Painter and illustrator Walter Stein (1924-1981) taught at Parsons School of Design from 1973 until his death. The collection consists of Stein's matted original watercolor illustrations, primarily depicting animals and plants, for the book, For Love of Her: Poems by Emily Dickinson, 1974.

Music manuscripts and books collected by Victor Hammer, including a copy of Ein Beitrag zur Ornamentik by Heinrich Schenker, musical sketches and three books of lute tablature, correspondence of Carolyn Reading Hammer with Clifford Wurfel and Robert Lang of the University of California at Riverside Library, a drawing of Hans Weisse by Victor Hammer, and manuscripts of compositions by Hans Weisse, with dedications to Victor Hammer.

Suzy Lorraine Ehrlich (1919-2006), was a New York-based fashion illustrator and product designer. The collection is comprised of 69 fashion illustrations executed in pen and ink, pastel, crayon, watercolor, and collage. It also includes two mailers advertising Milliken yarns. Some illustrations may have been executed for a class taught by Jack Potter at the School of Visual Arts.

Roselaine Boylan studied graphic design and illustration at Parsons School of Design in the late 1920s-early 1930s. The hand-drawn commercial artwork in this collection represents five assignments from her classes.

Collection documents designer, artist and Parsons School of Design teacher Robert Rabinovitz's projects from his undergraduate education at Philadelphia College of Art through his first New York collection, Spring + Crosby, and a series of poetry books produced in collaboration with students. Includes portfolios, plans and drawings, and book dummies, embodying various stages in the design process.

Robert Mackintosh (1925-1998) was a costume and fashion designer whose design career spanned forty years and twenty Broadway productions. He made his Broadway debut designing costumes for the 1952 musical Wish You Were Here. In the 1960s, Mackintosh branched out into womenswear design with Musette, a juniors label, which was sold at Bergdorf Goodman and Saks Fifth Avenue. He went on to design various other womens and menswear lines in the 1970s. The bulk of the collection consists of costume sketches, technical sheets, and swatches from theatrical productions, including The Last Minstrel Show, and Mame. Also included are clippings, fashion publicity, and promotional photographs, as well as approximately 150 women's fashion sketches, and nine menswear sketches.

This collection primarily consists of drawings created by fashion designer and theater producer Robert Carreon (1947-2020) while enrolled as a student at Parsons School of Design between 1966 and 1968, as well as drawings from his Parsons admissions portfolio and publicity photos of his work from 1967 to 1969.

A celebrated portraitist and leader in fashion illustration, René Robert Bouché (1905-1963) was a visiting lecturer at Parsons School of Design in 1947. The collection, assembled by Jerry Silverman and Shannon Rodgers, consists of over 100 of Bouché's fashion illustrations, as well as a poster from a 1974 exhibition of his work at Parsons.

Fashion illustration by René Robert Bouché depicting American fashion designer Sophie Gimbel. The illustration appeared in the April 15, 1961 issue of American Vogue with the caption, "Sophie's sari tactics for short evenings." A framed reproduction of this illustration hung at the entrance to Parson School of Design's Adam and Sophie Gimbel Design Library on West 13th Street. The portrait was taken down upon the 2014 closure of Gimbel Library.

Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.