A. Conger Goodyear was a businessman from Buffalo and a founder of the Museum of Modern Art in New York City. Papers include biographical material, 1955; memorabilia, 1925-63; and published material by and about Goodyear, 1938-58.

Papers of the American Jewish painter, lithographer, etcher, illustrator, sculptor.Born in Russia. Correspondence (1911-1962), including a series of letters (1936-1958), some in scrapbook form, by Kopman to his art dealer, G.D. Thompson; manuscript poems, and prose, some in Yiddish; legal and financial papers; sketches; and photographs of Kopman's work and his family. Incoming letters, arranged alphabetically, include those from the Art Institute of Chicago, David Burliuk, the Federal Art Project, Rockwell Kent, Katharine Kuh, the Metropolitan Museum of Art, the Museum of Modern Art, Clifford Odets, the Pennsylvania Academy of the Fine Arts, the Phillips Memorial Gallery, Hugo Robus, Frederic F. Sherman, Raphael Soyer, the Whitney Museum of American Art, and Carl Zigrosser.

The papers of Blanchette Ferry Hooker Rockefeller (1909-1992), which span the years 1884-1994, document the various roles Mrs. John D. Rockefeller 3rd played in her lifetime, including that of daughter, wife, mother, daughter-in-law, aunt, friend, philanthropist, art collector, and political fundraiser. The papers contain her personal and family correspondence, photographs, and memorabilia as well as the records generated by her philanthropic activities. They provide information on her ancestors; education; relationships with family members, friends, and associates; travels; and on her social concerns and benevolences. While the bulk of the papers deals with Mrs. Rockefeller's lifetime, some items relating to her forebears predate her birth. Due to shared interests and activities in many areas, Mrs. Rockefeller's papers parallel and complement the papers of her husband, John D. Rockefeller 3rd, which are also housed at the Rockefeller Archive Center and which are open to researchers.

Correspondence (1943-1964); and exhibition catalogs, clippings, and articles about Chaim Gross (1937-1964). Incoming correspondence includes that of Sidney Alexander, Associated American Artists, George Biddle, Theodore Bikel, Isabel Bishop, Butler Institute of American Art, Rhys Caparn, Federico Castellón, Philip Evergood, Robert Gwathmey, Benjamin Kopman, Leon Kroll, Yasuo Kuniyoshi, Hedy Lamarr, Millard Lampell, Los Angeles County Museum of Art, Irving Marantz, Herman Maril, Museum of Modern Art, National Institute of Arts and Letters, New School for Social Research, Jan Peerce, Raphael Soyer, Sabina Teichman, Carl Van Vechten, Harold Weston, Whitney Museum of American Art, and William Zorach.

Spencer Douglass Crockwell was a commercial illustrator, experimental filmmaker, inventor, Mutoscope collector, amateur scientist, and Glens Falls, New York, resident. The Douglass Crockwell Collection contains Mr. Crockwell's personal papers, professional documents, films, Mutoscope reels, flip books, drawings, and photographs documenting his professional, civic, and personal life.

This collection primarily contains architectural drawings, correspondence, business records, and a small number of photographs related to the projects of Emery Roth & Sons and its subsidiary entities. A large portion of the entities are represented only in the Office Records series and are identified as such. Some projects on which Emery Roth & Sons acted as architect of record are not represented in this collection, most notably the Twin Towers of the World Trade Center.

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.

Correspondence, primarily incoming, 1942-1970; drawings by Alfred Leslie and Saul Steinberg; exhibition catalogs; a notebook containing recipes and sketches; photographs of Hartigan, her work, and various of her artist friends, including Mary Clyde, Willem de Kooning, Helen Frankenthaler, Alfred Leslie, Frank O'Hara, and Larry Rivers; and writings of Hartigan and others, including that of Ted Joans, Barbara Guest, and Frank O'Hara

Installation photographs inside the Arthur Ross Architecture Gallery, Buell Hall, Columbia University.

Papers of the American Jewish lithographer, painter, and art critic, born in Russia, emigrated to the United States in 1906. Correspondence (1923-1973); manuscript writings, including various chapters of an unpublished autobiography; photographs and reproductions of Lozowick's work; and printed material, including articles by Lozowick and exhibition catalogs.