The Amelia Etlinger Collection, 1971-2014, is primarily a collection of over 100 art objects, mail art, and concrete poetry sent to Ellen Marie Helinka [Bissert], Mike Belt, Mirella Bentivoglio, and the University at Buffalo Poetry Collection in the 1970s and 1980s. Additional material includes correspondence between mailart recipients and Etlinger, and correspondence between recipients pertaining to Etlinger; exhibition catalogs, announcements, interviews, newspaper clippings, and photographs; and art criticism in the form of articles, exhibition reviews, descriptions, and a DVD of artist and collector Paula Claire opening and describing her personal collection of Etlinger works.

The Drafting Collection contains correspondence and assemblage poetry submissions to Kevin Thurston from 1997-2006. Of particular note is the original artwork, poetry, manuscript material, and periodicals.

The majority of these papers focus on Geof Huth's artistic activities: his creation of artworks, his involvement in the fields of visual and experimental poetry, his productions as a micropublisher, and his work as an active blogger in the worldwide network of online poets. They also document his personal life and professional career in archives and records management.

8 pieces of correspondence between SUNY New Paltz professor, Irving J. Weiss and University at Buffalo professor, Leslie A. Fiedler, 1955-1980.

The kari edwards papers comprises approximately 4.6 gigabytes of digital content (approximately 3300 files) and 9.88 linear feet of paper materials and art objects. The bulk of the digital files can be described as born digital; content originating in a computer environment. These files consist of drafts of edwards' published works of poetry, drafts of unpublished works, images of cover art for works, reviews of edwards' poetry, syllabi and letters to publishers. The collection also contains a significant number of digital images, including born digital images and other images that are digital surrogates of print photographs. The bulk of the digital images were taken during travel to various parts of India including Auroville, Chennai, Delhi, Kolkata, Mamallapuram, and Varanasi between 2004 and 2006. The physical records include notebooks, manuscripts, ephemera, clippings, official documents, unique publications, photographs, artworks on paper and canvas.

From the mid-1960s through the beginning of the 20th century, Davidson collected English-language materials on Japanese haiku and books and periodicals of haiku in English. From 1968 to 1988 she maintained extensive correspondence with many poets of the haiku movement in North America. Materials include books and papers.

Collection contains editorial and business records for Lost and Found Times magazine, 1975-2005, including manuscript submissions, correspondence, mail art, and production material for all 54 issues. The collection also contains personal poetry business records for John M. Bennett, including correspondence, manuscripts, electronic mail, and journals. The bulk of the collection is mail art.

The Score Collection contains concrete and assemblage poetry, mail art, editorials, criticism, correspondence, and production matter for issues 1-12 of Score magazine. Also included is editorial and production material for broadsides and other publications.

The William J. Higginson Papers consist primarily of correspondence with other poets and authors. There is also a sizable amount of Higginson's writings, including his manuscript, The Haiku Handbook: How to Write, Share, and Teach Haiku as well as many poems by both Higginson and his colleagues.