Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Correspondence, manuscripts, notes, printed materials, and tape cassettes assembled by Tom Clark in writing his WRITER: A LIFE OF JACK KEROUAC. There is correspondence from friends and fellow writers of Kerouac, printed materials about Kerouac and The Jack Kerouac Conference, 1982, at the Naropa Institute (Boulder, Colorado), and five drafts of Clark's book manuscript. Among the correspondents are Carolyn Cassady, Robert Creeley, Edward Dorn, and Allen Ginsberg.

This collection consists of letters between Thomas Connolly and various writers, some of which are personal and/or relate to his research interests, but most of which document the hiring of writers as faculty for summer sessions at the University at Buffalo.

Collection contains tape recording and transcript of a symposium held at the University at Buffalo, State University of New York on October 12, 1978 with presentations by Robert Buck, John Cage, Robert Creeley, Merce Cunningham, and Morton Feldman.

The Robert Kelly Collection contains an extensive collection of Kelly's autographed and typed manuscripts and notebooks (approximately 58,000 pages); over 4,000 letters to Kelly from such writers as Cid Corman, Robert Creeley, Robert Duncan, Ted Enslin, Clayton Eshleman, Charles Olson, Jonathan Williams, and Diane Wakoski; and copies of many of Kelly's letters to others.

The Martin Seymour-Smith Collection contains letters from Robert Creeley, Ian Hamilton Finlay, Robert Graves, Donald Hall, Philip Larkin, Tom Raworth, Giles Gordon, Terence Hards, Brian Higgins, Alan Hodge, Judith Nye, James Reeves, and Charles Sisson; notebooks, manuscripts, and/or proofs for many of Seymour-Smith's creative, critical, and biographical publications; photocopies of letters and diaries by Robert Graves; and photocopies of letters by Laura Riding Jackson.

Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Correspondence and production files of The Goliard Press, relating to the publication of contemporary English and American poetry. Most of the letters are addressed to Barry Hall or Tom Raworth. Among the poets represented are Basil Bunting, Robert Creeley, Allen Ginsberg, Anselm Hollo, Ted Hughes, Christopher Logue, Michael McClure, Charles Olson, and Louis Zukofsky.

This collection consists of correspondence, manuscripts, documents, photographs, video and tape recordings, and printed materials relating to Economou's poetry manuscripts, to publications and performances to which he contributed, and to his teaching career as a professor of medieval literature.

This collection contains material related to the magazine Fire Exit (1967-1975), edited and published by William Corbett for four numbered issues and related broadsides, including correspondence and submissions from 1955-1992; production material for issues 1-4; and William Corbett's personal manuscripts, notebooks, and ephemera.