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Austin Strong papers, 1890-1961 4300 items
Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.
Barnard Family Papers, 1807-1969, bulk 1850-1911 20 linear feet
Benjamin Franklin Greene papers, 1842-1859 0.25 Linear Feet
Bennett Cerf papers, 1898-1977 52 linear feet
Correspondence, manuscripts, memorabilia, photographs, phonograph and tape recordings, and printed files. Included are Cerf's personal correspondence files, 1929-1945, and the diaries and scrapbooks which he maintained from his school days throughout his active career. The diaries, in date-book format, contain terse notes on Cerf's meetings with authors and friends, on his travels and publishing activities; the scrapbooks contain correspondence and photographs, as well as memorabilia and printed items, and were annotated by Cerf and his wife, Phyllis Fraser Cerf Wagner. Also in the collection are manuscripts and proofs for Cerf's books including "The Laugh's on Me""Treasury of Atrocious Puns""The Sound of Laughter""Stories to Make You Feel Better", and "At Random: the Reminiscences of Bennett Cerf", which was edited by Phyllis Cerf Wagner and Albert Erskine, 1977. The papers also include condolence letters written at the time of Cerf's death, photographs and photo albums,certificates and awards, and miscellaneous printed material, including Random House and Modern Library catalogues. Among the major correspondents are: Truman Capote, Dwight D. Eisenhower, Edna Ferber, Moss Hart, J. Edgar Hoover, Hubert Humphrey, Lyndon B. Johnson, John Lindsay, Joshua Logan, John O'Hara, Jacqueline Onassis, Richard Rodgers, Franklin D. Roosevelt, Gertrude Stein, Adlai Stevenson, Harry Truman, and Robert Penn Warren
Bethlehem Business Women's Club Records, 1951-2019 2.45 cubic ft.
A collection of prints, photographs, pamphlets, clippings, playbills, and programs dealing with the theater, chiefly American and English, in all its aspects including drama, opera, dance, movies, puppets, and spectacles. The majority of the material documents the 19th century.
Brander Matthews Dramatic Museum records, 1910-1971 7.5 linear feet
Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.
Bruce family papers, 1808-1894 1 linear feet
Letters, manuscripts, and documents of the Bruce family concerning the business affairs of the George Bruce & Company Type Foundry of New York City. There are seven letters of David Bruce, Jr., his biography of David Bruce, Sr., and other manuscripts and letters concerning his invention of the first successful type-casting machine as well as the patent agreements for the invention. Also, a group of ten letters from Thomas N. Rooker of the NEW YORK TRIBUNE to David Wolfe Bruce (1824-1895). There are several letters which relate to George Bruce (1781-1866), the founder of Bruce Type Foundry, as well as his manuscripts on printing and related fields. The collection also contains material relating to the Bruce entry in the Paris Universal Exposition of 1867, the financial records of the firm, miscellaneous correspondence with other printers, and type specimens. In addition, there is a scrapbook of memorabilia containing clippings, receipts, typographic magazines, and specimens of printing.