Consists of handwritten and typed letters from Dr. Alvin Johnson, President Emeritus of the New School for Social Research, to philanthropist Dannie N. Heineman and carbon copies of some of Heineman's replies.

This collection primarily reflects the activities of Alvin Saunders Johnson during his years as director and president emeritus of the New School for Social Research (1946-1971). The files consist of biographical materials, correspondence, subject files, and writings. Because much of Johnson's work as president emeritus of the New School was concentrated on fundraising, the correspondence and subject files largely document this activity. Other projects documented here include Johnson's proposal to establish a labor college at the New School (which never came to pass), and launching a Faculty of Retired Professors. The Writings series includes drafts, typescripts, and reprints from publications documenting Johnson's abiding engagement with social issues, in addition to chapter drafts for his autobiography, Pioneer's Progress (published 1952).

Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, lectures, and other academic and professional work spanning his entire career. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.

Arthur Waldeck (1899-1965) was a New York-based voice teacher. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated copies of Schenker's works, written and published in German.

Consists of records created and received by Charles S. Olton, dean of Parsons School of Design from 1989 until 1997. Includes subject files on committees, departments and programs, events, individuals, international projects, and general administrative issues. Some files are restricted. Please email archivist@newschool.edu for details.

Constance P. Brown attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1913 to 1917, and worked as secretary to Frank Alvah Parsons in the teens or 1920s. The collection consists of correspondence from Parsons to Brown, faculty announcements, school circulars, interior decoration class rolls, clippings from 1913-1934, and correspondence with Parsons School of Design Alumni Association.

Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection primarily consists of albums of photographs and news clippings about Arje's displays, and correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including decoration of the White House Christmas tree. Also present are materials about Bonwit Teller and Tiffany's designer Gene Moore.

David Corcos Levy served as dean of Parsons School of Design from 1970 until 1989. The bulk of these records were generated between 1970 and 1984, after the merger of Parsons and the New School for Social Research, and consist of memos, correspondence, reports, and subject files related to Levy's administrative tenure. Correspondents include a range of New School and Parsons administrators, including New School president John R. Everett. Categories and subjects represented herein include developing and implementing new degree programs; the process of merging academic institutions, including the Otis Art Institute in Los Angeles; faculty relations and unionization; accreditation; program and department establishment and design; and fundraising activities. Also found here are materials created by the Parsons Board of Trustees and, after the merger, the New School Board of Overseers.

Dorothy Haon (1898-1995) attended the New York School of Fine and Applied Art (later, Parsons School of Design) in 1923-1924, and went on to careers in fashion design and merchandising. The collection, which spans the late 1930s through the 1950s, includes working sketches and notes, cloth patterns, fabric samples, and business records. Also included is work by Dorothy's sister, Marion Haon.

Emil Antonucci (1929-2006) was a New York-based artist, graphic artist, book designer, illustrator, publisher, and teacher. This collection contains artwork and design project materials relating to his freelance design and artistic career. Dating from the 1950s through the 2000s, materials in the collection include original artwork; design proofs and layouts; book and magazine interiors, illustrations, mechanicals, and Antonucci's writings. Included in this collection are items pertaining to the poetry of Robert Lax, whose poetry Antonucci published on his letterpresses, The Hand Press and Journeyman Press. Finally, a number of audio recordings of Antonucci's sound art and Lax's poetry readings are contained herein.

Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

Francis Geck (1900-2005) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1924 and taught interior design at the school's Paris Ateliers until 1927. In 1930, Geck became a professor of fine arts at University of Colorado, where he taught for 39 years. The papers contain correspondence with Parsons administrators, design sketches and student work, publications, and course materials.

The collection contains correspondence from Frank Alvah Parsons, president of the New York School of Fine and Applied Art (later, Parsons School of Design), to alumni James Wilfrid Kerr and Rose Netzorg Kerr, in addition to a short manuscript written by James Wilfrid Kerr upon Parsons' death. The tribute relates Kerr's experiences as a World War One veteran studying art under Parsons' tutelage.

Frieda Wunderlich (1884-1965) was a member of the University-in-Exile (also known as the Graduate Faculty, and later as the New School for Social Research). A professor, public official and editor of an anti-Nazi magazine in her native Germany, Wunderlich came to the New School in 1933 and continued her social and economic research while teaching into the 1950s. The collection consists of files and topically-themed notebooks.

Giuseppe Zambonini (1942-1990) was an Italian-born and New York-based architect, interior designer, theater director, and teacher. This collection contains materials pertaining to Zambonini's architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design, founder and head of the Open Atelier of Design, and director of the architecture program at the Georgia Institute of Technology. Dating primarily from the 1960s through the late-1980s, materials in the collection include sketches, drawings, plans, and blueprints of Zambonini's architecture and interior design projects, as well as photographs of the building sites and finished work. Also included are correspondence, photographs, and printed material related to his teaching and administrative career. Zambonini's work as a theater producer and director in Italy is represented by photographs, scripts, audio, and a variety of posters and programs. Finally, the collection contains a small selection of Zambonini's writings and lectures.

Harry Gideonse served as chancellor of the New School for Social Research (now The New School) from 1966 to 1975. This collection contains administrative material from his time at the New School for Social Research, and from work with other organizations during this period, including Freedom House and City University of New York. Includes correspondence, financial and fundraising documents, curriculum and conference material.

Interior designer and Parsons School of Design alumna Henriette Granville Suhr (1917-2015) specialized in merchandising and display design. This collection represents her work for such manufacturers, retailers, and designers as Baker Furniture, Bloomingdale's, and T. H. Robsjohn-Gibbings.

A compilation of notes, correspondence, and photographs depicting philanthropist Henry Arnhold's involvement with and contributions to The New School over the course of almost eight decades. This book was created by the New School Development Office on the occasion of Arnhold's death in 2018.

These papers contain drafts, outlines, notes, and manuscripts authored by Horace Meyer Kallen (bulk 1930s-1960s), documenting his career as a founding professor of philosophy at the New School for Social Research (1919-1974). His papers also contain writings by others and research material in the form of offprints and printed journals. Many topics center on religion and his work with Jewish organizations during the 1950s-1960s.

This collection consists of the papers of Jeffrey Goldfarb, the Michael E. Gellert Professor of Sociology at The New School. The collection contains teaching files; materials relating to Goldfarb's work in Poland; correspondence; and manuscripts for Goldfarb's published books. Also included are manuscripts of papers delivered at conferences, book reviews, prospectuses, and materials relating to Goldfarb's studies at the University of Chicago. Also found herein are materials pertaining to the Democracy Seminar, including forty-six audiocassettes primarily ranging from 1984-1989. Among printed material included in this collection are eleven issues of a mini-magazine published by Bread and Puppet Theater condensing newspaper reports of the Vietnam War into handmade pictorial narratives.