This collection contains a series of filmed interviews with prominent actors, directors, and writers discussing their creative process. The series was hosted by Professor Karen Ludwig of The New School's School of Drama in front of a live audience of students.

The Activism at The New School oral history program, initiated in 2019, documents touchstone moments of activism on The New School's campus from the perspective of students, faculty, and staff who participated. As of April 2020, interviewees include activists in the anti-Vietnam War movement; the 1996-1997 Mobilization for Real Diversity, Democracy, and Economic Justice at The New School; and campus protests in the 2000s-2010s.

Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her after graduation, and 24 small, black and white photographic prints depicting her student graphic design work, 1917-1919. Most of the designs are advertisements for consumer goods; two are World War One propaganda posters.

Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" --her professional name-- created her own line, designing under her own labels for the rest of her career. The records document Adri's professional life, with items arranged by year and season. Includes clippings and tear sheets, photographs, press kits, sketches, swatches, and video recordings.

Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.

Consists of records generated by Albert Landa (1927-2008), who started in 1960 as director of Public Information and became vice president of Development and Public Relations at The New School, and then held the title of Vice President, until his retirement in 1985. The records in this collection are notable because Landa was deeply involved in a rapid expansion of the university, including its 1970 incorporation of Parsons School of Design. The collection comprises six series, representing activities related to most of the major divisions and institutes of the university. Materials relate primarily to the development of new programs, building projects, fund raising, and public relations. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Typographer Albert Schiller (1898-1970) created artworks using pre-cast metal type elements. The collection is comprised of 35 type pictures and printing samples featured in a 1976 exhibition at Parsons School of Design.

Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.

Alison Smith Hannan (1925-) graduated from Parsons School of Design in 1947. She maintained this student notebook while studying fashion design and fashion illustration between 1945 and 1947.

The collection consists of art and design work executed by furniture and interior designer Allan Skriloff during his studies in Parsons School of Design's Interior Design Department.

Allen Austill (1927-2016) joined The New School in 1962. In 1965, he was appointed dean of the Adult Division and in 1987, he was named chancellor of the university and held this position until his retirement in 1989. The Allen Austill records are a small but significant set of materials largely relating to Austill's activities at The New School that fell outside of his primary role as dean of the Adult Division, including new program initiatives. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Consists of handwritten and typed letters from Dr. Alvin Johnson, President Emeritus of the New School for Social Research, to philanthropist Dannie N. Heineman and carbon copies of some of Heineman's replies.

This collection primarily reflects the activities of Alvin Saunders Johnson during his years as director and president emeritus of the New School for Social Research (1946-1971). The files consist of biographical materials, correspondence, subject files, and writings. Because much of Johnson's work as president emeritus of the New School was concentrated on fundraising, the correspondence and subject files largely document this activity. Other projects documented here include Johnson's proposal to establish a labor college at the New School (which never came to pass), and launching a Faculty of Retired Professors. The Writings series includes drafts, typescripts, and reprints from publications documenting Johnson's abiding engagement with social issues, in addition to chapter drafts for his autobiography, Pioneer's Progress (published 1952).

The American Council for Émigrés in the Professions was founded in 1945 by Drs. Else Staudinger and Alvin Johnson to provide aid and placement for World War II refugees who had been professionals in Europe. Records contain correspondence, meeting minutes, photographs, and subject files. Access is provided to this unprocessed record group, but some files may be restricted. Please email archivist@newschool.edu for details.

The American Indian College Fund is one of the largest Native-run charity supporting Indigenous students' access to higher education in the United States. The collection consists of advertising posters created by the advertising firm Wieden+Kennedy for the American Indian College Fund.

The audio recordings and transcripts in this collection document lectures from a fifteen-week series on the race crisis in the United States, held in the spring of 1964 at the New School and organized by New School professor Daniel S. Anthony. The recorded speakers include Charles Abrams, Algernon D. Black, Dan W. Dodson, Milton A. Galamison, Martin Luther King, Jr., Louis Lomax, Melvin Tumin, Robert C. Weaver, and Roy Wilkins.

The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. The clinic was offered once and at times twice annually from the 1920s through 1955 to forecast the year's fashion industry trends. This workbook belonged to Howard Phillips, merchandise manager for Ernst Kern Department Store, Detroit, Michigan, and was annotated by Phillips.

André and Creators Studios were Seventh Avenue fashion firms that marketed their designs to clothing manufacturers by subscription. In the mid-1970s Pearl Alexander Lipman, André's co-owner and designer since the 1930s, retired, and André's design drawings were sold to Creators Studios. The collection consists of design reproductions created and distributed by the two companies between 1937 and 1972.

After graduating from Parsons School of Design in 1943, Andrée Golbin (1923-2006) led a long career as a painter, graphic artist and illustrator. Serving as art director for Mademoiselle magazine in the early 1950s, Golbin also created artwork for a diverse list of clients, including several modern dance companies, Henri Bendel, and American Cyanamid. This collection contains examples of Golbin's drawings and completed projects.

Records kept by New School faculty member Ann Snitow, largely documenting her activities in connection with the evolving status of gender studies courses and programs at The New School at the graduate and undergraduate level.