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Collection
Konzal, Joseph, 1905-1994.
American sculptor. Collection contains correspondence, printed material, photographs of Konzal's work, and three small paintings by the American Sculptor.
Collection
Reisman, Philip, 1904-1992.
Papers of the American Jewish Social Realist painter, illustrator, and printmaker; born in Warsaw, Poland, died 1992. Correspondence (7 items), including an incoming letter from Diego Rivera; 103 pencil and/or pen-and-ink drawings; photographs of WPA Federal Art Project mural work for Bellevue Hospital; 179 annotated slides; printed reproductions of Reisman's work; articles and reviews (1932-1992); and exhibition announcements, invitations, and catalogs (1930s-1993).
Collection
Bohrod, Aaron.
Correspondence (family, art organizations and associations, educational institutions, galleries and museums, patrons, fellow artists), artwork, writings, memorabilia of the American realist painter.
Collection
Lozowick, Louis, 1892-1973.
Papers of the American Jewish lithographer, painter, and art critic, born in Russia, emigrated to the United States in 1906. Correspondence (1923-1973); manuscript writings, including various chapters of an unpublished autobiography; photographs and reproductions of Lozowick's work; and printed material, including articles by Lozowick and exhibition catalogs.
Collection
Huntington, Archer M. (Archer Milton), 1870-1955
Papers of the American philanthropist, poet. Correspondence; secretarial daybooks, 1922-1957; manuscripts; legal and financial papers. Organizational correspondence includes that of the Academy of American Poets, American Academy of Arts and Letters, American Geographical Society, American Museum of Natural History, American Numismatic Society, Brookgreen Gardens, California Palace of the Legion of Honor, Hispanic Society of America, Mariners' Museum, Metropolitan Museum of Art, Museum of the American Indian, National Academy of Design, National Arts Club, National Sculpture Society, New-York Historical Society, New York Zoological Society, and Yale University.
Collection
Moffett, Ross.
Correspondence (1921-1962); clippings, exhibition catalogs and invitations (1916-1945); and photographs. Also, letters and printed material related to Moffett’s Federal Art Project post office murals in Holyoke and Sommerville, Massachusetts, and his Presidential mural at the Eisenhower Foundation in Abilene, Kansas.Letters of Gerrit A. Beneker, Louis Bouché, Charles Burchfield, Julia Morrow DeForest, John Davis Hatch, Marston Hodgin, Alexander J. Kostellow, Tod Lindenmuth, and Louise Orwig. Also, letters and printed material related to the Provincetown Art Association, for which Moffett served as an officer.
Collection
Gershoy, Eugenie, 1901-
Papers of the Russian-American sculptor, painter. Incoming and outgoing correspondence; manuscripts including drawings, notes, sketches, and illustrations; published material; and photographs of Gershoy's work and family.
Collection
Kopman, Benjamin, b. 1887
Papers of the American Jewish painter, lithographer, etcher, illustrator, sculptor.Born in Russia. Correspondence (1911-1962), including a series of letters (1936-1958), some in scrapbook form, by Kopman to his art dealer, G.D. Thompson; manuscript poems, and prose, some in Yiddish; legal and financial papers; sketches; and photographs of Kopman's work and his family. Incoming letters, arranged alphabetically, include those from the Art Institute of Chicago, David Burliuk, the Federal Art Project, Rockwell Kent, Katharine Kuh, the Metropolitan Museum of Art, the Museum of Modern Art, Clifford Odets, the Pennsylvania Academy of the Fine Arts, the Phillips Memorial Gallery, Hugo Robus, Frederic F. Sherman, Raphael Soyer, the Whitney Museum of American Art, and Carl Zigrosser.
Collection
Cunningham, Ben, 1904-1975
Spanning 1904 to 1969, the Ben Cunningham Papers comprises biographical material, correspondence, artwork, writings, and memorabilia of the American painter and art educator (1904-1975). The collection, which is heavily annotated by Cunningham, illuminates a professional career which encompassed WPA Federal Art Project mural work as well as the op art movement of the mid to late 1960s. Some of the items in the collection have been restricted to prevent their further deterioration. Photocopies of these embrittled items have been made available for researcher use.