Papers consist of correspondence, manuscripts, documents, photographs, subject files, and printed materials. Malamuth translated such works as Trotsky's "Stalin" and Valentin Kataev's "Kvadratura kruga." After World War II, he worked successively for the American Joint Distribution Committee in Europe and the Middle East, the Voice of America, and Radio Liberty. These papers reflect many aspects of Malamuth's career. Among the correspondents are Max Eastman, Eugene Lyons, Adolphe Menjou, and Lev Trotsky. There are one or two items each from Ili︠́a︡ Erenburg, Evengiĭ Kataev, Anatoliĭ Lunacharskiĭ, Alekseĭ Tolstoĭ, and Evgeniĭ Zami︠a︡tin. Manuscripts include a signed typescript of Boris Pilńi︠a︡k's "Volga vpadaet v Kaspiĭskoe more," a film scenario by Viktor Shklovskiĭ, and plays by I︠U︡riĭ Olesha, Tolstoĭ, and Zami︠a︡tin. There are photographs of David Ben-Gurion, Bela Kun, Lev Kamenev, Vladimir Lenin, and Grigoriĭ Zinovév. There are also photographs from Soviet Russia ca. 1920, and some about the resettlement of the Adenese Jews to Israel. Subject files deal with the publication of Trotsky's "Stalin," the American Joint Distribution Committee, the Voice of America, and Radio Liberty.

The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.

The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

The collection consists of correspondence, manuscripts by Sidorova and a photograph, presumably of Sidorova (1970). The manuscripts (signed Evgenii︠a︡ Mor, her pseudonym) include short stories, poems and essays about the second world war. Particularly noteworthy are long essays on the painter Kuzḿa Petrov-Vodkin (including lists of his works in private collections) and the playwright Evgeniĭ Shvart︠s︡, both of whom Sidorova knew personally. There are also brief essays about the writers Alekseĭ Pli︠u︡shkin (Ugri︠u︡mov) and Ivanov-Razumnik.

The collection primarily consists of unpublished manuscripts by Shavelśkiĭ. There are also letters from Shavelśkiĭ to his daughter (Marii︠a︡ Novit︠s︡kai︠a︡), several photographs of Shavelśkiĭ, clippings and miscellaneous printed items. Shavelśkiĭ's manuscripts include his memoirs (1920) which describe church affairs in Russia, World War I, the Imperial family and the 1917 Revolution; "Nabroski s natury" (1947), a series of brief essays and stories; "Pokhod protiv Rasputina" (n.d.); "Russkai︠a︡ t︠s︡erkov ́pred revoli︠u︡t︠s︡ieĭ" (1937); and "V dobrovolćheskoĭ armii" (1943), which describes Shavelśkiĭ's service as an army chaplain. Other manuscripts include brief sketches of Shavelśkiĭ by Feodor Bokach and N.N. Glubokovskiĭ.

Correspondence, manuscripts, documents, photographs, and printed materials of Surguchev. The papers almost exclusively concern Surguchev's life in emigration; he lived in France from the 1920s onward. Correspondents include Ivan Bunin, Nikolaĭ Evreĭnov, Aleksandr Kuprin, and Vladimir Nemirovich-Danchenko. There are manuscripts of plays, stories, and film scenarios by Surguchev in Russian, French, and English. Documents include literary contracts, and one contract signed by Sergeĭ Lifar ́concerning a film scenario by Surguchev and Ivan Lukash. There are photographs of Surguchev and of scenes from his plays, and a subject file on the Russian Chamber Theater (Kamernyĭ Teatr) in Prague, 1922-23. Among the printed materials are many clippings of pieces by Surguchev, and his play "Igra" and pamphlet "Bolśheviki v Stavropole."

The Li Huang papers (李璜檔案) contain manuscripts of his political writings dating from 1929 to 1971, as well as reference materials for his memoir. The reference materials include collected books, periodicals, reports, letters, photographs, and news clippings. The collection mainly reflects Li Huang's political thoughts and his opposition to communism.

The collection consists of correspondence, manuscripts, documents, a photograph, and printed material, primarily from the period 1941-1957. Included are letters from Ivan Bunin, Marc Chagall, Mikhail Karpovich, Vasiliĭ Maklakov, W. Somerset Maugham, Vladimir Nabokov, Ili︠́a︡ Repin, Edmund Wilson, Boris Zaĭt︠s︡ev and many others. Manuscripts of his works include "Istoki""Nachalo kont︠s︡a""Zhivi, kak khochesh"́, and "The Escape" (English translation of "Begstvo"), such shorter tales as "Noch ́v terminale""Povest ́o smerti", and "Ulḿskai︠a︡ noch"́, as well as numerous articles, book reviews and essays. There are financial records for "Novyĭ Zhurnal", which Aldanov helped found, and the clippings are mainly articles about Aldanov. There is one late photograph of Aldanov.

The papers consist primarily of letters from Kravchinskiĭ to his wife, Fanni; these are in a numbered sequence, which does not appear to be fully chronological, and some are incomplete. There are also 3 items from Petr Kropotkin and 1 from Eduard Bernstein, and other correspondence. There is a manuscript by Kravchinskiĭ in memory of Mykhaĭlo Drahomaniv, and photographs of Kravchinskiĭ and of his wife.