Manuscripts, photographs, drawings, watercolors, and printed materials relating to the mission of the American Relief Administration in Soviet Russia in the early 1920s, during the famine of those years. There are manuscripts by William N. Haskell (chief of the mission) and Alvin E. Blomquist based on their experiences. There are many photographs concerning the mission's work, and the famine; there are also photographs of Communist Party leaders Lev Kamenev, Maksim Litvinov, and Nikolai Semashko. The drawings and watercolors, which are by an undentified artist, are of Simbirsk.

The collection includes copies of official communiques sent and received by the Russian Imperial Embassy in London for the period 1886-1890 and 1919-1922; copies of reports forwarded by E.V. Sablin to the Council of Ambassadors in Paris, for the period 1922-1937; correspondence grouped around specific subjects; "case files" containing letters from and on behalf of individual Russian emigres wishing to enter Great Britain or to adjust their immigrant status; and letters received by E.V. Sablin and his wife Nadezhda Ivanovna from various persons, together with carbon copies of their replies. The most voluminous correspondence is between E.V. Sablin and V.A. Maklakov, V. Dobuzhinskiĭ, Joseph P. Kennedy, Aleksandr F. Kerenskiĭ, Vladimir V. Nabokov, Fedor I. Shali︠a︡pin, Petr and Gleb Struve, Adri︠a︡na V. Trykova-Williams etc. The remainder of the collection consists of manuscripts of articles and speeches both by Sablin and by others; public statements issued by Sablin in mimeograph form; miscellaneous mimeo material; clippings from both the Russian emigre press and British and French newspapers of articles by and about Sablin; as well as miscellaneous clippings, books, booklets, leaflets, performance programs, newsletters, Russian language newspapers published in England, photographs and several drawings and watercolor sketches.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

The Juan J. Linz papers contain correspondence, personal documents, awards, photographs, notes, writings, speeches, lectures and courses notes, research files, press coverage and interviews, and printed material, dating from 1920s to 2010. The materials also include one box of materials on Columbia Student Unrest in 1968. The collection provide an insight on Juan J. Linz's family and childhood as well as his education and his work as a political scientist and a professor.

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.

Correspondence, manuscripts, photographs, art work, and printed material of and concerning Ronald Firbank. Included are nine letters from poet Alfred Douglas, seven from artist Albert Rutherston, four from Rollo Talboys, then schoolmaster at Wellington College, and forty-two letters from Firbank himself to his publisher Grant Richards and his manager George Wiggins. There are four letters from his mother, Lady Harriet, to the publisher and one letter from his father, Joseph Thomas Firbank, while serving in the House of Commons, 1897. Manuscripts include drafts and notebooks for his works: THE ARTIFICIAL PRINCESS, A DISCIPLINE FROM THE COUNTRY, THE RYTHUM, PRANCING N***, THE PRINCESS ZOUBAROFF, TRUE LOVE, and VAINGLORY. There is an inscribed photograph of Firbank from 1904; a pen-and-ink drawing by C.R.W. Nevinson used as a book illustration; and Albert Rutherston's watercolor drawing for the dust jacket of Firbank's novel, INCLINATIONS (London, 1916). There are also cataloged correspondence and manuscripts collected collected by Ifan Kyrle Fletcher for his book, RONALD FIRBANK; A MEMOIR.. (London, 1930).

Correspondence, manuscripts, documents, photographs, art work, audio cassette, printed materials by and about Thomas Merton. The correspondence covers the years from his study at Columbia to his death in Bangkok. Among the cataloged correspondence are: Daniel Berrigan, Mark Van Doren, Luis Somoza, Jacque Maritain, Aldous Huxley, James Laughlin, Robert Lax, Grover Cleveland Smith, John Howard Griffin, William Henry Shannon and Victoria Ocampo. The extensive manuscript collection was assembled primarily by Sister Thérèse Lentfoehr, Mark Van Doren, and Robert Shepherd. Among the more significant manuscripts are: corrected typescript of THE SEVEN STOREY MOUNTAIN; fragments of his NOVITIATE JOURNAL; notebooks and journals used in THE SIGN OF JONAS; numerous draft of poems; most of his lecture and conference notes which he used while serving as master of scholastics and, later, master of novices. There is an extensive collection of mimeographed articles, many inscribed to Sister Thérèse Lentfoehr; four watercolors by his father, Owen Merton, and many humorous and devotional drawings by Merton; many photographs of Merton, as well as photographs taken by Merton. There is an audio cassette of the radio play by Bruce Stewart entitled ME AND MY SHADOW, produced by the BBC in 1989. The printed material consists of numerous clippings and some offprints, pamphlets, and books

Correspondence, manuscripts, documents, financial records, photographs, drawings, engravings, and printed materials of Benjamin. The personal and business papers concern Benjamin's publishing and bookselling company, his numerous benefactions, the disposal of his collections, and many printed catalogs for his company, 1883-1940. The two major correspondents are the business and financial records for the printing, binding, and extensive promotion through a network of agents of Stedman's A LIBRARY OF AMERICAN LITERATURE FROM THE EARLIEST SETTLEMENT TO THE PRESENT TIME; new ed. (New York, W.E. Benjamin, 1894). There are also letters, manuscripts, documents, and drawings of English literary figures collected by Benjamin. Among these are six letters of George Eliot, 47 letters and six manuscripts of John Ruskin, and three letters and one manuscript of Joseph Mallord Turner, with four letters relating to the artist. In addition there ten drawings and watercolors by Ruskin.