Poet and translator Anselm Hollo was born in Helsinki, Finland in 1934. He moved to the United States in 1967 and taught at various universities, including University at Buffalo, the Iowa Writers' Workshop, University of Colorado, and the Naropa Institute in Boulder, Colorado, where he lived until his death in 2013. Hollo was influenced by the Beat poets and was the author of more than forty books of poetry. His translations include works by Finnish poets Paavo Haavikko and Pentti Saarikoski and Slovene poet Tomaž Šalamun, and this collection includes manuscript material for these translations. Also included is correspondence both personal and business-related, including letters from publishers. The materials in this collection were purchased from a book dealer who had purchased them from Hollo's first wife, Josephine Clare.

The Anthony Ostroff collection contains all of the poet's published and unpublished poems, plays, short stories and articles in manuscript and published form, with thousands of corrections in the poet's hand; the complete records for (1964), including all manuscripts (many with corrections), contracts, and correspondence; tape recordings prepared by Ostroff, including the series he directed for the national Association of Educational Broadcasting; Ostroff's photographs of other poets; and miscellaneous peripheral items.

The Athanor collection contains all of the papers relating to the publishing history of the magazine including manuscript submissions, editor's correspondence, and business documents.

Collection contains editorial and business records for the five issues of Boss magazine (1966-1979), BossCards, Boss postcards, and books published by Boss Books. Material includes production material, correspondence, interviews, newspaper clippings, photographs, film stills, negatives, manuscripts, original artwork, and business financial records.

Bruce Boone is a poet, writer, translator, and activist living and working in San Francisco, CA. The Bruce Boone papers span the years 1940-2014 and contain Boone's manuscripts, correspondence, personal records, writings by contemporaries, and original artwork. The collection contains paper, analog, and born-digital records.

The Buckle Collection contains the records for both of Frank's literary magazines. The materials include editorial correspondence (1977 to 1982) along with a few miscellaneous manuscripts and business records. The documents include books and magazines inscribed to Frank; general correspondence with various editors, columnists, critics, directors, actors, and Israeli and American poets; and editorial correspondence.

The Bunting Pickard collection contains approximately 1,000 volumes from Basil Bunting's personal library, many signed, inscribed, and/or with notes; the notebook manuscript of ; 64 letters from Bunting to Tom Pickard; manuscripts and typescripts of works by Pickard; correspondence; materials relating to the Morden Tower reading series; cassette recordings of Bunting; and miscellaneous photographs.

The Carolyn Stoloff Collection contains typed and autograph manuscripts, many with numerous handwritten corrections, for over a dozen individual poems; publicity, reviews, and correspondence for (1971); correspondence to and from individuals such as Sonya Dorman Hess, and to and from little magazines and literary journals including , , and dozens more.

The Chain collection contains material pertaining to the editorial business and production of Chain magazine from 1993-2004. Material includes correspondence and submissions, production material, printer invoices, and correspondence between the editors, Juliana Spahr and Jena Osman. Formats include printed email, correspondence, floppy disks, CDs, DVDs, and VHS.

Charlotte Pressler is an educator, writer, and musician. Originally from northeast Ohio, she was heavily involved in the pre-punk Cleveland music scene in the 1970s. Since completing her PhD in Renaissance Literature at University at Buffalo in 2002, she has been at South Florida State College, where she is a professor of English and Philosophy and Director of the Honors Program. This collection consists of correspondence, ephemera, and printed material related the creation and publication of Charlotte Pressler's work as well as to other musicians, writers, and artists, including press kits for bands performing primarily in Cleveland and New York City. Later materials include correspondence and records related to Pressler's writing and publishing during her time as a PhD student at University at Buffalo.