The collection consists of correspondence, manuscripts, subject files and printed materials. Nearly all the manuscripts are by Savit︠s︡kiĭ himself, and include essays on such topics as Suvorov and Napoleon Bonaparte, Pushkin, early foreign travelers in Russia, eternal youth, Russian art and engineering. There are subject files relating to Savit︠s︡kiĭ's father, Kazimir Antonovich Savit︠s︡kiĭ, who was chairman of the Severskiĭ Donet︠s︡ Railroad from about 1907 to 1920, and to the Obshchestvo li︠u︡biteleĭ russkoĭ voennoĭ stariny (Society of Russian Military History Enthusiasts), a Paris based emigre organization. The printed materials include clippings and several issues of "Russkiĭ Voenno-Istoricheskiĭ Vestnik" of which Savit︠s︡kiĭ was co-editor.
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The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.
The papers consist primarily of the Kosatkin-Rostovskiĭ's memoirs. His manuscript memoirs (150 p.) discuss his life up to 1906. Her typescript memoirs (440 p.) discuss her childhood, career as an actress in St. Petersburg, 1917-1918 in Petrograd, and the emigration in France. Also included are his diary for June-July 1940; a few letters written to him; clippings of his newspaper articles (many signed with the pseudonym "Antar"); and a book with his poetry and with essays dedicated to him; "Krestnym putem k voskresenii︠u︡" (Paris, 1948).
The collection consists of correspondence, manuscripts, documents, a photograph, and printed material, primarily from the period 1941-1957. Included are letters from Ivan Bunin, Marc Chagall, Mikhail Karpovich, Vasiliĭ Maklakov, W. Somerset Maugham, Vladimir Nabokov, Ili︠́a︡ Repin, Edmund Wilson, Boris Zaĭt︠s︡ev and many others. Manuscripts of his works include "Istoki""Nachalo kont︠s︡a""Zhivi, kak khochesh"́, and "The Escape" (English translation of "Begstvo"), such shorter tales as "Noch ́v terminale""Povest ́o smerti", and "Ulḿskai︠a︡ noch"́, as well as numerous articles, book reviews and essays. There are financial records for "Novyĭ Zhurnal", which Aldanov helped found, and the clippings are mainly articles about Aldanov. There is one late photograph of Aldanov.
Nadezhda Aleksandrovna Teffi Papers, 1900-1953 5 Linear Feet
The collection contains Simonovich's correspondence, manuscripts, doucments, subject files, and printed materials. There are letters to Simonovich from a friend who had settled in Yugoslavia, A. S. Poplavskiĭ, and Belgian postcards from before World War I. Manuscripts deal with Simonovich's experiences in the Imperial army on the Caucasian front and in the White army under general Slashchev. There are also essays devoted to the Russian emigre colonies in Belgium and in France. The subject files concern the Belgian section of the Gallipolian Society (Obʺshchestvo Gallipolit︠s︡ev) and Russian emigre events in Belgium. The printed materials include chiefly miscellaneous journals and clippings, some with articles by Simonovich.
Simon Lissim Papers, 1919-1982 1500 items
Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.
Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).
Vladimir Vladimirovich Sakharov Papers, 1920-1950 8 linear feet
The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.