Format Correspondence Remove constraint Format: Correspondence

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Collection
Emery Roth & Sons

This collection primarily contains architectural drawings, correspondence, business records, and a small number of photographs related to the projects of Emery Roth & Sons and its subsidiary entities. A large portion of the entities are represented only in the Office Records series and are identified as such. Some projects on which Emery Roth & Sons acted as architect of record are not represented in this collection, most notably the Twin Towers of the World Trade Center.

Collection
Online
Bunshaft, Gordon, 1909-1990
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.