The Adál Maldonado collection contains letters, manuscripts, sketches, photographs, hand-made books, films, music, audio tapes, and other materials produced by (and in relation to) multidisciplinary artist Adál Maldonado (1948-2020).

Undated photographs taken circa 1940s-1960s show interiors and exteriors of eighteenth and nineteenth century buildings in Kentucky. Buildings include The Grange, near Paris, built 1818; the Old Capitol, Frankfort, built 1827-1829; Adam Childers House, Versailles, built circa 1845; Betty Bryan Place, Harrodsburg Pike, built circa 1843; Holloway House, Richmond, built circa 1838; Castlelawn, near Lexington, undated; Junius Ward Place, near Georgetown, built 1859; Warwick, at Danville, built circa 1845; and others.

Twenty-five matted photographs taken by Ann Charters of beat writers. She has identified, dated, and signed them on the mount. The twenty-two black and white pictures were printed by Samuel Charters.

Collection contains large-scale black and white photographic prints taken by G.E. Kidder Smith of historic and contemporary buildings in 32 states.

Bob Adelman (1930-2016) studied photography with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. Adelman also taught at the school and was one of the most well-known photographers of the Civil Rights Movement. This collection consists largely of black and white photographic prints taken for the New School for Social Research. The collection also includes a small group of prints representing Adelman's work in documentary journalism, including photographs of Malcolm X and Martin Luther King, Jr., as well as photographs documenting life in New Orleans and Moscow, and the New York City Housing Authority.

These are photographs taken behind German lines during World War I and other illustrations. The photographs are copies in part.

Charles Harbutt taught photography at Parsons School of Design from the early 1990s until his death in 2015. He served as the president of the photographic cooperative Magnum twice, and his work appeared in many publications and exhibitions. The collection consists of material created and assembled by Harbutt for his Parsons classes.

Correspondence, reports, memoranda, case records, photographs and printed material. The archive include central and district administrative records; cammittee correspondence and minutes; and files on the various programs--such as sheltered workshops, tuberculosis sanitariums and health centers, public baths and employment bureaus--run by the two organizations. The archive also contains hundreds of photographs, including works by Lewis Hine and Jessie Tarbox Beals; extensive casework files from the beginning of social work (originally referred to as "friendly visiting among the poor"); and copies of masters and doctoral theses from the New York School of Sociel Work and other schools. Much of the research for these theses was based on the CSS files

Correspondence, reports, pamphlets, and clippings of Norman. Among the subjects represented are health, population control, civil liberties, refugees, exiled governments and peoples of World War II, United Nations, education, delinquency, race relations, emerging nationalities, censorship, and foreign aid. Much of the correspondence in the collection centers around Mrs. Norman's column in THE NEW YORK POST in the 1940s. Organizations in the collection include Civil Liberties Union, Americans for Democratic Action, American Citizens Committee for Economic Aid Abroad, Women's City Club, American Emergency Food Committee for India, Urban League, Liberal Party, Citizens Union, Free Germany Movement, Free China Movement, and United World Federation. Also included are correspondence, manuscripts, research materials, and printed materials dealing with Norman's research and writing on India. There are two working manuscripts, one on India, the other on Nehru. Also, a fragmentary manuscript of her memoirs and the beginnings of a study of Alfred Stieglitz.

Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.