Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Papers of the American architect. Died 1966. Architectural drawings and designs, photographs and slides, material relating to bridge design, articles by and about Embury.

pen and ink sketch of women with babies

The Barry Miles Papers contains correspondence, manuscripts, photographs, and printed materials concerned with Miles' literary activities in the London counterculture. Included are letters and manuscripts from William S. Burroughs and Allen Ginsberg, among numerous others. This collection also includes material used by Miles in the research and writing of his work Ginsberg: A Biography as well as from his editorship of the annotated edition of Ginsberg's Howl.

Papers of the American Jewish painter, lithographer, etcher, illustrator, sculptor.Born in Russia. Correspondence (1911-1962), including a series of letters (1936-1958), some in scrapbook form, by Kopman to his art dealer, G.D. Thompson; manuscript poems, and prose, some in Yiddish; legal and financial papers; sketches; and photographs of Kopman's work and his family. Incoming letters, arranged alphabetically, include those from the Art Institute of Chicago, David Burliuk, the Federal Art Project, Rockwell Kent, Katharine Kuh, the Metropolitan Museum of Art, the Museum of Modern Art, Clifford Odets, the Pennsylvania Academy of the Fine Arts, the Phillips Memorial Gallery, Hugo Robus, Frederic F. Sherman, Raphael Soyer, the Whitney Museum of American Art, and Carl Zigrosser.

Three sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.

The Benson John Lossing Collection is an assortment of correspondence, drawings, writings, and memorabilia relating to the 19th century historian, illustrator, and editor of The American Historical Review (1813-1891). Predominantly correspondence, the collection centers around Lossing's information gathering for his popularizations of American history, while it also illuminates the early publishing industry in the United States.

Papers, photographs, and media related to Bettye Caldwell's research and professional work in the field of childhood development

709 editorial cartoons drawn for the Newark News and the Newspaper Enterprise Association and 5 magazine illustrations.

Correspondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.