The collection includes mostly drawings for Tudor's furniture designs and are arranged by drawing number. Notable projects include the design of the Interchemical Corporation offices, in collaboration with Robert Meyer, as well as the Vanadium Corporation of America offices. The collection also includes 9 sketchbooks. Sketchbooks #1-7 and #9 consist of drawings made by Tudor while likely an apprentice. Sketchbook #8 contains drawings made while working for White, Allom & Co. Notable clients include "Dr. A", "R.G.L." The scrapbook contains clippings and photographs presumably from his professional practice as some of the photographs are labeled "E.J. Tudor." Notable projects include the Rolling Rock Club (Pennsylvania), Dixon House (unknown location), Hampton Court (England), Whitemarsh Hall (England), Mellon Institute (Pittsburgh) and Henry C. Frick (New York). Other papers include correspondence related to the design of the Interchemical Corporation offices, collected print material, 21 photo negatives depicting various travel sites and 13 color charts arranged by manufacturer. The collection also contains lantern slides, which were used by Tudor to teach interior design at New York University. The slides show architectural views and details particularly English, French and American designs as well as interior views, details and furniture.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.