The collection consists of correspondence from such ballet and theater personalities as Sergeĭ Khudi︠a︡kov, Sergeĭ Lifar,́ Nadezhda Nikolaeva-Legat, Alekander Sanin and Vera Trefilova. There is also one letter each from Zinaida Gippi︠u︡s, Nadezhda Teffi, Boris Zaĭt︠s︡ev and Vladimir Zeeler. In addition, there are several typed manuscripts by Pleshcheev, including his book-length biography of E.N. Roschina-Insarova, and clippings of newspaper articles by Pleshcheev.
Search Results
Correspondence and manuscripts of Zaĭt︠s︡ev. This collection covers from the 1920's into the 1960's. There is correspondence from many other emigre writers. The largest groups of cataloged letters are by Mark Aldanov (105 items), Ivan Bunin (161), Archimandrite Kiprian (104), Alekseĭ Remizov (48), and Nadezhda Teffi (101). There are also items by Boris Bugaev (Andreĭ Belyĭ), Vi︠a︡cheslav Ivanov, Vladislav Khodasevich, Sergeĭ Lifaŕ and Boris Pasternak. Zaĭt︠s︡ev's manuscripts in the collection include some of his major works, such as "Puteshestvie Gleba" "Dom v Passi" "Zhizn ́Turgeneva" and "Zhukovskiĭ". In addition, the collection has a book and a pamphlet, both inscribed by Zaĭt︠s︡ev.
The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.
Il'ia Grigor'evich Savchenko Papers, 1920-1955 9 Linear Feet
The papers of Il'ia Grigor'evich Savchenko (1889-1961). The collection consists of correspondence, manuscripts, photographs, caricatures, and materials relating to a number of Russian émigré organizations. The materials relating to émigré organizations include correspondence, financial records, and mimeographed textbooks prepared by the professors of the Russkii iuridicheskii fakul'tet v Prage (Russian Juridical Institute in Prague), and correspondence and printed materials of the Soiuz ob"edinenii russkikh okonchivshikh vysshie uchebnye asvedeniia (OROVUZ; Union of Societies of Russians Who Have Graduated from Institutes of Higher Education), which Savchenko headed. In addition, there are materials relating to other émigré groups in Europe and the United States with which Savchenko was associated.
Nadezhda Aleksandrovna Teffi Papers, 1900-1953 5 Linear Feet
Correspondence, manuscripts, documents, photographs, organizational records, and accounts of the Soi︠u︡z Russkikh Pisateleĭ i Zhurnalistov v Parizhe (Union of Russian Writers and Journalists in Paris). The correspondence (ca. 1920-1951) primarily deals with organizational subsidies and events, and includes letters from such writers as Mark Aldanov, Ivan Bunin, Mikhail Fedorov, Mikhail Osorgin, Alekseĭ Remizov, Nadezhda Teffi, Marina T︠S︡vetaeva and Boris Zaĭt︠s︡ev (the president of the organization) among others. There are manuscripts by Vladimir Zeeler and Sofii︠a︡ Anichkova-Taube as well as photographs of several members of the organization. The financial records include receipts for subsidies and general financial statements covering the 1920-1950 period. The organizational records concern Union balls, publications, and other activities. There are also folders of miscellaneous notes and clippings.
Correspondence and memoirs of Vereshchagin. Correspondence includes letters from a number of major emigre cultural figures, such as Ivan Bunin, Matild́a Ksheshinskai︠a︡, Vasiliĭ Nemirovich-Danchenko; there are also poems by Nemirovich-Danchenko and by Nadezhda Teffi. In addition, there are letters by members of the Imperial family in exile, particularly Grand Prince Vladimir Kirillovich. Vereshchagin's memoirs touch on such subjects as his childhood and family, the Imperial Corps of Pages, cultural life in St. Petersburg and Petrograd, and the early 1920's in Petrograd and Moscow. In addition, there is a pamphlet of poems by Vereshchagin"Stikhi" (1955).