The material in this collection was originally housed in binders in Barney Rosset's New York apartment, and cover his personal and professional endeavors as a radical publisher, intellectual, and overall man of letters. It consists of writings, letters, photographs, interviews, films, catalogs, publishing files related to both Grove Press and Evergreen Review, and extensive biographical information on Rosset. The entire collection has been rehoused into archival quality boxes and folders. Each binder had been labeled, generally with some sort of topical or chronological designation. In most cases the binder labels will be retained as file titles, and the subdivisions within binders have become folders and retained, to a great extent, the titles assigned to them by the creator. In some cases the staff of the RBML altered or elaborated on existing folder titles for general clarity and ease of research. In some cases, the collection contains both original and typed (or transcribed) copies, the latter often taking the form of computer printouts that were originally held in binders marked "Master" or "Master Disk" to indicate their contents were on computer disks. These original binder titles have been kept throughout the finding aid.

Correspondence, manuscripts, memorabilia, photographs, phonograph and tape recordings, and printed files. Included are Cerf's personal correspondence files, 1929-1945, and the diaries and scrapbooks which he maintained from his school days throughout his active career. The diaries, in date-book format, contain terse notes on Cerf's meetings with authors and friends, on his travels and publishing activities; the scrapbooks contain correspondence and photographs, as well as memorabilia and printed items, and were annotated by Cerf and his wife, Phyllis Fraser Cerf Wagner. Also in the collection are manuscripts and proofs for Cerf's books including "The Laugh's on Me""Treasury of Atrocious Puns""The Sound of Laughter""Stories to Make You Feel Better", and "At Random: the Reminiscences of Bennett Cerf", which was edited by Phyllis Cerf Wagner and Albert Erskine, 1977. The papers also include condolence letters written at the time of Cerf's death, photographs and photo albums,certificates and awards, and miscellaneous printed material, including Random House and Modern Library catalogues. Among the major correspondents are: Truman Capote, Dwight D. Eisenhower, Edna Ferber, Moss Hart, J. Edgar Hoover, Hubert Humphrey, Lyndon B. Johnson, John Lindsay, Joshua Logan, John O'Hara, Jacqueline Onassis, Richard Rodgers, Franklin D. Roosevelt, Gertrude Stein, Adlai Stevenson, Harry Truman, and Robert Penn Warren

Bill Weinberg is a journalist, political writer, activist, and radio personality. His work and activism has focused on human rights, indigenous movements, drug policy, the environment, the Middle East, and opposition to war and authoritarianism. The Bill Weinberg sound recordings feature 57 episodes of the show Moorish Orthodox Radio Crusade (MORC), which was broadcast on WBAI radio from 1988 to 2011. The collection's recordings date from Bill Weinberg's period as part of the show's collective from 1992 to 2011. Throughout its run, MORC covered a wide range of political, cultural, and spiritual topics. Some major themes addressed in the collection's episodes include ecology, indigenous movements, anarchism, the War on Drugs, United States imperialism, Latin America, North Africa, religion, New York City political and social movements, sustainable transportation, and gardening. The collection also contains an oral history interview with Weinberg that was taken by the curator when the collection was donated to the Oral History Archives at Columbia.

Minutes, correspondence, annual reports, press releases, financial records, photographs, memorabilia, audiovisual, digital and printed materials document the philanthropic activities and administration of the Carnegie Corporation of New York. The collection is actively growing, primarily through regular document transfers from the Carnegie Corporation of New York. Andrew Carnegie's biographical information and personal philanthropic activity can be found in Series VII. In addition, his pre-1911 gifts, most notably his donations for libraries and church organs, can be found on microfilm (Series II), in the Home Trust Company Records (VI.A), and Financial Record Books (I.C.1). Grant files (Series III.A), which comprise the bulk of the collection) provide information on projects and institutions founded, endowed or supported by the Corporation. The Special Initiatives series (Series IV) contains the records of task forces, commissions and councils, formed by the Corporation mostly during the 1970s, 1980s, and 1990s to address specific issues. The Corporation's records include those of other Carnegie philanthropic organizations (Series VI), including the Carnegie Foundation for the Advancement of Teaching and the Home Trust Company, both of which shared staff, officers, and office space with the Corporation for a period of time.

Personal documents, correspondence, photographs, audiocassettes, and printed material of the filmmaker, film writer, and educator Cecile Starr (1921-2014).

This collection contains audio recordings for 186 different lectures, which have been digitized and are available online to Columbia affilates (and available to our public in our reading room). While the majority of the recordings are from the GSAPP Wednesday Night Lecture series, there are some recordings from other GSAPP sponosored symposiums, panels, and talks. The recordings are arranged in chronological order, with undated recording listed last. No paper records for this lecture series are included in this collection.

The collection documents the career and personal life of Trinidadian-born Black British activist and journalist Darcus Howe (1943-2017). Howe was best known as a defendant in the 1971 Mangrove Nine trial, a founding member of the Race Today Collective and editor of its journal, Race Today, and a producer of television series and documentary films for the British television station Channel 4. There is also material from the later life of Howe's cousin, the prominent intellectual, postcolonial writer, and activist C. L. R. James (1901-1989).

Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.

The records of the Institute of Gerontology include materials from the Institute on Aging, the Institute of Gerontology and the Ringel Institute of Gerontology, all of which served the same function within the State University of New York at Albany. Records include materials about program creation, correspondence, day files, grant applications, budgets, publications, research materials and professional development.

James S. Russell (b. 1952. Seattle, WA) is an architectural writer, critic and journalist who lives and works in New York City. He is currently the architecture columnist for Bloomberg News, and from 1998 to 2005, he was an editor of Architectural Record magazine. Russell also contributes to numerous other publications, including the the New York Times, the Harvard Design Magazine, among others. A registered architect in New York, he practiced architecture with firms in New York City, Philadelphia, and Seattle before becoming a full-time writer. Russell received his Master of Architecture (MArch) at Columbia University in 1980.