Personal and professional correspondence, a geological notebook, and miscellany pertaining to Amos Eaton and members of his family.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Correspondence, manuscripts, documents, photographs and printed material of the English poet and critic, Edmund Blunden, documenting his personal and professional activity. Blunden's letters to his second wife, Sylva Norman, and his secretary, Aki Hayashi, are particularly well represented. Also included are many letters addressed to Blunden by eminent literary figures such as John Betjeman, George Orwell, Siegfried Sassoon, Stephen Spender, and Henry Williamson. Other literary correspondents are Adrian Bell, Joyce Cary, Richard Church, C. Day Lewis, Walter de la Mare, Graham Greene, H.D., William Plomer, Kathleen Raine, and Leonard Woolf. A substantial portion of the cataloged correspondence contains drawings, verse fragments and poems by Blunden which have been analyzed. Also present are eleven of Blunden's diaries, 1936-1967, which contain drafts of a number of poems. In addition, the collection contains a small number of autograph manuscripts of Edmund Blunden's literary works.

Letters from Agustin Ruiz de Santayana have typescript carbon English translations. The translations are not on microfilm.

This collection includes records from the Chinese Industrial Cooperatives (CIC, 工業合作社/工业合作社), China Aid Council (CAC, 美國援華會/美国援华会), and United Service to China (USC, formerly United Relief to China/URC, 美國援華聯合會/美国援华联合会/美國援華救濟聯合會/美国援华救济联合会). The records contain correspondence of individuals who participated in the cooperative and those associated with it; typewritten reports of sub-units to the parent organization; periodicals and other publications issued in Chinese by the three regional headquarters (the early ones are probably quite rare); publications in English by these headquarters and by American committees formed to aid in the movement; mounted photographs showing the work of the cooperatives and their leaders; albums of newspaper clippings on the movement, emanating from the U.S. and abroad; maps showing locations of cooperatives; pencil sketches and watercolors of cooperatives at work; and other material concerning this important organization which was largely responsible for China's ability to feed and clothe, and care for the people during the war.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.

Lyman Martin (1908-2003) graduated from Parsons School of Design in 1939 and joined Thedlow, an interior decoration firm. At Thedlow, Martin created interiors and watercolor renderings, and designed rugs and murals. In 1969, Martin became president of Thedlow, remaining until its closure in 1979. The collection includes student work, interior drawings, a travel diary, floorplans, photographs, clippings, and exhibition files.

The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

Correspondence, manuscripts of poems, and manuscripts of lectures by Benjamin. The correspondence consists of original letters of Benjamin, typescript and photostatic copies of Benjamin letters in other libraries, and letters to Benjamin from some of his literary contemporaries including Paul Hamilton Hayne, Willis Gaylord Clark, John Lothrop Motley, and Fitz-Greene Halleck. Many of the letters relate to Park Benjamin's lecture tours. There are other family letters and many documents relating to the Benjamin family,and two letterbooks of John Lothrop Motley. Also, a large amount of genealogical material of the Benjamin family, and its related families from the 16th century to the present day. There are also financial records, monographs, clippings, and photographs.

Raymond S. Waldron, Jr. (1913-2002) attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1938-1941. After serving in World War II, Waldron worked for Lord & Taylor. In 1965, he established his own interior decoration firm. The collection includes his student work, a travel sketchbook, and professional files. Waldron's student work includes notebooks, instructor handouts, sketches and renderings, and tracings. A travel sketchbook reflects Waldron's later design studies in New York, France and Italy. Materials from Waldron's professional career include project files, design research, stereo slides of the Blair House, among other projects, and publicity for his business.

Correspondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

Correspondence, manuscripts, documents, photographs, artwork, objects, and printed material. Included among the list of 37 cataloged correspondents are: Vera Brittain, Edward Gordon Craig, Clarence Darrow, Havelock Ellis, Augustus John, Emmeline Pankhurst, Edward Steichen, Gertrude Stein, Algernon Charles Swinburne, Sybil Thorndike, Alec Waugh, and H. G. Wells. The cataloged manuscripts include a poem by Witter Bynner entitled "Hay Wagon." There is a large selection of Stephen's writings (poetry, novels, plays, articles, biographies, memoirs) including drafts of a proposed biography of his father, a bound volume of his own memoirs, numerous notebooks, and "Mount Joy," a description of life on Dominica. His photographs and paintings are well represented, with 6 albums of photographs and 2 boxes & 1 folder of approximately 200 paintings and sketches. The printed material includes works by Stephen, his father and his mother.

After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most importantly, as creative director for Calvin Klein. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of items produced and compiled between 1969 and 2000, including idea books, photographs, clippings, student work, and sketches.