This collection contains the papers of Donald C. Brace, one of the founders of the New York publishing house Harcourt, Brace & Company. Materials include correspondence, business records, and proofs of the U.S. editions of Virginia Woolf's works Orlando, The Waves, and The Second Common Reader; the latter two proofs include the author's corrections.

The collection consists primarily of manuscripts by Bragin, including his memoirs, which describe his military service during the Boxer Rebellion, the Russo-Japanese War, World War I, the 1917 Revolution and the Civil War. The documents and subject file relate to his service as head of the White military mission to Iran in 1920. Printed materials are largely clippings from and copies of emigre periodicals, with articles by Bragin.

The Richard Brick and Geri Ashur collection consists of materials related to film productions created and collected by Richard Brick and Geri Ashur, dating from 1968 to 2014. The materials document the career of Richard Brick as a filming professor, producer, and the first commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB). The collection also includes materials related to films by Geri Ashur. The bulk of the collection focuses on the motion picture films and production files of the films Richard Brick and Geri Ashur produced, as well as the administrative records that document Richard Brick's contribution to the filming industry in New York during his tenure as the commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB).

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

This collection documents the life and career of African-American social worker and educator William Neal Brown. Personal material includes his military records, family photos, material from his undergraduate years at the Hampton Institute, and various tributes from later in his life. The professional material is primarily typescripts of speeches and papers that Brown presented in the late 1960s and early 1970s to various academic and community groups. The audiovisual material includes audio of his debate with Malcolm X, titled "Integration or Separation," that took place on Ovember 3, 1961, at Rutgers University.

Collection consists of typescripts of Emiliia Vitol'dovna Brusinskaya's reminiscences of Siberia in the late 19th century. There are also two newspaper clippings with her publications, 1 drawing, clipping with image of ballerina, and a brief essay (typescript) written by Konstantin Bruzinskii about his grandfather, Iakub Geishtor.

Correspondence, a diary, documents, subject files and printed materials of Ivan P. Budanov. Correspondence includes both personal letters and items concerning the Cossacks in the emigration. Many of the documents relate to Budanov's legal practice in the Don region, ca. 1910-17. Subject files deal with the Don Cossacks in the Civil War, Cossack emigre groups, and the elections to the post of Ataman of the Don Cossacks in the emigration in the 1930s. Printed materials include maps, a copy of volume 1 of Budanov's "Don i Moskva" and miscellaneous emigre publications and clippings.

These papers contain the correspondence, photographs, press releases, programs and manuscripts of Clarence Joseph Bulliet (1883-1952) who was a prominent art and dramatic critic for the Indianapolis Star,Louisville Herald and Chicago Evening Press. The bulk of this collection is comprised of materials from the 1910s and early 1920s, when Bulliet was business manager for the touring company of Shakespearean actor Robert Bruce Mantell. Production photographs, press releases, production diaries and notes and drafts for Robert Mantell's Romance, the biography of Mantell written by Bulliet, are included in this collection. This collection also contains photographs and souvenir programs from other productions; drafts of Bulliet's literary works; printed materials and correspondence with Edward Albee, Julian Eltinge, Genevieve Hamper, Robert B. Mantell and Vera Zorina.

Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.

Correspondence and manuscripts of memoiristic and religious character, and news clippings. There is one letter each from Dmitrii Shakovskoi (Bishop Ioann of San Francisco) and Aleksandra Tolstaia.