A scrapbook of musical excerpts kept by opera singer Marietta Gazzaniga (1824-1884), who toured the United States and Cuba in the mid-nineteenth century. The Italian soprano compiled autographs, letters, and poems from major nineteenth century Italian composers and other music personalities, notably Giuseppe Verdi, into the bound volume, which spans almost forty years.

The collection consists of five photograph albums and three scrapbooks compiled by the designer, style arbiter, and Parsons School of Design administrator and president Van Day Truex (1904-1979).

This collection consists of news clipping files and scrapbooks that document Mannes from its founding through the early 1990s. The scrapbooks, which cover the school's early history through the 1960s, contain concert programs, advertisements, and news articles. Other scrapbooks, some from before the establishment of Mannes, document the activities of the school's founders, David and Clara Mannes, in their work as musicians and educators.

This collection largely documents the activities of the New School Publicity Office during the 1940s and 1950s, and reflects the range of activities of the department under the leadership of Agnes De Lima, who directed the department for two decades. The collection includes notes and draft materials for the production of press releases, articles in the weekly New School Bulletin, advertisements and course promotion, and administrative materials. Also includes materials related to the organization of art exhibitions and special events, and transcripts of radio announcements and speeches. The Dramatic Workshop, École Libre des Hautes Études and Graduate Faculty series in this collection are especially rich in describing the work of these important New School programs.

Herbert Sondheim (1895-1966), who lectured at Parsons School of Design in 1946, ran a dressmaking firm that produced affordable versions of Parisian high-end fashion. The collection consists of nineteen Herbert Sondheim, Inc. scrapbooks, most of which contain fashion sketches. Some books include sketches depicting work of other couture houses. Two books contain news clippings, photographs and correspondence from the mid-1940s.

After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1934, Tom Brigance (1913-1990) became a fashion designer specializing in women's swimwear and sportswear. The collection includes scrapbooks of clippings and photographs of Brigance's designs, sketches, publicity materials, and four original fashion illustrations of Brigance swimwear by Dorothy Hood, produced for Lord & Taylor.

Norman Norell (1900-1972) was the first American fashion designer to compete successfully with French couture. In 1943, he received the first Coty American Fashion Critics Award, and was inducted into the Coty Hall of Fame in 1956. Norell served as a visiting critic at Parsons School of Design from 1943 to 1972. The collection includes biographical material, clippings, sketches, photographs, scrapbooks, and five examples of Norell's clothing.

Contains the records of the Fashion Design Department of Parsons The New School for Design. Records include course syllabi and descriptions, look books, clippings scrapbooks, student work, and annual fashion benefit planning records, photographs, and programs. A name index for searching Parsons alumni and faculty in the clippings scrapbooks may be found here.

A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) created one of the first American signature menswear lines. Weitz was a visiting lecturer at Parsons School of Design from 1975 to 1995. The collection includes design drawings, exhibition files, scrapbooks, clippings, photographs, and audiovisual recordings of promotional campaigns, fashion shows and television commercials.

Sunbeam "Sunny" Randall (1898-1993) graduated from Parsons School of Design Interior Design Department in 1951 and worked as a professional decorator. The collection includes course materials, furniture and decorative style sketches, class notes, and a scrapbook documenting Randall's art tour of Europe as a Parsons student in 1950.