Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Proofs, photographs, photostatic copies, and other printed materials of Roscoe. Included are proofs and illustrative materials for his book The Web Of Conspiracy; The Complete Story Of The Men Who Murdered Abraham Lincoln, and a printed copy of his book, Only In New England, a book of crime fiction.

Correspondence, manuscripts, subject files and research notes of Sigmund Diamond. Included among the correspondence are Diamond's letters to and from various distinguished members of Columbia University and other academic insitutions, as well as correspondence with many noted sociologists and historians. Included in the manuscripts is Diamond's "In Quest." The subject files comprise material from Diamond's tenure at Columbia and include some material pertaining to his forced departure from Harvard in the 1950's due to his previous communist affiliation, and his active role in maintaining the efficacy of the Freedom of Information Act. The research files include microfilms and notes.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, notes, documents, subject files, financial records, course materials, photographs, and printed materials. Woodworth's professional correspondence is with colleagues, scholars, students, the Columbia University Psychology Department, professional organizations, the Archives of Psychology, the National Academy of Sciences, the Psychological Corporation, and publishers. His own set of psychology subject headings include both general and specific topics such as behavior, color, experimental psychology, learning, memory, perception, personality, sensation, etc. These files contain manuscripts, notes, psychological tests, test data, revisions, for his monographs and other research materials. In addition to the subject files, there is some general, personal and family correspondence; manuscripts of his articles, lectures, addresses, curricular materials, biographical files and photographs. The printed materials consist of his personal collection of reprints of psychological literature arranged according to his own subject headings; reprints by colleagues, some inscribed and signed with his annotations; and books from his library, some of which contain his markings and comments

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

Correspondence, manuscripts, notes, technical reports, memoranda, questionnaires, interview schedules, personal and professional documents, several photographs, one tape recording, and printed materials. The correspondence files contain letters to colleagues and researchers such as Bernard Berelson, Robert Lynd, Robert Merton, and Frank Stanton. The subject files document Lazarsfeld's many research projects such as the Admissions Officers Project, 1964-1970, the Planning Project for Advanced Training in Social Research, 1950-1955, and his first major endeavor, the Princeton Radio Research Project, 1937-1940. There are complete records for his 1954-1955 study on McCarthyism's effect on college teaching. These original materials consisting of correspondence, interview schedules, and questionnaires contain many detailed comments which could not be included in the published version of this study, THE ACADEMIC MIND (1958). Numerous files relate to Lazarsfeld's position as Associate Director of the Bureau of Applied Social Research (BASR). There are manuscripts of books, research papers, lectures, and articles by Lazarsfeld as well as by his students and colleagues.

The collection consists of (1) A group of early materials written between 1903-1905, before Rank met Freud. This includes 4 daybooks, a notebook of dreams, a notebook of poems, the manuscripts of "Der Kunstler;" (2) Correspondence between Freud and Rank between 1906-1924, including the controversy over THE TRAUMA OF BIRTH. 40 a.l.s. from Freud and typed copies from Rank, with a few letters to and from Ferenczi (3) Copies and some originals of the circular letters by members of the inner circle, Ernest Jones, Abraham, Eitingon, Ferenczi, Rank and Freud, 1920-1924 (4) Original handwritten manuscripts, typed copies, notes and corrections of Rank's major works (5) Rank's own listing and comments on his writings and publications (to 1930) (6) Rank's published works--20 titles.

Correspondence of Nikola Tesla and Robert Underwood Johnson include letters of Tesla to Johnson's wife and daughter, clippings, photographs, and miscellaneous materials. Letters to George Scherff, 1902-1930, and others, manuscripts, printed articles, patents, and brochures. The material is of a technical nature and the letters deal primarily with Tesla's work on transformers, turbines, steam and gas oscillators, compressors, pumps, induction motors, and wireless transmitters. Also, printed materials by and about Tesla, including DR. NIKOLA TESLA BIBLIOGRAPHY (1979) by John T. Ratzlaff and Leland I. Anderson; and published selections from diary entries, correspondence, patents, and patent wrappers by Tesla published by the Tesla Book Company. There is also a videotape cassette "Nikola Tesla the Genius Who Lit the World".

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.