A scrapbook of musical excerpts kept by opera singer Marietta Gazzaniga (1824-1884), who toured the United States and Cuba in the mid-nineteenth century. The Italian soprano compiled autographs, letters, and poems from major nineteenth century Italian composers and other music personalities, notably Giuseppe Verdi, into the bound volume, which spans almost forty years.

American artist and founder of Parsons School of Design William Merritt Chase (1848-1916) etched the two works comprising this collection, "Keying Up--the Court Jester" (1879) and "Spanish Peasant" (circa 1881).

Harry B. Baker (1868-1941) was an illustrator who taught at the New York School of Fine and Applied Art (which became Parsons School of Design) in the early 20th century. Before moving to New York, Baker traveled the American West. He illustrated bar fights, cowboys, Native Americans, and street scenes. The collection includes photographs of Baker and his students, a letter from Frank Alvah Parsons, and illustrations by Baker.

These records consist of files compiled and produced during the more than thirty years of research and writing that culminated in the publication of the Complete Catalogue of Known and Documented Work by William Merritt Chase (1849–1916), published in four volumes by Yale University Press between 2006 and 2010. The project was started by Ronald G. Pisano (1948-2000) and completed by D. Frederick Baker and Carolyn Lane after Pisano's death. Files include correspondence with auction houses, museums, galleries, libraries, archives, and individual owners of Chase work; authentication reports; photographs of Chase work; exhibition and auction records; news clippings and articles by and about Chase; and photographs and correspondence from Chase's lifetime (mostly obtained as photocopies from other institutions).

This collection consists of publications from Parsons New School of Design and its affiliate programs, including catalogs for overseas schools, and continuing education and AAS programs. Catalogs hold information on school policies and admissions requirements, course descriptions, faculty rosters, and examples of student work. Materials for the years 1896-1912 consists primarily of photocopies of print advertisements for the Chase School of Art.

Canadian elementary school teacher Roy F. Fleming (1878-1958) produced the notebook and drawing in this collection while attending the New York School of Art (later, Parsons School of Design) between 1902 and 1907. Fleming's notes include sketches illustrating lectures by Frank Alvah Parsons, William Merritt Chase, and Robert Henri. The collection also includes a photograph of Fleming, his diploma, and a color chart created for art instruction.

These papers contain drafts, outlines, notes, and manuscripts authored by Horace Meyer Kallen (bulk 1930s-1960s), documenting his career as a founding professor of philosophy at the New School for Social Research (1919-1974). His papers also contain writings by others and research material in the form of offprints and printed journals. Many topics center on religion and his work with Jewish organizations during the 1950s-1960s.

Sherl Nero (1939-2006) was a fashion and textile designer who graduated from Parsons School of Design in 1962 and worked in sportswear design before joining the Design Works of Bedford Stuyvesant (DWBS) in 1971. DWBS was the brainchild of Jacqueline Kennedy Onassis and designers Doris and Leslie Tillett. With financing from the Bedford Stuyvesant Restoration Corporation, the Black-owned business produced African-inspired designs for fabrics and homewares. This collection contains design material made by Nero at DWBS and from her work as a designer for Burlington Domestics, Aberdeen Inc., and other home textile companies. Also included is biographical material documenting Nero's achievements throughout her career and her trajectory from a fashion student at Parsons to design director for a large home textiles company.

The collection consists of 53 handwritten letters from Richard Tweedy during his time in Holland with William Merritt Chase's 1903 summer abroad program, and from a later period when Tweedy lived in Paris. (One 1906 letter is from his home in New Hampshire.) The letters are mostly addressed to Tweedy's mother, Mary Alice Belcher Tweedy, while a few are addressed to his brother and to his father. Typed transcriptions of each letter are included.

Arthur Waldeck (1899-1965) was a New York-based voice teacher. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated copies of Schenker's works, written and published in German.