The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).

Vladimir Feofilovich Zeeler (Владимир Феофилович Зеелер; 1874-1954) was a Russian lawyer, state official and political activist; the Interior Minister in the South Russian Government; a pivotal figure of the Russian emigration; and a journalist, editor, memoirist and philanthropist. The collection includes correspondence, manuscripts, and photographs of many prominent cultural figures in the Russian emigration. A sizable part of the collection also concerns the painter Il'ia Repin (1844-1930).

The collection consists of correspondence, manuscripts, notebooks, and diaries (of Vladimir Kozli︠a︡ninov's brother Boris), documents, photographs and printed materials. The collection primarily concerns the monarchist movement in France and the history of the Imperial Horse Guard. Correspondents include Pavel Skoropadskiĭ and members of the Imperial family in emigration. There is a document signed by Anatoliĭ Lunacharskiĭ dated 1918, and a photostat of a decree by Catherine II granting the title of count to the Orlovs (1762). Printed material primarily concerns the monarchist movement in emigration. Included also is a copy of a book by V.F. Kozli︠a︡ninov, "Manuel Commʹemortatif de la Garde a Cheval" (1931).

Correspondence and memoirs of Vereshchagin. Correspondence includes letters from a number of major emigre cultural figures, such as Ivan Bunin, Matild́a Ksheshinskai︠a︡, Vasiliĭ Nemirovich-Danchenko; there are also poems by Nemirovich-Danchenko and by Nadezhda Teffi. In addition, there are letters by members of the Imperial family in exile, particularly Grand Prince Vladimir Kirillovich. Vereshchagin's memoirs touch on such subjects as his childhood and family, the Imperial Corps of Pages, cultural life in St. Petersburg and Petrograd, and the early 1920's in Petrograd and Moscow. In addition, there is a pamphlet of poems by Vereshchagin"Stikhi" (1955).

The collection partially consists of letters, most of which are to Nadezhda. Among the correspondents are Nikolaĭ Losskiĭ, Alekseĭ Remizov, and Nikolaĭ Roerich. Also included are manuscripts of his writings, such as "I︠U︡ra" and "Pod novymi zvezdami."

The papers consist of correspondence, manuscripts, notes, documents, photographs, subject files, and printed materials. Among the correspondents are Louis Marin, Mikhail Osorgin, Alekseĭ Remizov, Boris Ubegaun, George Vernadsky, and the "Eurasianists" Petr Savitskiĭ and Petr Suvchinskiĭ; there is one letter from Nikolaĭ Marr. There is the manuscript of Nikitin's memoirs, "Arabeski: pochemu i︠a︡ stal vostochnikom?" There are extensive notes of lectures by Nikolaĭ Berdi︠a︡ev in 1925. Numerous photographs date from Nikitin's service in Iran. Subject files concern the Eurasian movement (evraziĭstvo), and the Committee "For Return to the Homeland" ("Za Vozvrashchenie na Rodinu"). Printed materials largely consist of Nikitin's own writings.

The collection consists of correspondence, manuscripts, documents, photographs, subject files and printed material. The correspondence is primarily from the 1920s and includes letters from G. E. Lv́ov and S. P. Mel'gunov and one or two items each from M. A. Aldanov, I. A. Bunin, N. V. Chaikovskii, A. L. Tolstaiia, V. F. Zeeler and others. The manuscripts are primarily in the form of notes in Polner's hand and include Polner's diary from the years 1919-1925. The documents belong to Tikhon Polner's brother, Sergei, and deal with the latter's expulsion from the USSR in 1921. There is extensive material in the subject files on the writings of Lev Tolstoĭ, including typescript copies of several Tolstoi manuscripts and clippings of the reviews of Polner's book on Tolstoi. Also included is a photograph of A. I. Herzen from the 1850s.

The correspondence includes a copy of a 1913 letter to Smirnova-Maksheeva and a 1973 letter from her. The manuscripts are primarily by Smirnova-Maksheeva and include essays on the St. Petersburg Ekaterinskiĭ Institut; the Smirnov vodka dynasty (to which Smirnova-Maksheeva's first husband belonged); the author Petr A. Zhili︠́a︡r(Pierre Gilliard); the painter Konstantin E. Makovskiĭ (whom Smirnova-Maksheeva knew) and her husband and father-in-law. In addition, there is a manuscript of a talk about Smirnova-Maksheeva's poetry given by Georgiĭ Ivit︠s︡kiĭ in Paris, 1975. The published books are "Rasskazy i povesti" (Paris, 1975)"Skazka o russkom soldate, krylatom bese i t︠s︡arevne Elene" (Paris, 1974)"Dushoĭ i serdt︠s︡em" (Souvain, 1970) and "Tain̆a kazbeka-Gruzinskai︠a︡ legenda v stikhakh 16-17 veka" (Paris, 1947).

The documents in this collection span the inter-war years but cluster around the 1930-1936 period when Pribičeviʹc was living in exile in France and Czechoslovakia. They consist primarily of correspondence, police reports, foreign mission dossiers, clippings and speeches and shed light on Pribičeviʹc's public life. These materials are part of the holdings of the archives of the Czech Academy of Sciences, the National Museum and the Office of the President of the Republic, and were microfilmed in 1967 at the request of Stoyan Pribichevich, the son of Svetozar Pribičeviʹc.