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Collection
Chen, Chi, 1912-
Papers of the Chinese-American painter, chiefly of watercolors. Collection includes artwork reproductions for periodicals, a poster, greeting cards, and an Irving Trust Company portfolio; typescript speeches and poems; articles and reviews (1951-1960), and exhibition catalogs and invitations (1948-1971).
Collection
Wight, Clifford.
Papers of the Mexican muralist. An epigrapher and sculptor, Wight acted as secretary, translator, and technical assistant to Diego Rivera during the latter's sojourn in the United States. Collection includes a variety of materials relating to Rivera's mural work in Detroit, San Francisco, and New York, including technical documents, correspondence, miscellaneous holograph and typescript manuscripts, photographs, and printed material.
Collection
Roberts, Colette, 1910-1971.
Papers of the American art critic, gallery director.Born in Paris, France, died 1971. Director of Grand Central Moderns (N.Y.), 1952-1968. Collection consists of taped interviews with Will Barnet, Nell Blaine, Victor Candell, Giorgio Cavallon, pianist George Copeland, Ben Cunningham, Fielding Dawson, Marcel Duchamp, Adolph Gottlieb, José Guerrero, Stanley William Hayter, John Hultberg, Jennett Lam, Charlotte Lichtblau, Roy Lichtenstein, Richard Lindner, Robert Mallary, Leo Manso, Ezio Martinelli, Seong Moy, Norman Narotzky, Louise Nevelson, Betty Parsons, Bernard Pfriem, Abraham Rattner, Man Ray, Robert Reid, Ralph Rosenborg, Jason Seley, William Soles, Hyde Solomon, Hedda Sterne, and Reuben Tam.
Collection
Holden, Donald, 1931-
Holden's writings (articles, books) and artwork (drawings of nude human figure in various media, watercolor landscapes); binders containing a catalog of Holden's watercolors and slides of his work in public collections; assortment of exhibition catalogs and articles about the painter.
Collection
Johnson, Eastman, 1824-1906.
Papers of the American artist, portrait painter. Outgoing correspondence in which Johnson discusses finished portraits (Florence Levy) as well as work in progress (John Elderkin), and a letter to painter Jervis McEntee.