The collection consists of correspondence, manuscripts, subject files and printed materials. Nearly all the manuscripts are by Savit︠s︡kiĭ himself, and include essays on such topics as Suvorov and Napoleon Bonaparte, Pushkin, early foreign travelers in Russia, eternal youth, Russian art and engineering. There are subject files relating to Savit︠s︡kiĭ's father, Kazimir Antonovich Savit︠s︡kiĭ, who was chairman of the Severskiĭ Donet︠s︡ Railroad from about 1907 to 1920, and to the Obshchestvo li︠u︡biteleĭ russkoĭ voennoĭ stariny (Society of Russian Military History Enthusiasts), a Paris based emigre organization. The printed materials include clippings and several issues of "Russkiĭ Voenno-Istoricheskiĭ Vestnik" of which Savit︠s︡kiĭ was co-editor.
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The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.
The collection includes more than 100 letters to Benningsen from P.P. Ignatév, the last Minister of Imperial Russia, written in 1920-1921; and correspondence between Benningsen and his wife, Ekaterina Platonovna Benningsen, and Ksenii︠a︡ V. Denikina. Several manuscripts by E. P. Benningsen are also included: a long memoir which treats the history of the Benningsen family, his own government and Red Cross service, the 1917 Revolution and the Civil War, and emigration in France and Brazil. There are copies of his lectures and articles on historical topics; a lengthy essay on the character of modern politics called "Ce que la vie m'a enseigne"̀; and a number of reviews of books dealing with Russia. There are two sets of subject files: one containing materials relating to the activities of the "Soi︠u︡z Pazheĭ" (an emigre organization of former members of the Corps of Pages); the other, materials relating to the efforts by former officers of the Kavalergardskiĭ Regiment to recover a trove of silver objects belonging to them that they had deposited in the State Treasury at the beginning of World War I and which finally ended up in Belgrade. A brief biographical note on her husband by Ekaterina P. Benningsen and a few photographs complete the collection.
The papers consist primarily of the Kosatkin-Rostovskiĭ's memoirs. His manuscript memoirs (150 p.) discuss his life up to 1906. Her typescript memoirs (440 p.) discuss her childhood, career as an actress in St. Petersburg, 1917-1918 in Petrograd, and the emigration in France. Also included are his diary for June-July 1940; a few letters written to him; clippings of his newspaper articles (many signed with the pseudonym "Antar"); and a book with his poetry and with essays dedicated to him; "Krestnym putem k voskresenii︠u︡" (Paris, 1948).
The collection consists of correspondence, manuscripts, documents, a photograph, and printed material, primarily from the period 1941-1957. Included are letters from Ivan Bunin, Marc Chagall, Mikhail Karpovich, Vasiliĭ Maklakov, W. Somerset Maugham, Vladimir Nabokov, Ili︠́a︡ Repin, Edmund Wilson, Boris Zaĭt︠s︡ev and many others. Manuscripts of his works include "Istoki""Nachalo kont︠s︡a""Zhivi, kak khochesh"́, and "The Escape" (English translation of "Begstvo"), such shorter tales as "Noch ́v terminale""Povest ́o smerti", and "Ulḿskai︠a︡ noch"́, as well as numerous articles, book reviews and essays. There are financial records for "Novyĭ Zhurnal", which Aldanov helped found, and the clippings are mainly articles about Aldanov. There is one late photograph of Aldanov.
The papers consist of correspondence, manuscripts, documents, original art works, bibliographic notes and material on exhibitions. There are letters from Aleksandr Benois, Mikhail Chekhov, Fedor Komissarzhevskiĭ, Georgiĭ Lukomskiĭ, Nikolaĭ Medtner, Vladimir Nabokov and Aleksandra Tolstai︠a︡, and one letter each from Ivan Bunin, Mikhail Fokin, Tyrone Guthrie, Sok Hurok and Serge Kusevit︠s︡kiĭ. The manuscripts include essays by Dobuzhinskiĭ on such topics as the Mir Iskusstva group, Pushkin's illustrations, Aleksandr Blok, Kuzḿa Petrov-Vodkin and Josʹe-Maria Sert. There are original art works (pen and ink, goache, etc.) relating to his artistic and theatrical productions. Also included are photographs of Russian scenes, apparently from before World War I.
Nadezhda Aleksandrovna Teffi Papers, 1900-1953 5 Linear Feet
The collection contains Simonovich's correspondence, manuscripts, doucments, subject files, and printed materials. There are letters to Simonovich from a friend who had settled in Yugoslavia, A. S. Poplavskiĭ, and Belgian postcards from before World War I. Manuscripts deal with Simonovich's experiences in the Imperial army on the Caucasian front and in the White army under general Slashchev. There are also essays devoted to the Russian emigre colonies in Belgium and in France. The subject files concern the Belgian section of the Gallipolian Society (Obʺshchestvo Gallipolit︠s︡ev) and Russian emigre events in Belgium. The printed materials include chiefly miscellaneous journals and clippings, some with articles by Simonovich.
Simon Lissim Papers, 1919-1982 1500 items
Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.
The correspondence includes a copy of a 1913 letter to Smirnova-Maksheeva and a 1973 letter from her. The manuscripts are primarily by Smirnova-Maksheeva and include essays on the St. Petersburg Ekaterinskiĭ Institut; the Smirnov vodka dynasty (to which Smirnova-Maksheeva's first husband belonged); the author Petr A. Zhili︠́a︡r(Pierre Gilliard); the painter Konstantin E. Makovskiĭ (whom Smirnova-Maksheeva knew) and her husband and father-in-law. In addition, there is a manuscript of a talk about Smirnova-Maksheeva's poetry given by Georgiĭ Ivit︠s︡kiĭ in Paris, 1975. The published books are "Rasskazy i povesti" (Paris, 1975)"Skazka o russkom soldate, krylatom bese i t︠s︡arevne Elene" (Paris, 1974)"Dushoĭ i serdt︠s︡em" (Souvain, 1970) and "Tain̆a kazbeka-Gruzinskai︠a︡ legenda v stikhakh 16-17 veka" (Paris, 1947).