Search Results
Roy Little sketchbooks, 1951-1954 1.6 Cubic Feet
Rudolf and Margot Wittkower papers, 1916-1995 19.5 linear feet
Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.
Sarah Allen Reed papers, 2008-2018 1.5 Linear Feet
This collection, consisting of original art, process materials, prints, books, and journals. It includes "Tabula Rosetta," issues 1-4, as well the original art for Volumes I and III. Original art for other works includes "Aria," "Aquarius," "Socially Awkaward Funnies," "Soul Deleter," and "Triage." The collection also includes instructions for role-playing games created by Reed, dream journals, poetry, and other written material. The material sheds light on Reed's own work as well as on what it means to be trans in the South.
Serge Czerefkow illustrations for Anatole France's Thaïs, 1927 0.5 linear feet
The collection contains a set of illustrations made by the artist Serge Czerefkow in 1927 for Anatole France's THAÏS. They were made for the Paris publisher Ren'e Kieffer. Included are 29 original drawings and sketches (#s 1-29) and 4 sets of 20 etchings each, printed as follows: #30-49 printed on satin, first state; #50-69 printed on satin, second state; #70-89 printed on parchment, first state; #90-109 printed on parchment, second state
Seymour Lipton sketches for sculptures, 1960-1969 0.1 Cubic Feet
Siegfried Sassoon papers, 1894-1966 3 linear feet
Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note
Soiuz Pazhei Records, 1830-1970 2650 items
Lists, subject files, photographs, etchings and printed materials relating to the Pazheskii Korpus (imperial Corps of Pages), a school for the sons of the Russian nobility founded in 1802, and the Soiuz Pazhei (Union of Pages), the emigré alumni organization founded in 1920. The materials were collected by representatives of the Union of Pages. The collection consists chiefly of mimeographed newsletters, books, printed mementoes, such as programs, menus, tickets, and school forms, and of pictorial materials, especially photographs and etchings. The great majority of the materials pertain to the Imperial Corps of Pages and to Russia's imperial family, and include many unusual photographs portraying school life and the life of the family of Nicholas II. There are also old photographs of Moscow, St. Petersburg, and Tsarskoe Selo, printed reports of the State Council for 1894-99, newsletters published by the Union of Pages and miscellaneous Russian and foreign publications, originally part of the library of the museum of the Union of Pages in Paris.
Solton and Julia Engel collection of literary letters manuscripts and drawings, 1832-1935 4.5 linear feet
Correspondence, manuscript, and drawings relating to English and American literature of the 19th and early 20th centuries collected by Solton (1896-1961) and Julia (-1984) Engel. Ten letters and four manuscripts of poems by Rudyard Kipling form the largest unit within the collection. Prominent among the other items are the manuscript of Robert Louis Stevenson's "Mock Trial" and two Walt Whitman letters, a copy of R. W. Emerson's famous "Leaves of Grass" letter in Whitman's hand and Whitman's letter to Conway regarding the Emerson letter. Also included is a letter from James Fenimore Cooper to Mary Rutherfurd Clarkson Jay, wife of Peter Augustus Jay. Thirty-one of the drawings in the collection are by William Wallace Denslow and John Rae Neill and represent illustrations done for various works by L. Frank Baum. There are also two drawings of Gelett Burgess, one ot "The Goop" and the other of "The Purple Cow." Castings of the obverse and reverse of the bronze Kipling medallion commissioned by Engel in 1953 from Julio Kilenyi are stored in 2 oversize boxes. Most of the items in this collection relate to a collection of first editions which was also presented to the Libraries by Mr. and Mrs. Engel.