Blue-line prints of The Museum of Broadcasting located at 25 West 52nd Street, New York, NY. The drawing set (which is 108 sheets including the cover) includes mechincal drawings, structural drawings, and architectural drawings.

Theodore Conrad (1910-1994) was an American architectural model maker. This collection is composed primarily of model photographs, press clippings and other documentation, drawings, and administrative papers. The visual materials mainly consist of model making documentation from Conrad's career as a professional model maker for major architecture firms, most notably Skidmore Owings and Merrill and Edward Durell Stone.

This collection includes original and reprographic architectural drawings, black and white photographic prints, typescript specifications, and other papers relating to the architectural practice of Thomas W. Lamb, as well as his colleague and successor, John J. McNamara.

Collection consists of 51 reprographic architectural working drawings for the TWA Terminal A at John F. Kennedy International Airport in Queens, N.Y., drawn between 1958 and 1961. All sheets are diazo print on paper, with a very few bearing graphite and/or colored pencil annotations. Earlier drawings note Eero Saarinen as the architect of record; later drawings note Eero Saarinen and Associates. Architectural working drawings are stored in numerical order, sheets 2 through 121, with some sheets lacking.

Architectural drawings for projects in the United States, largely in the Chicago area, done before 1912; in Australia (where they lived, 1912-1937), including the Federal Capitol of Australia in Canberra, 1912, and Castlecrag, a planned suburb of Sydney, undated; and India, 1936. These projects were designed by Walter Burley Griffin and most of them were rendered by Marion Mahony Griffin. The extent to which some of these projects were also designed by Mahony Griffin is not certain.

This collection contains architectural records, student work, correspondence and professional writings related to the academic and architectural practice of Walter Sobotka. The largest portion of the collection, Series 1, relates to his architectural practice and contains drawings, files, and a scrapbook of photographs and articles pertaining to his work in Europe and America. The majority of his projects consisted of residential buildings and interiors in Austria along with furniture designs. However, there is also a selection of theater interiors that Sobotka designed for RKO across the United States. Series 2 contains a limited selection of Sobotka's lectures and writings, as well as correspondence. This series also contains material relating to two of his unpublished writings, The Prefabricated House and Principles of Design, including copies of the manuscripts, correspondence with publishers, and research materials. A bound version of Principles of Design is catalogued separately and contains an appendix in which Sobotka translated into English excerpts of his correspondence with the Viennese architect Josef Frank. Series 3 contains some artwork and student drawings, as well as a few personal letters.

Also, typescripts of lectures delivered by Boring in architecture courses at Columbia, 1932-1933, miscellaneous typescripts of articles and printed materials, 1930-1933, and a typescript of Boring's autobiography, MEMORIES OF THE LIFE AND WORK OF WILLIAM A. BORING, circa 1937. Also included are four sketches by Henri Gauthier, Edward Tilton, Maurice Sashin, and Joseph Laudin.

This collection of drawings, photographs and papers documents the architectural history of the William B. Osgood Field family in Lenox, Massachusetts, and New York City from the period 1908 through the 1920s. The bulk of the collection focuses on High Lawn, the private house and working farm located in Lee, MA. Several architects were commissioned to design buildings at High Lawn, including Delano & Aldrich, Alfred Hopkins, and John C. Greenleaf. The collection contains more than 450 drawings, 334 photographs (mostly construction photos of High Lawn Farm), specifications, general project files, and project correspondence between 1908-1914. In addition to the farm in Lee, MA, the collection also contains drawings for several buildings in New York City. There are alteration drawings by Stuart & Stuart (1903) and Hunt and Hunt (1911) for the Field's family home at 645 Fifth Avenue in New York. There are also drawings for a commercial building by John C. Greenleaf for 8 and 10 West 37th Street.