Correspondence, manuscripts, printed materials and photographs of Vetlit︠s︡. The correspondence includes letter drafts by Vetlit︠s︡, and letters from R. Shubovich. The collection consists primarily of Vetlit︠s︡'s manuscripts pertaining to horse breeding and horse-racing in Russia, Yugoslavia, the First and Second World Wars, and the 1917 revolution in Russia. Some of the manuscripts describe Vetlit︠s︡'s childhood and family, and his memoirs are included in the form of a letter. The printed materials consist of clippings of articles by Vetlit︠s︡.

Correspondence, manuscripts, photographs and printed materials of Volzhanin. The correspondence includes two letters from Aleksandra Tolstai︠a︡. The manuscripts are all by Volzhanin himself, and include memoirs describing his World War I military service, his service in the White Army in Siberia, his arrest and imprisonment until about 1937, his service with the Germans during World War II, and his eventual emigration to the United States. Other manuscripts deal with noted figures in Russian history, the emigre press, and literature. There are a few photographs of Volzhanin and a number of clippings.

These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

The collection consists of correspondence, manuscripts, a photograph (Trabzon, 1914-1915) and clippings. The correspondence dates from 1914-1915 and includes letters both to and from Shvart︠s︡, mostly dealing with World War I campaigns in the Trabzon region. There are military telegrams from 1914-1915 concerning events in Ivangorod, Kars and Stalʹt︠s︣ev. Shvart︠s︡' biography of Alexander III is the first volume of a planned two-volume work. It chronicles the 1845-1881 period and includes excerpts from a variety of contemporary sources, (approximently 200 pages of uncollated text) primarily describe World War I events on the Baltic, Belorussian and Caucasian fronts. "Na fronte i v tynu" is an excerpt from the memoirs of Antonina V. Shvart︠s︡, his wife. The clippings concern events in the Trabzon region during 1916.

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Vorobchuk. There is one letter from Syngman Rhee. The correspondence dates from 1915 to 1963 and chiefly concerns emigre activities in China, where Vorobchuk lived after the 1917 revolution. Most of the manuscripts are by Vorobchuk himself and relate to the Russian emigre communities in the Far East, the dairy farms where he worked, and political affairs. Among the topics covered in the subject files are the Asia Cominform Bureau, Civil War activities of Generals Khorvat and Kutepov, and Vorubchuk's involvement in the murder of Ataman Dutov. There are several photographs of torture victims and starving children in the Far East. The printed materials include six folders of clippings.

Correspondence, manuscripts, documents, photographs, and printed materials. The correspondence consists of letters written to Beklemishev and his wife in the 1950s. Manuscripts include his extensive fictionalized memoirs ("Potonuvshai︠a︡ Atlantida"), items apparently written for emigre

Correspondence, manuscripts, photographs, a subject file, and printed materials collected by Ermolov. The collection almost exclusively concerns the 1917 Revolution and the Civil War. Correspondence includes items by Isabel Hapgood and Konstantin Nabokov. The manuscripts include English-language translations of Russian materials from the period. There are 2 photographs: 1 of Grigoriĭ Rasputin at a tea party in 1916, and the other of the State Duma in 1917. The subject file concerns the Orthodox Patriarch Tikhon in 1917-19. Printed materials include Russian, English, and American clippings, pamphlets, journals, posters, and fliers.

The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.

Papers of Dmitrii Nikolaevich Liubimov, consisting of correspondence, manuscripts, documents, photographs, and printed materials. Correspondents include Vasilii Maklakov and Boris Zaitsev, and there is a document signed by Boris Savinkov. Manuscripts include Liubimov's memoirs of his years in the Ministry of Internal Affairs, "Russkaia smuta nachala deviatisotykh godov (1902-1906)", and others by him on many topics, often based on his personal experiences. Liubimov scrapbooks from the emigration include notes and clippings on various topics. There are materials relating to the activities of his wife, Liudmila Ivanovna, as representative of the Russian Red Cross in Poland in 1919-1922, including correspondence and a photograph album.

The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.