Correspondence, manuscripts, photographs, and printed materials of Lamont. Letters from George Santayana (1863-1952), with Lamont and others, a few early manuscripts, interviews and other notes on Santayana, and general correspondence about him. A series of letters from John Dewey to Lamont, discussing his ideas on humanism and religion. Extensive correspondence with the family of John Masefield including approximately 100 letters from Judith Masefield to Lamont, primarily written shortly after the death in 1967 of her father the poet John Masefield, and dealing with his life and work. Also, a few of her own writings; a number of the letters are descriptive of historical England and her concern for contemporary events. Among the letters from other family members are fifteen from Lamont's nephew, Jack Masefield, and 53 from his cousin Sir Peter G. Masefield, 1970-1983, conveying news about Judith as well as interest in the publication of John Masefield's letters from the World War I years and their continuing appreciation of Lamont's work on Masefield. There is discussion on the publication of Masefield's letters to Corliss' mother, Florence Lamont, printed in 1979.

Notes and books from the library of Frances Elizabeth Henne, including some of her own books from her childhood, and others on children's literature inscribed to her by the authors; material for her class on illustration in children's literature, 1952-1979; and memorabilia. Also, a 3,000 card bibliography of children's books cited in book dealer catalogs as well as a small group of entries for monographs and serials with references to children's literature; printed ephemera collected by Phyllis Yuill Marquart (Columbia M.L.S., 1973) relating to her collecting of and research on Helen Bannerman's LITTLE BLACK SAMBO. Included are photocopies of Bannerman's out-of-print books, a folder on commercial spinoffs, such as Sambo's Restaurants, photocopies of various editions of STRUWELPETER, which contains the Sambo story and a 1971 BBC audio tape recording and transcript of a radio program on the topic.

The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).

Correspondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.

Correspondence, research notes, articles, clippings, photostats, and photographs. These files concern his interest in Pierre Bayle, Antoine Arlier, and the Renaissance in Provence, as well as the Romanic Review, philology, French, Spanish, and celtic studies. Among the correspondents are: Philippe Berthelot, Nicholas Murray Butler, F.R. Coudert, John H. Finley, the Prince de Ligne, Curtis Hidden Page, William B. Parsons, and Aime ́Puech.

Correspondence, manuscripts, notes, documents, book typescripts, photographs, and printed materials covering the time from Dorfman's early interest, as a graduate student, in the economic thought of Thorstein Veblen until his retirement. There is correspondence with his academic colleagues, students, publishers, and the family and students of Thorstein Veblen, as well as manuscripts, typescripts, drafts, revisions, notes, photographs, pamphlets, and related materials for his articles and books which include: THORSTEIN VEBLEN AND HIS AMERICA, 1934; THE ECONOMIC MIND IN AMERICAN CIVILIZATION, 1946-1959; EARLY AMERICAN POLICY, 1960; INSTITUTIONAL ECONOMICS, 1963; TYPES OF ECONOMIC THEORY, 1967; and NEW LIGHT ON VEBLEN, 1973

Professional and personal papers of the German émigré scholar Paul Oskar Kristeller. Kristeller was a professor of philosophy at Columbia University and a world renowned scholar of Renaissance humanism and Renaissance philosophy who published widely, notably his major catalog of uncataloged manuscripts from the Italian Renaissance, the Iter Italicum.

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.