In 1950, fashion designer James Galanos (1924- ) started Jimi Originals with Mary Scourby. The company only existed for a short time, but it was the first company to market Galanos' creations under his name. The collection consists of twelve Jimi Originals fashion sketches as well as invoices and notes. Galanos was a critic at Parsons School of Design from 1962 to 1968.

The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

The collection includes class notes and a clipbook of decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she attended the New York School of Fine and Applied Art (later Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile samples, circa the 1950s, and costume designs for the Broadway play "The Laughing Woman" (1936).

Collection mainly consists of publicity photographs, press clippings, fashion show programs, and other materials related to the fashion design career of Stephen Walton Biddle Mason, Jr., known professionally as Stefan, between the mid-1940s and early 1960s.

With a career that spanned the 1930s to the 1960s, Raymond Driscoll (1915-2004) was perhaps most widely known for his annual best and worst-dressed lists. He also gained recognition for his costume designs for Mexican film stars. The collection consists of Driscoll's scrapbook of photographs, clippings, invitations, and greeting cards from celebrities documenting his work in the 1940s and 1950s, as well as original fashion sketches.

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

Mildred Orrick (1906-1994) graduated from the New York School of Fine and Applied Art (later, Parsons School for Design) in 1928 and went on to a career as a fashion and costume designer and illustrator, and designed part of the Futurama exhibition at the 1939 New York World's Fair. Orrick was a visiting critic at Parsons from 1947 to 1962. The collection consists of Orrick's fashion and theater costume sketches, 1920s-1950s.

Charles Le Maire (1897-1985) began his costume design career in vaudeville shows of the 1920s. He later served as executive designer at Twentieth Century-Fox. In the 1950s, Le Maire formed his own business from private commissions and film work, earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection contains seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930).

James Vinton Stowell graduated from the New York School of Fine and Applied Art (later, Parsons The New School for Design) in 1917 with an Advertising Design degree, and was employed by the school as a trade representive through the 1918-1919 academic year. The subject of the pencil sketch, titled "Portrait of 'Our Mr. Baker'," is Harry B. Baker, who taught life drawing at the school from 1915 until his death in 1941.

Edward Wormley (1907-1995) is often cited as a top designer of American modernist furniture. Starting at the Dunbar Furniture Company at age 23, Wormley eventually became its sole designer and retained a partnership with Dunbar for over thirty years. Wormley taught at Parsons School of Design between 1952 and 1970. The collection includes photographs, slides, subject files, clippings, technical drawings, catalogs, and sketches.

Al Jaffee (1921-2023) was a comic artist best known for creating MAD magazine's iconic Fold-In feature. The collection contains extensive original artwork, including sketches, tracings, and proofs documenting Jaffee's creative process. Publishing and commission contracts, correspondence, clippings, and a small amount of programs and ephemera from fan conventions and other public appearances are also included.

Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

Contains eight watercolor sketches by Frawley, who graduated from Parsons School of Design in 1983 and returned as an instructor from 1989 to 1996. Frawley is known for his illustrations in Parsons classmate Isaac Mizrahi's The Adventures of Sandee the Supermodel.

This collection, consisting of original art, process materials, prints, books, and journals. It includes "Tabula Rosetta," issues 1-4, as well the original art for Volumes I and III. Original art for other works includes "Aria," "Aquarius," "Socially Awkaward Funnies," "Soul Deleter," and "Triage." The collection also includes instructions for role-playing games created by Reed, dream journals, poetry, and other written material. The material sheds light on Reed's own work as well as on what it means to be trans in the South.

Eighteen original fashion illustrations donated by the menswear fashion magazine, DNR(Daily News Record). Sketches in the collection are executed in colored pencil, marker, and watercolors. Designers represented include John Rocha, Tommy Hilfiger, Nina Ricci, Claude Montana, Jose Levy, Paco Rabanne, Gilles Rosier, Joseph Abboud, and Olivier Strelli.

The two fashion sketches, rendered in colored marker, were created by Hubert de Givenchy for Anna-Maria Kellen during the 1980s.

After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most importantly, as creative director for Calvin Klein. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of items produced and compiled between 1969 and 2000, including idea books, photographs, clippings, student work, and sketches.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.

Contains proposal sketches and final drawings for various medals and medallions, including the American Numismatic Society’s 125th anniversary medal, as well as some correspondence, invoices, photographs, and pamphlets.

Michael Kalil (1943-1991) was an interior architect, philosopher, educator and artist, known for his innovative work with new materials and for humanizing digital technologies. From 1981 to 1991, he was the principal of Kalil Designs/Kalil Studio, a firm that specialized in high-profile commercial, prototype and theoretical, and residential design commissions. Kalil also served as an adjunct faculty member at the Parsons School of Design. The collection includes Kalil's personal and professional papers, including original artwork, sketchbooks, journals, photographs, project records, architectural drawings, photoprints and sketches, design prototypes, and posthumous materials.