Search Results
Hodder and Stoughton records, 1875-1914 3 linear feet
Correspondence and publishing agreements for many of their authors in the pre-World War I period.
Renwick Family papers, 1794-1916 2 linear feet
This collection is primarily concerned with Prof. James Renwick and his professional correspondence and papers, both as Professor of Natural Philosophy (Physics) at Columbia College and as a leading engineer. Many certificates of membership in honorary societies are included. There are letters from Washington Irving (1783-1859) to Prof. Renwick and to his mother, Jane Jeffrey Renwick, pertaining to contemporary events and Irving's own activities. The letters to Mrs. Renwick are about the travels and experiences of Irving and Renwick abroad. The collection also covers the affairs of the Prof. Renwick's grandfather, including documents concerning his land grants in New York State, and those of James Armstrong Renwick, including his valedictory address at Columbia College in 1876 and his class reunion in 1916. There are many legal documents, letters, and manuscripts of various members of the Renwick and Brevoort families; among these are Prof. Renwick's notes on his family genealogy and a memoir of Jane Jeffrey Renwick. Correspondents include Clement Clarke Moore, John A. Dix, Martin Van Buren, Secretary of State John Forsyth, and Secretary of the Navy James K. Paulding. There is one letter from Sir Edward Sabine (1788-1883), President of the Royal Society, giving his views on the American Civil War.
Roberts Brothers papers, 1838-1932, bulk 1882-1898 2.5 linear feet
Correspondence files of Roberts Brothers, pertaining to all departments, editorial, production, advertising, and sales. Also, some miscellaneous letters and documents, unrelated to Roberts Brothers, which deal with various legal matters, including those of Frederick D. Ely and of William A. Dunn, from 1838 until 1932, and letters to the Secretary of Harvard University from 1900 to 1907.
Samuel and Bella Spewack papers, 1920-1980 67 linear feet
Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.
William McMurtrie Speer papers, 1880-1936 17 linear feet
Correspondence, manuscripts, typescripts, contracts, legal briefs, patents, and other documents, music scores, cartoons, technical drawings, account books, blueprints, photographs, clippings, printed legal briefs & transcripts, proofs, scrapbooks, and other printed materials of William M. Speer.
Architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to William Muschenheim's projects. The William Muschenheim Architectural Drawings and Papers span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material (described in RLIN VIM), consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations. William Muschenheim also had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom he did alteration work, Muschenheim also worked with a wide variety of companies including Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others